The DMA was excited to host yesterday’s public program “Cities & Cultural Investment: A Snapshot.” Joining us for it were our special guests—170 museum directors from the U.S., Mexico, and Canada.
Archive for the 'Arts District' Category
Tags: Association of Art Museum Directors, Cox School of Business, Dallas Museum of Art, DMA, France, John Rossant, Kedge School of Business in Marseille, Meadows School of the Arts, National Center for Arts Research, New Cities Foundation, Southern Methodist University, Zannie Voss
Tags: Dallas Museum of Art, DMA, George Inness, Klyde Warren Park, Park Ranger
It’s hard to believe one whole year has passed since our neighbor Klyde Warren Park opened its gates. In honor of the first anniversary, we created a Park Rangers guide to the DMA.
The role of a ranger is to care for and protect the flora and fauna of the park and to educate visitors about them. As a former park ranger, I can personally attest that the jobs that we do here at the DMA aren’t entirely different! We just focus on works of art instead of nature. And, there is actually quite a bit of nature to be investigated within the Museum’s walls.
Come to the DMA and explore nature on the Park Rangers self-guided tour. Print it at home before your visit or ask a friendly gallery attendant—the DMA’s own version of a park ranger—for one when you arrive.
One tour stop is George Inness’s Summer Foliage, which shows the artist’s unique ability to bring to life a traditional landscape scene. After your Museum visit, saunter over to Klyde Warren Park to experience nature firsthand, right in the middle of the Dallas Arts District!Practice capturing your own landscape with a camera or a phone. Don’t forget to tag your photo #DMAParkRanger.
Andrea Vargas Severin is the interpretation specialist at the DMA.
Tags: AT&T Performing Arts Center, Booker T. Washington High School for the Performing and Visual Arts, Crow Collection of Asian Art, Dallas Arts District, Dallas Black Dance Theatre, Dallas City Performance Hall, Dallas Museum of Art, Dallas Symphony Orchestra, Dallas Theater Center, DMA, Klyde Warren Park, Nasher Sculpture Center, Shakespeare Dallas, The Dallas Opera
This October is going to be one of the most exciting I can recall – from the 15th anniversary of the Crow Collection of Asian Art and 10th anniversary of the Nasher Sculpture Center to the U.S. premiere of Jim Hodges: Give More Than You Take at the DMA, and even (dare I say it?) the unveiling of a new Big Tex at the State Fair. Having spent most of my life in the Dallas Arts District thanks to my mom, Susan (a DMA docent since 1976), I am thrilled to serve my first year as executive director of the Dallas Arts District during the inaugural year of the Perot Museum of Nature and Science, Klyde Warren Park, and the Dallas City Performance Hall, and in the first year of DMA Friends (the DMA’s free membership program) and free general admission.
With the end of summer, the Dallas Arts District is in full swing again, beginning with a day of activities on Saturday, October 5. The Dallas Black Dance Theatre will kick off its 8th annual DanceAfrica marketplace and festival at Strauss Square with a pedestrian parade of dancing in the streets from the DMA to the AT&T Performing Arts Center. CBS Radio’s Fall for the Arts will have free family activities and three stages of performances from 10:00 a.m. to 4:00 p.m. You can also catch a sneak peek of Jim Hodges: Give More Than You Take at the DMA that day, before the exhibition officially opens. Additionally, the Crow Collection of Asian Art will celebrate its 15th anniversary with the grand reopening of its sculpture garden, which will include kids events and food truck lunch service.
The Crow isn’t the only institution celebrating a milestone anniversary this fall. The Nasher Sculpture Center is celebrating its 10th anniversary with Nasher Xchange, a three-day weekend of free festivities culminating in a ten-hour celebration on Sunday, October 20. Friday, October 18, will also include a free afternoon concert and tour at the Meyerson Symphony Center, TEDxSMU at the Dallas City Performance Hall, and the Arts District Fall Block Party. The Nasher, DMA, and Crow Collection of Asian Art will stay open until midnight for our fall Arts District Block Party, and light-based, site-specific new media and immersive art installations can be explored district-wide as part of Aurora’s Light of Convergence, presented by the Dallas Morning News.
A new class of first year students has begun their academic semester at Booker T. Washington High School for the Performing and Visual Arts, and a new crop of leaders is starting a new chapter in the neighborhood as well. Dr. Scott Rudes is Booker T.’s new principal; Tara Green started this summer as president of Klyde Warren Park; Doug Curtis is the AT&T Performing Arts Center’s new president and CEO; and The Dallas Opera welcomes its new music director, Emmanuel Villaume. Maestro Villaume will begin his inaugural season with Carmen on Friday, October 25, at the Winspear. The performance will be simulcast free in Klyde Warren Park – complete with a costume contest and singalong. Park visitors can also enjoy food and drink from the Park’s new restaurant, Savor, and their grab-and-go kiosk, Relish – both opening soon.
There’s far more to share, including new seasons of the Dallas Theater Center, Dallas Symphony Orchestra, and Shakespeare Dallas, as well as newcomer Oral Fixation’s true storytelling series. You can enjoy a Pearl Cup Coffee or free Patio Sessions concerts in Sammons Park. To stay up-to-date on all the goings-on in our neighborhood, “Like” Dallas Arts District on Facebook, follow @DalArtsDistrict on Twitter, and subscribe to our weekly e-blast here.
Thanks for supporting our new collaborative and inclusive programming, and I hope to see you soon in the Dallas Arts District!
Catherine Cuellar is the executive director of the Dallas Arts District.
Tags: Archives, Art scene, Dallas Museum of Art, DallasSITES: A Developing Art Scene Postwar to Present, DallasSITES: Charting Contemporary Art, DMA, OSCI
If you have stopped by the DMA recently, you will have seen a wall full of archival materials and ephemera displayed in the free exhibition DallasSITES: Charting Contemporary Art, 1963 to Present. The archival material also illustrates our new e-publication, DallasSITES: A Developing Art Scene, Postwar to Present, the DMA’s first OSCI project. But these items are just a tiny fraction of the papers, records, and collections acquired by the DMA Archives as part of the DallasSITES project. Below are a few of my favorites–hidden treasures that are not currently on view in the galleries.
Do you have materials documenting a North Texas-based gallery, art career, or arts organization? Please consider donating your archival collection to the Dallas Museum of Art Archives and contribute to the historical record of contemporary art in North Texas for future scholarship. For more information, contact me at archives@DMA.org.
Hillary Bober is the Digital Archivist at the Dallas Museum of Art.
Tags: Dallas Museum of Art, DMA, El Hombre, Mexican Art, Rufino Tamayo, Stanley Marcus
After many years at the Museum’s Ross Avenue Entrance, Rufino Tamayo’s iconic mural El Hombre (Man) is returning to the Atrium, where it was first hung when the Museum’s Hamon Building opened in 1993.
Tamayo, born of Zapotec heritage in Oaxaca, Mexico, was one of the most prominent Mexican artists of the mid-1900s, and a contemporary of Rivera, Siqueiros, and Orozco. His mural has long been viewed as one of the DMA’s most important works. The tumultuous story behind it, however, inspires further appreciation.
Rufino Tamayo was a good friend of Stanley Marcus, then the president of the Dallas Art Association. In 1951, while on a trip to Amarillo, Tamayo and his wife, Olga, planned to drive to Dallas to visit the Marcus family, letting them know that they would arrive at 5:30 that evening. At 10:30 that night the Tamayos finally arrived, looking disheveled and disillusioned. When Marcus asked them about the delay, Tamayo told him about a car accident they were involved in, in which a local from Amarillo driving a pickup truck ran into them from behind. When the police arrived, it was determined that Tamayo was at fault for the accident, despite his claims and that the evidence suggested otherwise. Because of this unsettling experience, Tamayo told Marcus he would never produce art for the United States. By coincidence, Marcus had for some time wanted to secure Mexican art for the Museum to showcase the significant cultural contributions of the country’s artists, and he offered to commission a large-scale mural from Tamayo. Despite the Museum having only enough funds to pay one-third the normal price of his work, Tamayo accepted the commission as “a real gift of the heart from Mr. Tamayo to the museum.” He chose to focus his subject on the aspirations and potential of mankind.
When Tamayo completed El Hombre in the summer of 1952, he briefly showed it in Mexico City before shipping it by train to Dallas. Months later, however, the painting still had not arrived at the Museum. The search for the missing mural went on for over a year, when finally the stationmaster from a train station on the Mexico-Texas border called Marcus to inform him that they had found a large package addressed to him. The boxcar that the package had been traveling in had been shunted off the track on a spur, and had been sitting out in the elements all year. Fortunately, when the mural finally arrived in Dallas in September 1953, it was found to be in surprisingly good condition, and El Hombre was put in a place of honor so that every visitor to the Museum would see Tamayo’s depiction of Mexican culture.
This week, on its journey down the Concourse to the Atrium, Tamayo’s El Hombre traveled much more safely this time around. Be sure to stop by the Atrium on your next visit to see this iconic work for free.
Jasmine Shevell is the Exhibitions & Publications Intern at the DMA.
Tags: Crow Collection of Asian Art, Dallas Museum of Art, DMA, Klyde Warren Park, Nasher Sculpture Center, staycation, Summer
Staying in town for vacation? Spend a day or two in the Dallas Arts District experiencing the rich cultures of the world and have lots of fun while doing it! Here’s our lowdown for how to have a great “staycation” in the Arts District.
At the Crow Collection of Asian Art
Visit the Far East and the cultures of China, Japan, India, and Southeast Asia. The display of paper cranes is rotated annually and incorporates over three thousand hand-crafted cranes. Admission is free and the Museum opens at 10:00 a.m. on weekdays (closed on Mondays).
At the Nasher Sculpture Center
Check out Berlin-based artist Katharina Grosse’s exhibition, including the interactive piece in the Lower Gallery. Katharina painted walls and mounds of dirt that visitors are able to enter and walk through. While carefully stepping through her work, one gets the feeling that they are out of this world–now talk about a vacation!
At Klyde Warren Park
Stretch your legs and grab some lunch at the food trucks. There is something for everyone at the Park: ping pong, chess, jungle gyms, fountains, and an outdoor library. Located in the heart of Dallas and the Dallas Arts District, it’s just a short walk from the museums.
Finally, walk over to the Dallas Museum of Art!
In addition to free general admission offered every day during Museum hours, the DMA is currently hosting two free exhibitions about art in North Texas. DallasSITES: Charting Contemporary Art, 1963 to Present is an exhibition celebrating the history of North Texas’s bold and distinctive art scene. Looking back over fifty years, DallasSITES examines the moments, people, and organizations that helped shape our area’s incredibly vital relationship with contemporary art. Be sure to check out the timeline wall (pictured) and the collage of posters at the opening of the exhibition! Did you know we have so many artists living and working in Dallas!
Hotel Texas: An Art Exhibition for the President and Mrs. John F. Kennedy is another show you won’t want to miss. This exhibition brings together the works of art installed in the president’s suite at the Hotel Texas during his fateful trip in 1963. The original installation, orchestrated by a small group of Fort Worth art collectors, was created especially for President Kennedy and the First Lady in celebration of their overnight visit to the city and included paintings by Vincent van Gogh, Thomas Eakins, Lyonel Feininger, Franz Kline, and Marsden Hartley, and sculptures by Pablo Picasso and Henry Moore, among others.
From all of us at the DMA, we hope that you are having a wonderful summer, and we look forward to seeing you in the Arts District soon!
Hayley Dyer is the Audience Relations Coordinator for Programming at the DMA.
Tags: 1963 to Present, Claes Oldenburg, Dallas, Dallas Arts District, Dallas Museum of Art, DallasSITES: Charting Contemporary Art, Deep Ellum, DMA, Fair Park, Oliver Herring, Uptown
How do you navigate your way in a new city’s art community? That became my challenge when I moved from Philadelphia to Dallas in September 2012 to become the new McDermott Curatorial Intern for Contemporary Art. Of course, I did my research: numerous Google searches helped me make a page-long list of contemporary art venues I wanted to visit during my internship. But assisting on the DMA’s newest exhibition, DallasSITES: Charting Contemporary Art, 1963 to Present, was what really taught me about Dallas’s artistic legacy.
I’ve spent the past nine months combing through archives, researching galleries, and learning about the evolution of the Dallas art scene. The exhibition, consisting mainly of ephemera from the past fifty years, will illustrate how dynamic the art community of North Texas has been. As a recent transplant, this project became my personal crash course. This history lesson served me well.
Dallas itself is a large city, and over the years the art scene has concentrated in different neighborhoods. Artists were extremely active in Fair Park and Uptown during the 1960s and 70s. With the establishment of the Arts District in the 80s, many art-related activities migrated to downtown. Deep Ellum became a serious locus for the arts in the 80s as well. Today, many galleries and institutions have relocated to the Design District. Interestingly, artist activity continued in all of these neighborhoods even when the larger cultural trends shifted. Meanwhile, universities produce interesting programs and bring important artists to visit and work in North Texas. The ephemera on view in DallasSITES reflect these events.
Some fun facts learned from this project:
Q: What is the oldest continuously running gallery in Dallas? A: Valley House Gallery & Sculpture Garden, established in 1955. Q: What is the oldest and largest video festival in the United States? A: Dallas’s own VideoFest! First held in 1986 at the Dallas Museum of Art, it provides a platform for experimental video art and Texas artists.
Claes Oldenburg is an iconic artist of the pop art movement, but did you know that in 1962 he staged one of his famous “happenings” in Dallas? Injun became a two-day collaboration with local artists at the Dallas Museum for Contemporary Arts (which merged with the Dallas Museum of Fine Arts in 1963 to form the Dallas Museum of Art). That was a fun discovery! Oldenburg’s relationship with Dallas has continued for several decades. Further, I discovered that one of my favorite artists, Oliver Herring, participated in a 1997 group show called Termite Terrace at Angstrom Gallery in Dallas’s Fair Park neighborhood. When DallasSITES opens, visitors will truly see how active this community has been. One of the best parts of contemporary art is the opportunity to meet artists and other art lovers at openings and talks. Each month, there are dozens of exhibition openings, artist talks, and panels that keep Dallas exciting. There are established museums, commercial galleries, and temporary spaces ranging from empty storefronts to an artist’s living room. Artists from across the United States and even internationally are showing in nearby spaces, while the roster of local talent continues to grow.
When you see all the ephemera in DallasSITES presented in one room, the cultural wealth of this city becomes readily apparent. On May 26, you, too, can experience a crash course of your own for free!
Alexander Unkovic is the McDermott Curatorial Intern for Contemporary Art at the DMA.