Archive for the 'Exhibitions' Category

Of Jewelry and Jazz

On Friday night we celebrated the exhibition From the Village to Vogue: The Modernist Jewelry of Art Smith with a night of performances, talks, art making, and more inspired by Art Smith during the busiest August Late Night we’ve ever had, with more than 5,500 visitors! The Dallas Black Dance Theatre, along with the Stockton Helbing Trio, performed a premiere of a new work to a full house in a piece inspired by the jewelry of Art Smith. Visitors lined up throughout the evening to create their own jewelry in the Center for Creative Connections, there were plenty of human pretzels in Yoga for Kids, and the Atrium was alive all night with music from Mahogany the Artist, Rebel Alliance Jazz Ensemble, and The Funky Knuckles.

If you missed Friday night’s fun, you can still celebrate Art Smith throughout August (all for free!); check out the events online, including Thursday’s Jazz in the Atrium with Mahogany the Artist.

Jazz and Jewelry: Celebrating Art Smith in August

In June, the DMA opened the beautiful exhibition From the Village to Vogue: The Modernist Jewelry of Art Smith, featuring 26 dynamic pieces of silver and gold jewelry created by artist Art Smith. 

 

 

To celebrate this show, we are making August the month of all things Art Smith. You can explore the show with a metalsmith during a  Gallery Talk; stop by the Center for Creative Connections to look at Smith’s tools; listen to the jazz that inspired Smith, every Thursday evening during Jazz in the Atrium; or, if you’re a teen, sign up for the Urban Armor Maker Club to create a programmable piece of jewelry. Be sure to check out the full schedule of events for more information.

 

Jazz in the Atrium

 

In addition to being one of the leading modernist jewelers of the mid-20th century, Smith was an avid jazz enthusiast and a supporter of early black modern dance groups. This inspired us to commission a new dance from our Arts District Neighbors, Dallas Black Dance Theatre, accompanied by a new jazz suite composed by jazz drummer Stockton Helbing.

 

 

First, we met with Nycole Ray, Artistic Director for Dallas Black Dance Theatre II, and Stockton to discuss the format of the piece—how long would the entire piece be, how many dances would comprise the whole performance, does there need to be transition music between the dances, what tempo would be best for each dance, what style of jazz would fit the feel of the piece, and more. We also agreed that a jazz trio would be best so the band and the dancers could all fit on stage together during the live performance.

 

Once those questions were answered, Stockton began composing an original piece of music he titled On 4th Street, after the location of Art Smith’s studio in New York. Stockton created MIDI demos of his music for Nycole to review before he went into the studio to make the final recording with other musicians.

 

We now have the final masters of the music, and Nycole has begun choreographing the dances and working with the dancers on the piece she titled Art on 4th Street.

 

Dallas Black Dance Theatre II

This dance will have its world premiere during the Friday, August 15 Late Night. In addition to Art on 4th Street, this evening will feature live jazz, jewelry making, a film screening of Paris Blues, tours, and more—all inspired by Art Smith!

 

Stacey Lizotte is Head of Adult Programming and Multimedia Services at the DMA.

 

 

Installing Slavs and Tatars

Concentrations 57: Slavs and Tatars opened two weeks ago at the DMA. Part of the DMA’s ongoing Concentrations series, which began more than 30 years ago, the exhibition features new work from the art collective Slavs and Tatars, including the first-ever full presentation of their Love Letters carpet series. See how the installation came together below, and then visit the free exhibition in person through December 14.
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What Our Staff Is Viewing

Last week, DMA staff got a chance to preview our newest special exhibition, Mind’s Eye: Masterworks on Paper from David to Cézanne, with co-curators Olivier Meslay and Bill Jordan. Because of their delicate nature, many of these works on paper by Delacroix, Degas, Cézanne, van Gogh, Manet, Schiele, Mondrian, Picasso, and more than sixty others are rarely on view. We’re open all week—including July 4—so stop by for what may be a once-in-a-lifetime opportunity to see them.

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Photography by Adam Gingrich, DMA Digital Media Specialist.

 

Highlights of Light

It’s the final week to visit the DMA-co-organized exhibition Nur: Light in Art and Science from the Islamic World, on view through Sunday, June 29. The acclaimed exhibition, which features more than 150 objects from ten centuries, highlights rare and beautiful examples of the rich heritage of the Islamic world and the influences and contributions it has made to cultures throughout history.

 

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Sculpture for the Body – Art Smith at the DMA

Art Smith , Untitled, 1948-1979, wood, paint, copper, Brooklyn Museum, Gift of Charles L. Russell, 2007.61.36a-m

Art Smith , Untitled, 1948-1979, wood, paint, copper, Brooklyn Museum, Gift of Charles L. Russell, 2007.61.36a-m

This week we are putting the finishing touches on the DMA’s presentation of the exhibition From the Village to Vogue: The Modernist Jewelry of Art Smith. Highlighting a pioneer of late 20th-century jewelry design whose work represents the progressive modernist impulse of “sculpture for the body,” the installation is both dramatic in appearance and revealing in what it contains. This collection, which also features examples of works by Smith’s contemporaries, is drawn from the collection of the Brooklyn Museum, which received a major gift of the artist’s work in 2007. While we are thrilled to host this exhibition of a leading American jewelry artist, our interest in having From the Village to Vogue appear at the DMA was also to note the larger importance of this medium and reflect upon the DMA’s interest in expanding our jewelry holdings. Just as fashion boldly entered our galleries through the 2011 presentation of The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk, this year we will not only feature the work of Art Smith but also, excitingly, make plans for future exhibitions of jewelry and other design arts.

Art Smith, Ellington Necklace, circa 1962, silver, turquoise, amethyst, prase, rhodonite, Brooklyn Museum, Gift of Charles L. Russell, 2007.61.4

Art Smith, “Ellington” Necklace, c. 1962, silver, amethyst, chrysoprase, rhodonite, green quartz, Brooklyn Museum, Gift of Charles L. Russell, 2007.61.4

Beyond the realm of curators and collectors of modernist studio jewelry, Art Smith’s work is often unfamiliar, yet his impact and those of his contemporaries in the decades following World War II helped shape a new American movement in both design and craft. Drawing from the trend toward abstraction in painting and sculpture, Smith and other designer-craftspeople experimented with highly stylized forms, particularly the biomorphic imagery that characterized the work of sculptors such as Isamu Noguchi and, notably, Alexander Calder. Unlike other sculptors who may have occasionally produced jewelry, Calder’s passion for the medium appeared at least equal to that for his more widely known large-scale mobiles and stabiles. Like Calder, Smith reveled in the whirling organic line: bent wirework that was complemented by flattened ovoid forms, semiprecious stones, and richly finished patinas. Unlike so-called “high-style” jewelry, faceted gemstones and highly polished precious metals were typically set aside in preference for subdued materials and more direct fabrication techniques that were undoubtedly less labor intensive, but also ones that provided more visceral results by reflecting the hands of the artist as an immediate, personal expression. What could be more perfect for the medium of jewelry, which is, like other elements of fashion, an equally personal manifestation of the wearer’s preferences? And they were indeed artists in keeping with the spirit of the times; the modern sculpture, painting, and rhythmic vibrancy of jazz that Smith admired certainly echo throughout the punctuated, gestural lines, which form a type of visual play in his richly syncopated designs. You may notice this almost immediately upon entering the darkly colored main gallery, which features Smith’s work. Even in static display, each piece seems to dance with a particular life of its own.

(left) Art Smith, "Modern Cuff" Bracelet, designed circa 1948, silver, Brooklyn Museum, Gift of Charles L. Russell, 2007.61.15; (right) Peter Basch, Model Wearing Art Smith's "Modern Cuff" Bracelet, circa 1948, black-and-white photograph, Courtesy of Brooklyn Museum

(left) Art Smith, “Modern Cuff” Bracelet, designed c. 1948, silver, Brooklyn Museum, Gift of Charles L. Russell, 2007.61.15; (right) Peter Basch, Model Wearing Art Smith’s “Modern Cuff” Bracelet, c. 1948, black-and-white photograph, Courtesy of Brooklyn Museum

As you might expect, it is always exciting for the many hands and minds that make such exhibitions possible at the DMA to delve into a new arena as we are doing now with modern jewelry. From interpretation to design, each of our exhibitions requires hundreds of hours of brainstorming, logistical planning, and creative input, all with the hope that whatever subject we bring you will be offered in a way you will find compelling or even thrilling. As a curator, communicating facts is only one part of my job; sharing my enthusiasm for looking, learning, and celebrating the diverse creative achievements of the visual world is, at heart, what I and all of my colleagues at the DMA do every day. We hope you will find From the Village to Vogue: The Modernist Jewelry of Art Smith and our new jewelry endeavors just as exciting as we do!

Kevin Tucker is The Margot B. Perot Senior Curator of Decorative Arts and Design at the DMA.

Free Summer Fun

Summer has officially arrived at the DMA! Today we began our Summer Art Camps and launched our free summer activities. Throughout June and July, we’re offering new opportunities for fun in the Museum every day of the week, on top of our year-round free general admission. Families can catch a tall tale in the DMA galleries on Tuesdays or join a family tour every Thursday. And visitors can learn more about the DMA’s collection and exhibitions during lunchtime gallery talks every Wednesday. There are many ways to experience the DMA for free, including our upcoming Late Night on Friday, June 20, and the Dallas Arts District block party! Find out about all of this and more summer fun at DMA.org.

How Many Words Are There for “Light”

How many words can you think of that describe light? Your list can include characteristics, opposite words, and metaphors for the concept of light.

A Panel Depicting the Tuba Tree, with the 99 Names of God on its Leaves, c. 1900, watercolor on paper, The James and Ana Melikian Collection

A Panel Depicting the Tuba Tree, with the 99 Names of God on its Leaves, c. 1900, watercolor on paper, The James and Ana Melikian Collection

The exhibition Nur: Light in Art and Science from the Islamic World explores the concept of light and the many ways it is captured, studied, and featured in works of art and scientific objects from Islamic culture (nur is the Arabic word for “light”). A work of art from the exhibition titled A Panel Depicting the Tuba Tree, with the 99 Names of God on Its Leaves is currently on view in the Center for Creative Connections (C3). This painting illustrates the concept that there can be many meanings associated with a single idea. Similarly, visitors are invited to add their ideas to a growing collection of light-related words in the accompanying community installation.

Leave your ideas on what light is through the run of the exhibition, which closes on June 29.

Melissa Nelson Gonzales is the C3 Gallery Manager at the DMA.

Smartphone Learning Lab

As part of our partnership with our neighbor Booker T. Washington High School for the Performing and Visual Arts, DMA educators co-teach Learning Lab, a class for seniors in the visual arts cluster. This group of bright and talented young artists walks down Flora Street to the Museum about fifty times during the academic year. Besides spending quality time with, discussing, and responding to works of art in the DMA’s collection and special exhibitions, this year the students also had the opportunity to meet artists Jim Hodges and Stephen Lapthisophon and ask them questions about their DMA exhibitions.

For their final project, pairs of students capped off a great year of projects and discussions by creating smartphone stops for a work of art of their choosing in the exhibition Never Enough: Recent Acquisitions of Contemporary Art. They were given the option of producing a three-minute audio recording or video for their chosen work. They were asked to design their audio or video clip to either facilitate a visitor’s understanding through contextual information about the artist and his/her work, or to provide visitors with an alternative perspective or interpretation through which to view the work. They were also encouraged to exercise their creativity.

All of the pairs’ submissions were fantastic. Below are two smartphone stops created by the students:

This smartphone stop is a video inspired by Will Benedict’s 1 800 Bad Drug.

Will Benedict, 1 800 Bad Drug, 2013, gouache on board and canvas, aluminum frame with glass, Dallas Museum of Art, DMA/amfAR Benefit Auction Fund

Will Benedict, 1 800 Bad Drug, 2013, gouache on board and canvas, aluminum frame with glass, Dallas Museum of Art, DMA/amfAR Benefit Auction Fund, (c) Will Benedict

This smartphone stop is an audio clip related to Sara Cwynar’s Corinthian Temple (Plastic Cups).

Sara Cwynar, Corinthian Temple (Plastic Cups), 2012, chromogenic print, mounted on Dibond, framed, Dallas Museum of Art, Susan Mead Contemporary Art Fund

Sara Cwynar, Corinthian Temple (Plastic Cups), 2012, chromogenic print, mounted on Dibond, Dallas Museum of Art, Susan Mead Contemporary Art Fund, (c) Sara Cwnar

Thanks to the BTWHSPVA Learning Lab students for a wonderful year and congratulations on graduation!

Andrea Severin Goins is the Interpretation Manager at the DMA.

Art + Science = Whole Brain Fun

Remember when it was all the rage to call each other left- or right-brain dominant? While these references are still popularly used today, skepticism is growing among scientists as they learn more about the brain.

Strengths in logical, analytical, and verbal thinking have been associated with the left side of the brain, and creative and intuitive thinking have been associated with the right side. Scientific and mathematical types may be labeled “left-brainers,” while artists are considered “right-brainers.”

The reality is that there’s a bit more crisscross throughout the cranial wires. Both sides of our brains may actually tackle the same problem or idea, but each may approach a solution differently. Bottom line: Te brain aims to work efficiently and this means that most of the time the whole brain is working together. How is the health of your whole brain?

Join us for a day that engages and challenges the whole brain! On Saturday, April 12, the worlds of art and science deliberately cross over and mash up at the DMA’s first Art + Science Festival, held in partnership with the Perot Museum of Nature and Science. Here are a few highlights to stimulate your neurons:

  • Stretch your mind during various 20-minute gallery talks with experts. Why might a curator use a CAT scan to learn more about an African sculpture? What can a facial recognition scientist reveal about a portrait?

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  • Inspect art materials and the natural world up-close using DIY digital microscopes with the DMA/Perot Teen Advisory Council.
  • Sit in the Perot’s Portable Universe (only the coolest movable planetarium in town) for one of two featured presentations, The Sky at Night and The Search for Water. After the Portable Universe, marvel at the connections your brain makes as you gaze upon masterworks in two DMA exhibitions. Encounter the realm of the stars in Nur: Light in Art and Science from the Islamic World, which includes a collection of astrolabes (early astronomical computers), a celestial globe, and an astrological album. Alexandre Hogue: The Erosion Series takes an in-depth look at Hogue’s powerful images confronting the tragedies and environmental issues of the Dust Bowl era.

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  • Practice your mind-hand-eye coordination by making some art. Explore lines, shapes, and patterns through the creation of a string art installation with artist Amy Adelman.

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All of these experiences and more await you for FREE at the DMA’s Art + Science Festival on Saturday, April 12. Come for a visit and challenge your whole brain! All ages are invited.

Nicole Stutzman Forbes is Chair of Learning Initiatives and Dallas Museum of Art League Director of Education at the DMA.

Images:
George W. Bellows, Emma in a Purple Dress, 1920-1923, oil on canvas, Dallas Museum of Art, Dallas Art Association Purchase; Standing power figure (nkisi nkondi), late 19th-early 20th century, wood, iron, raffia, ceramic, pigment, kaolin, red camwood, resin, dirt, leaves, animal skin, and cowrie shell, Dallas Museum of Art, Foundation for the Arts Collection, gift of the McDermott Foundation; Alexandre Hogue, Drouth-Stricken Area, 1934, oil on canvas, Dallas Museum of Art, Dallas Art Association Purchase, (c) Olivia Hogue Marino & Amalia Hogue


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