Archive for November, 2012

It’s a Big Day for the DMA


Yesterday we announced our move to free general admission in 2013 along with the launch of an innovative free membership model, the DMA Friends & Partners program. DMA Friends & Partners will not only strengthen our existing relationships with you but also forge new ones, expand audiences throughout greater Dallas, and build a robust global online community.

The DMA Friends program will provide free membership to anyone who wishes to join and will include opportunities for increased access to Museum programs and staff. The DMA Partners program will seek the support of individuals, corporations, and foundations desiring to be a part of the Museum’s efforts to deliver access to its extensive collection and diverse public programs. DMA Partners are also welcome to become DMA Friends and earn rewards through engagement.

DMA Friends earn rewards by engaging with the Museum both at the DMA and online. We will also create a new online engagement platform through which virtual badges are awarded to Friends who really plug-in and make the DMA a vibrant place to be. Badges will give you new ideas about ways to use the Museum that you’ve never thought of before. Earning badges will unlock special rewards and recognition like free tickets to special exhibitions or behind-the-scenes tours with DMA staff.

Our reasons for going free can be explained very simply: the DMA values the participation of the public more than we value the modest return realized from paid general admission. Art museums are different from other cultural destinations because we don’t rely as much on admissions to pay the bills. Our model is closer to that of a public library: we receive substantial philanthropic support from generous individuals, government agencies, foundations, and corporations, and we serve the public by seeking an educational outcome, not a commercial one.

The best part of our work is in seeing how artworks from across 5,000 years of visual creativity can change the way we think about the world, and how we feel about ourselves, as individuals and as a society. We look forward to welcoming you and to learning together.

Find out more about DMA Friends & Partners in the Press Room and watch yesterday’s press announcement below.

Robert Stein is the Deputy Director at the Dallas Museum of Art.

Happy Thanksgiving from the DMA

The DMA wishes you a Happy “Turkey” Day with Don Eddy’s Williams Bar-b-qued Turkey from 1973.

Don Eddy, Williams Bar-b-qued Turkey, 1973, color lithograph, Dallas Museum of Art, gift of Dr. Roy M. Fleischmann

And start your Black Friday now with the “Paint It Black” board on the DMA’s Pinterest page.

Kimberly Daniell is the Public Relations Specialist at the Dallas Museum of Art.

Crawl Space: Within the Walls

We recently opened our DMA Staff Art Show, Crawl Space: Within the Walls, on Level M2. DMA employees love art, and some members of our staff create their own works. Stop by and visit the Staff Art Show, on view through January 6, 2013.

Feasting: From Ancient Mexico to Our Kitchens

On Thursday, November 15, cookbook author Diana Kennedy, often called the Julia Child of Mexico, will be here to discuss her cookbook Oaxaca al Gusto: An Infinite Gastronomy, as well as the feasting traditions of ancient Mexico.

Oaxaca al Gusto: An Infinite Gastronomy is equal parts historic document and kitchen guide, focusing on the traditional cuisine of the Oaxaca region of Mexico. In preparation for this event, the DMA’s programming team decided to try some recipes from the book to see what they were like (and to test their kitchen skills).

Stacey Lizotte, Head of Adult Programming and Multimedia Services:

I decided to make Clavaria Mushrooms in Mole (Mole de hongos de curenito de venado) because I have always wanted to learn how to make a mole sauce. This recipe called for a few ingredients that I could not find in the four different grocery stores that I went to. I replaced the main ingredient, clavaria mushrooms, with a mix of regular button mushrooms and oyster mushrooms. I also could not find dried costeños chiles and instead went with dried gaujillo chiles.

Ingredients for Clavaria Mushrooms in Mole (Mole de hongos de curenito de venado)

First you make a paste of the mushrooms and then add them to a pureed tomato, chile, garlic, onion, and spice mixture before frying in a skillet with lard over high heat. You then mix with masa to thicken the sauce. Traditionally, this dish is just served with corn tortillas.

Mushroom paste

I found the mole to be on the mild side and would serve it with a meat next time, either chicken or beef, in addition to the tortillas.

Things I learned: You can toast the chiles on an electric stove top burner if you don’t have a comal as recommended in the book. And, you will need a very large skillet for the last step, as this recipe makes a lot of mole.

Roasting chiles on electric stove

Clavaria Mushrooms in Mole (Mole de hongos de curenito de venado)

Liz Menz, Manager of Adult Programming:

I am without question the least experienced cook of our team, so I chose to make a simpler recipe, Red Chickpea Soup (Molito de garbanzo rojo). After a pep talk from a few of my more kitchen-savvy friends and a deep breath, I gathered my ingredients and went to work. I did make one small change to the recipe and replaced the lard with Crisco to make it vegetarian friendly.

Ingredients for Red Chickpea Soup (Molito de garbanzo rojo)

After whisking the chickpea powder/flour into water to get a smooth consistency, I turned to my blender to puree the onion, garlic, and tomatoes.

Tomato, onion, and garlic in blender to puree

I added the chickpea mixture to boiling salted water and let it reduce for quite a while to get a thicker consistency for the soup. Meanwhile, the Crisco was melting in a larger skillet to fry and reduce the onion, garlic, and tomato puree. After the puree had reduced some, I added it to the pot with the chickpea base and whisked regularly as it reduced more. After letting it simmer for a while on low, the soup thickened up quite a bit.

Chickpea mixture and tomato puree reducing on stove

The soup was very tasty and, as I mwentioned to a co-worker afterwards, would also make a great base for veggies or meat for a heartier meal.

Things I learned: The puree mixture fries and reduces much quicker than I expected, whereas the soup reduced very slowly. Also, my Google app on my phone was just as important as my whisk–in fact, for this inexperienced cook, it was essential!

Red Chickpea Soup (Molito de garbanzo rojo)

Denise Helbing, Manager of Partner Programs:

I decided to finish off our departmental Oaxacan meal with dessert so I made Rice Pudding (Arroz con leche).

For this dish, you only need a few simple ingredients. The only “special” ingredient I didn’t already have was evaporated milk.

Ingredients for Rice Pudding (Arroz con leche)

You just cook the rice in a bit of water with the spices first, then add the two milks and lime and cook slowly for about thirty0 minutes, stirring regularly.

Cooking all the ingredients

The unique aspect of this pudding, compared to other rice puddings I have made or eaten, was the addition of the lime rind during the cooking process. It combined nicely with the cinnamon and allspice and gave the pudding a distinct flavor.

Removing lime rind from milk

This recipe did not call for any sugar or sweetener (like honey or agave), and to me, rice pudding, in a dessert form, needs to be a little bit sweet, so I must make a confession; I added some simple syrup to my pudding at the end of cooking.

I served it as suggested with a bit of lime zest and cream (half and half) on top. My husband said it reminded him of decadent, rich Fruit Loops. And he likes Fruit Loops, so that was a compliment!

Rice Pudding (Arroz con leche)

Feasting in Ancient Mexio is part of our programming for the special exhibition The Legacy of the Plumed Serpent in Ancient Mexico. The exhibition will be on view through Sunday, November 25.

Music and Masterpieces

We are very excited about the upcoming launch of a new program, Music and Masterpieces, produced in partnership with the Dallas Opera, on Saturday, November 10.

We have worked closely with our Arts District neighbor the Dallas Opera on many programs and projects in the past. These have included the commission of the song cycle A Question of Light by writing duo Gene Scheer and Jake Heggie, which was inspired by works of art in the DMA’s collection in honor of our shared benefactor and art advocate Margaret McDermott; hosting several special opera season preview performances; and most recently hosting a recital by Laura Claycomb.

The success and positive response to  A Question of Light started us thinking: How can we connect the art of performance and music with the art in the galleries in a more meaningful way, and more often? After a fun brainstorming session between the DMA programming staff and the Opera’s Marketing and Education department, the idea for Music and Masterpieces was born. The DMA and the Dallas Opera will work together to choose a theme based on an area of the DMA’s collection or special exhibitions that will serve as inspiration for a performance and tour to be held on the same day. Through this pairing, visitors will gain a deeper understanding and appreciation of both of these art forms and the influences they have on one another within a shared theme, era, or culture.

Jules Cheret, “Jardin de Paris”, 1890, color lithograph, Milwaukee Art Museum, Gift of Dr. and Mrs. Milton F. Gutglass, M1998.158, Photo by John R. Glembin, Milwaukee Art Museum

Next Saturday’s Music and Masterpieces program is inspired by the exhibition Posters of Paris: Toulouse-Lautrec and His Contemporaries. Nathalie Paulin*, a French-Canadian soprano, will perform music ranging from late 19th-century French opera to art songs and Parisian bistro chansons. A tour of the exhibition will follow the performance. The performance will start at 2:00 p.m, and the tour will begin at 3:00 p.m. Please arrive early as space on the tour is limited and on a first-come, first-served basis the day of the event. 

Nathalie Paulin

We have other Music and Masterpieces programs in the works as well. On January 27, 2013, we will feature Twyla Robinson*, soprano, with Charles Dillard* as accompanist. This program will be themed around the exhibition Difference? and will include music from the 20th century featuring strong feminine themes.

We hope to see you Saturday and at future Music and Masterpieces programs!

Denise Helbing is the Manager of Partner Programs at the Dallas Museum of Art.

*Artists subject to change

Coming Soon: The New C3

There are some changes taking place in the DMA’s Center for Creative Connections. We have expanded our “making” space in C3 to include a work of art to inspire creation, and we are enlarging the area to allow room for more visitors. We have recently added a new staff pick, and we are in the process of installing the Urban Armor Street Art Camp panels in the Tech Lab and Young Learners Gallery. We’re also changing out the monitor wall images with visitor photo contributions. DMA staff has been preparing the walls in C3 for the installation of a piece by John Hernandez called Hi-C Avenger. We are thrilled to announce that Hernandez will be teaching workshops in C3 this January!

Amanda Batson is the Program Coordinator for the Center for Creative Connections at the Dallas Museum of Art.


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