Loren Mozley: Structural Integrity

On February 17, the DMA will present for the first time the works of Loren Mozley (1905-1989), a Texas-based artist known for his integration of two dominant influences: Cézanne and the Taos Art Colony. Raised in New Mexico, the young Mozley worked in Taos for a few years before continuing his studies in Paris. His landscapes and still lifes represent the integration of cubist philosophies with the modernist practices of the American Southwest.

Paul Cezanne, Abandoned House near Aix-en-Provence, 1885-1887, oil on canvas, Dallas Museum of Art, The Wendy and Emery Reves Collection

Paul Cézanne, Abandoned House near Aix-en-Provence, 1885-87, oil on canvas, Dallas Museum of Art, The Wendy and Emery Reves Collection

Loren Mozley, View of Ronda, c. 1969, oil on panel, Private Collection

Loren Mozley, View of Ronda, c. 1969, oil on panel, Private Collection

Loren Mozley: Structural Integrity brings together eighteen works spanning the period of 1937-1976. The exhibition offers a fine representation of the artist’s concerns with geometric forms, decorative patterns, and gradations of color to emphasize contrast, depth, and weight.

Loren Mozley, Snowy Range, 1948, oil on canvas, Collection of Judge and Mrs. B. Michael Chitty

Loren Mozley, Snowy Range, 1948, oil on canvas, Collection of Judge and Mrs. B. Michael Chitty

Ernest Blumenschein, Mountains Near Taos, 1926-1934, oil on canvas, Dallas Museum of Art, gift of Helen Blumenschein

Ernest Blumenschein, Mountains Near Taos, 1926-34, oil on canvas, Dallas Museum of Art, gift of Helen Blumenschein

 

 

 

 

 

 

Works by many of the artists who influenced Loren Mozley are on display at the DMA. Look for works by Paul Cézanne, Arthur Dove, Georgia O’Keeffe, and Everett Spruce throughout the American and European galleries on Levels 2 and 3. What other works at the DMA relate to Loren Mozley? Post your comments here.

Everett Spruce, Tree and Rocks, 1932, oil on Masonite, Dallas Museum of Art, gift of Maggie Joe and Alexandre Hogue

Everett Spruce, Tree and Rocks, 1932, oil on Masonite, Dallas Museum of Art, gift of Maggie Joe and Alexandre Hogue

Loren Mozley, Driftwood, Birdsnests, and Milkweed Pods, 1943–44, oil on canvas, Private Collection, Dallas

Loren Mozley, Driftwood, Birdsnests, and Milkweed Pods, 1943–44, oil on canvas, Private Collection, Dallas

Elizabeth Donnelly is the Exhibitions Assistant at the Dallas Museum of Art.


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