Archive for the 'Special Events' Category

A Holly Jolly District

With the colder temps, and Thanksgiving right around the corner, we are starting to get into the holiday spirit with some fun holiday-themed programs and shopping to make your December merrier.

Every Thursday in December, enjoy a mix of seasonal and traditional jazz tunes at Jazz in the Atrium. The Thursday night concert series will feature some of the best musicians in town, led by Rob Holbert (December 4), Tom Braxton (December 11), and Freddie Jones (December 18).

Jazz in the Atrium at the Dallas Museum of Art.

Jazz in the Atrium at the Dallas Museum of Art.

Undermain Theatre continues its popular and free reading series at the DMA with an encore reading of Dylan Thomas’s classic poem A Child’s Christmas in Wales. Accompanied by traditional music and carols, A Child’s Christmas in Wales will be a charming afternoon of festive storytelling for the whole family on Saturday, December 13, at 2:00 p.m.

Undermain Reads 'A Child's Christmas in Wales' by Dylan Thomas

Undermain Reads A Child’s Christmas in Wales by Dylan Thomas

When you are at the DMA for Jazz in the Atrium and A Child’s Christmas in Wales, or at any other time, don’t forget to stop by the Museum Store and make it your one-stop shop for holiday gifts. One-of-a-kind items from around the world are available, from handmade felt animals to hand-painted, whimsical book ends, and products celebrating the DMA’s collection and the Bouquets exhibition. (I have already purchased the beautiful Bouquets 2015 calendar for a family member!)

Items available for purchase in the DMA Museum Store.

Items available for purchase in the DMA Museum Store.

'Bouquets' 2015 Wall Calendar

“Bouquets” 2015 Wall Calendar

And we’re not the only ones in the Dallas Arts District getting into the holiday spirit. On Saturday, December 6, experience Holidays in the District with a day of music, dancing, theater, art-making activities, photos with Santa, and more.

From 1:00–6:00 p.m. you can Celebrate the Holidays at Klyde Warren Park. Activities will include free photos with Santa, holiday music, face painting, and live reindeer.

Be sure to stay for the 5:30 p.m. lighting of the AT&T Performing Arts Center campus—they will be using 550,000 LED lights to celebrate the holiday season.

Holidays in Klyde Warren Park

Holidays in Klyde Warren Park

There’s also plenty of seasonal fun at the Wyly Theater, Winspear Opera House, Meyerson Symphony Center, and Dallas City Performance Hall. Details can be found on the Dallas Arts District website.

We hope your merry-making brings you here.

Stacey Lizotte is Head of Adult Programming and Multimedia Services at the DMA.

Murder Revisited

Last year, over 700 visitors participated in our Museum Murder Mystery Game during Late Night! If you were one of those determined detectives, you found out that it was Winston Churchill who killed Eros, the God of Love, in the Silk Road gallery with the Scepter from the Asian galleries.

And while justice was served last year, we have it on good authority that during our next Late Night on Friday, July 18, there will be another murder!

It will be up to our visitors to solve this third Museum Murder Mystery by figuring out who the murderer is, the weapon he or she used, and the room where the murder took place.

For one night only, the seven works suspected of the murder will come to life and answer your questions. Without revealing who the suspects are, as they are innocent until proven guilty, these photos will give you a clue to their identities.

In addition to the Murder Mystery Game, there will be a lot more mysterious and fun things to do during the Late Night; be sure to check out the full schedule of events.

Stacey Lizotte is Head of Adult Programming and Multimedia Services at the DMA.

The Forecast Calls for Stars

Before there were Xboxes and smartphones, TVs and radios, and even theater and literature, people sought entertainment in other ways. Among those activities was the experience of star gazing. The endeavor was a social one, often involving conversation and the creation of folklore around oddly shaped objects that observers conjured up in the stars above.

Though the same stars hang above us today, those interpretive experiences are few and far between. But a group of graduate students from the University of Texas at Dallas are working to change that. Their interactive activity, the Constellation Game, brings back the experience of campfire conversation and celestial storytelling. Visitors, or “players” of the game, are encouraged to let their imaginations run wild as they use a motion controller to “draw” their own constellations in a projected night sky. They can even invent their own myths around their creations.

Constellation1

This Friday, we’re excited to have the Constellation Game set up on our Ross Avenue Plaza for our monthly Late Night. In preparation for Friday night’s activities, we took the opportunity to ask Spencer Evans, the lead programmer behind the experience, a few questions about the Constellation Game.   

How did you come up with the idea for the Constellation Game?

SE: In many ways, the idea we initially came up with is actually far off from what we have now. It was a very vague idea that evolved organically, and was refined based on players’ impressions and our realized goals. We are big fans of games that fit in the play space between arcade, art gallery, and museum exhibition pieces, and we wanted to create something in that same space. We are also very passionate about storytelling and mythology, and we wanted to revive that act of storytelling around shapes perceived in the stars, which seems a bit lost and forgotten today. To that end, it was also important to us to create an accessible interface and interaction that people today can understand.

How does the experience work?

SE: The core player experience is to create and draw constellations in an almost connect-the-dots like way in a shared space. Players do this with a motion controller while lying down, looking up at the stars of our night sky projected onto the ceiling, and discussing with others the meaning of the shapes created. Our design was focused on storytelling, social interaction, and creative expression. And, we strove to create an experience that closely resembles the relatable, perhaps nostalgic, real-world act of lying down outside and pointing up at the stars. We feel this is something that comes through in the way players interact with it, and the immersive atmosphere we try to create.

Constellation2

What have you learned by watching visitors interact with the installation?

SE: We have learned that it is very much a group experience, not just the one or two players currently interacting with it. It is the audience participating as well. Everyone tends to explain or argue about the shapes they are seeing, and share their personal interpretations that they, and others, have made. We have learned that players tend to enjoy exploring the star-field—the space in which they can draw constellations—before they create their own. They want to see what others have created first, and see which star clusters or historical constellations they recognize.

Constellation3

If you want to make your own constellations, you can play the Constellation Game between 8:00 and 11:00 p.m. this Friday. We’ll also have numerous other activities, performances, tours, lectures, and more! Find the full schedule here.

Betsy Glickman is Manager of Adult Programming at the DMA.

 

Art + Science = Whole Brain Fun

Remember when it was all the rage to call each other left- or right-brain dominant? While these references are still popularly used today, skepticism is growing among scientists as they learn more about the brain.

Strengths in logical, analytical, and verbal thinking have been associated with the left side of the brain, and creative and intuitive thinking have been associated with the right side. Scientific and mathematical types may be labeled “left-brainers,” while artists are considered “right-brainers.”

The reality is that there’s a bit more crisscross throughout the cranial wires. Both sides of our brains may actually tackle the same problem or idea, but each may approach a solution differently. Bottom line: Te brain aims to work efficiently and this means that most of the time the whole brain is working together. How is the health of your whole brain?

Join us for a day that engages and challenges the whole brain! On Saturday, April 12, the worlds of art and science deliberately cross over and mash up at the DMA’s first Art + Science Festival, held in partnership with the Perot Museum of Nature and Science. Here are a few highlights to stimulate your neurons:

  • Stretch your mind during various 20-minute gallery talks with experts. Why might a curator use a CAT scan to learn more about an African sculpture? What can a facial recognition scientist reveal about a portrait?

Emma_1956_58

Nkisi_1996'184'FA

  • Inspect art materials and the natural world up-close using DIY digital microscopes with the DMA/Perot Teen Advisory Council.
  • Sit in the Perot’s Portable Universe (only the coolest movable planetarium in town) for one of two featured presentations, The Sky at Night and The Search for Water. After the Portable Universe, marvel at the connections your brain makes as you gaze upon masterworks in two DMA exhibitions. Encounter the realm of the stars in Nur: Light in Art and Science from the Islamic World, which includes a collection of astrolabes (early astronomical computers), a celestial globe, and an astrological album. Alexandre Hogue: The Erosion Series takes an in-depth look at Hogue’s powerful images confronting the tragedies and environmental issues of the Dust Bowl era.

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  • Practice your mind-hand-eye coordination by making some art. Explore lines, shapes, and patterns through the creation of a string art installation with artist Amy Adelman.

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All of these experiences and more await you for FREE at the DMA’s Art + Science Festival on Saturday, April 12. Come for a visit and challenge your whole brain! All ages are invited.

Nicole Stutzman Forbes is Chair of Learning Initiatives and Dallas Museum of Art League Director of Education at the DMA.

Images:
George W. Bellows, Emma in a Purple Dress, 1920-1923, oil on canvas, Dallas Museum of Art, Dallas Art Association Purchase; Standing power figure (nkisi nkondi), late 19th-early 20th century, wood, iron, raffia, ceramic, pigment, kaolin, red camwood, resin, dirt, leaves, animal skin, and cowrie shell, Dallas Museum of Art, Foundation for the Arts Collection, gift of the McDermott Foundation; Alexandre Hogue, Drouth-Stricken Area, 1934, oil on canvas, Dallas Museum of Art, Dallas Art Association Purchase, (c) Olivia Hogue Marino & Amalia Hogue

Art Everywhere US: A Very, Very Big Art Show

Be a guest curator for the largest art exhibition in America! Beginning today, you can vote for your favorite American artworks from art museums across the country, including the DMA. Art Everywhere US is a public celebration of great American art.

art everywhere jpeg

The process to create this celebration began this past New Year’s Eve, when I e-mailed the directors of four leading U.S. museums—the Art Institute of Chicago, the Los Angeles County Museum of Art, the National Gallery of Art, and the Whitney Museum of American Art—asking if they would jump in feet first with the DMA and the Outdoor Advertising Association of America to create a 100-work synopsis of American art history. I was thrilled when everyone agreed right away, and by January 2014 we were off to the races.

I asked each museum to submit 30 works, yielding 150, and I had the unenviable task of winnowing the list down to 20 each to reach 100. We were seeking a balanced result, representing every period of American art from across the nation, with attention to ethnic and gender diversity, and the inclusion of iconic works alongside whimsical ones. We stuck to two-dimensional works given their planned reproduction on out-of-home media.

It is now up to you to help decide which of these 100 works will be part of the first Art Everywhere US project.

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From now through May 7, you can vote for your favorite 10 works daily to help inform the final 50 works. The final works will be reproduced this August on as many as 50,000 outdoor displays from coast to coast. Make sure you get to see your favorite work of art on a billboard during your commute this summer, whether it’s the DMA’s The Icebergs, the Art Institute of Chicago’s American Gothic, the Los Angeles County Museum of Art’s Campbell’s Soup Can, the Whitney’s Little Big Painting, or the National Gallery’s George Washington. We aren’t trying to stack the deck in the DMA’s favor, but instead are enjoying the playful spirit of this massive endeavor. Vote early and vote often! And please share your votes with #ArtEverywhereUS and connect online.

(Images in slide show: Jasper Johns, Three Flags, 1958. Encaustic on canvas. 30 5/8 x 45 1/2 x 4 5/8 in. Whitney Museum of American Art, New York, Art © Jasper Johns, Licensed by VAGA, New York, N.Y.; Gilbert Stuart, George Washington, c. 1821. Oil on wood. 26 3/8 x 21 5/8 in. National Gallery of Art, Washington, Gift of ThomasJefferson Coolidge IV in memory of his great-grandfather, Thomas Jefferson Coolidge, his grandfather, Thomas Jefferson Coolidge II,and his father, Thomas Jefferson Coolidge III.; Frederic Edwin Church, The Icebergs, 1861. Oil on canvas. 64 1/2 x 112 1/2 in. (1 m 63.83 cm x 2 m 85.751 cm). Dallas Museum ofArt, gift of Norma and Lamar Hunt.; Roy Lichtenstein, Cold Shoulder, 1963. Oil and magna on canvas. 68 1/2 x 48 in. Los Angeles County Museum of Art, Gift of RobertH. Halff through the Modern and Contemporary Art Council (M.2005.38.5). Photo courtesy of the Roy Lichtenstein Foundation, by Kevin Ryan.; Grant Wood, American Gothic, 1930. Oil on Beaver Board. 30 3/4 x 25 3/4 in. (78 x 65.3 cm). The Art Institute of Chicago, Friends of American Art Collection.)

Maxwell L. Anderson is the Eugene McDermott Director of the DMA.

Savor the Arts: A Kitchen Adventure

This Friday, cookbook author and professor of comparative literature Dr. Mary Ann Caws will be here to discuss her book The Modern Art Cookbook during our Savor the Arts Late Night event.

The-Modern-Art-Cookbook-by-Mary-Ann-Caws1

The Modern Art Cookbook is equal parts art historic document and recipe guide, illuminating the relationship between art and food. In preparation for this event, the DMA’s programming team decided to try some recipes from the book to see what they were like (and to test their kitchen skills).

Betsy Glickman, Manager of Adult Programming:
I have always been a fan of the “breakfast for dinner” concept, so I opted to tackle an egg-based dish from the book. Armed with a minimal set of ingredients—and an even more minimal set of cooking skills—I set aside an evening to bring Pablo Picasso’s Spanish Omelette to life in my kitchen. I originally thought the dish would resemble a traditional, half-plate-sized omelette, but as I laid out the ingredients (10 eggs, 4 potatoes, 2 onions, etc.), I realized this was going to be much larger.

Betsy_1

I began by peeling and slicing the potatoes and onions. I then tossed them into a large pan and sautéed them for about 15 minutes. While they were cooking, I beat the eggs in a large mixing bowl.

Once the potatoes and onions were beginning to brown, I drained them on some paper towels to help absorb the excess moisture. I then added them to the salad bowl along with a large helping of salt and pepper.

Next it was time to make the omelette. I pulled out the best nonstick pan I own, added some olive oil and medium heat, and poured in the contents to cook for several minutes.

Betsy_2

As the edges began to firm up, I realized the hardest part of the process was yet to come: I somehow had to flip this thing over. I snagged a plate for assistance, and, in a swift movement, transferred most of the contents to the plate and back into the pan. All in all, I’d give my flip an 8 out of 10.

Betsy_3

I cooked the omelette for another 2-3 minutes. The book instructed to leave the center a little runny, but, unfortunately, I overcooked it a bit. Even so, the end result was quite tasty. Viva el Spanish Omelette!

Betsy_4

Things I learned: It’s difficult to ruin an omelette, but there are endless ways to make it better. In the future, I may try adding tomatoes, peppers, and/or salsa to this recipe.

Stacey Lizotte, Head of Adult Programming and Multimedia Services:
I decided to make Brecht’s Favorite Potato Bread because I have always been interested in mastering a bread recipe (yeast and rising dough have always been a bit of a mystery to me). This recipe called for one cube of yeast, which I should have researched before picking this recipe. I tried finding a conversion from cubed yeast to dry yeast and was not successful, so I went with one packet of dried yeast for the recipe. Because dry yeast needs to be activated with water, I reduced the amount of oil recommended.

Stacey's Ingredients

Even with that reduction, my dough was very wet. After adding an additional cup of flour it was still not the texture I thought it should be. But having little experience with bread, and thinking that the mashed potatoes probably added moisture, I thought maybe that was how it was supposed to be.

While the dough did rise, as you can see from the photos the dough did not hold its shape once formed into “loafs.”

Stacey's Recipe 4

While the look of the bread left much to be desired, I found the flavor interesting, which I attribute to the lemon zest.

Things I learned: Yeast used to come in cubes. I will add lemon zest to any future bread dough recipes I try.

Liz Menz, Manager of Adult Programming:
The last time we all got together for a cooking blog, I went with soup, so this time I ventured into the realm of desserts. I decided to make Claude Monet’s Almond Cookies. The recipe is much like a shortbread recipe, so there were very few wet ingredients and (something I discovered halfway through) the dough required kneading.

photo 3

Combining the flour, confectioner’s sugar, ground almonds and lemon rind into a bowl with the eggs was the easy part. Realizing that the cubed butter was still needed, I figured out that my wooden spoon was not going to cut it, so kneading was the way to go!

photo 1

After some work (and one phone call to my mother), I realized I was doing this right, as the dough finally came together. It was on to rolling out the dough and cutting the cookies! I am a less-than-prepared baker and discovered that, in a pinch, a wine bottle doubles well as a rolling pin and wine glasses are the perfect size for cutting!

photo 4

After I sprinkled the cut cookies with sugar and sliced almonds, they went into the oven for about 20-25 minutes. They came out golden and yummy! The lemon rind really gave them a great flavor, and I decided that these cookies would be great with a cup of coffee and a book.

photo 2

Things I learned: Shortbread-type recipes are harder than they look, but worth it. Lemon rind is a great addition to cookies. Also, thanks Mom.

Don’t forget to join us on Friday as we savor the arts! And, for more fun food-inspired posts, peruse the Culinary Canvas section of our Canvas Blog.


Betsy Glickman is a manager of adult programming at the DMA.
Stacey Lizotte is head of adult programming and multimedia services at the DMA.
Liz Menz is a manager of adult programming at the DMA.

Having a Ball During DMA Spring Break

What do March Madness and the DMA have in common? If you are thinking that both are in Dallas, you are correct! This year’s NCAA Men’s Basketball Final Four and Championship games will be played right here in North Texas. But wait, there is SO much more! Here at the DMA we are celebrating Art Madness, our own version of the beloved tournament. DMA Friends picked an artsy Sweet Sixteen that you don’t need a ticket to enjoy, and we are now down to the Elite Eight. Works of art from the Museum’s collection are competing for your vote to determine which artwork is the ultimate champion. If you haven’t voted yet, it’s not too late to get in on the game.

Since basketball is on the brain here, it seemed only fitting that we spend our spring break elevating our game, and we’ve planned an action-packed week of Art Madness family fun for everyone! Enjoy story time in the galleries, family tours, art-making in the studio, family competitions and more all week long in our art and basketball mash-up. We will even have a real piece of the NCAA here at the Museum! Be sure to score a look at the NCAA Championship trophy in the Center for Creative Connections, on view March 11-16.

Can’t get enough of the Madness? Then take an overtime for fun and join us for a Family Block Party on March 14, when we’ll stay open until 9:00 p.m. Families can sketch in the galleries, take a tour of the Art Madness competitors, do some yoga in the galleries, enjoy a puppet show, design trading cards in the studio and more. Everyone will be a winner!

But don’t take our word for it. We asked a family of museum (and sports) experts to walk us through the spring break starting line-up.

b-ball storytime

Little B-ball enjoyed story time in the galleries, hearing favorite stories and looking at one of the Art Madness competitors.

b-ball tote

The entire family used the hands-on activities and games in the Art to Go Family Tote to explore color in some of their favorite paintings.

b-ball challenge

With art supplies, a healthy dose of imagination and their competitive streak, the B-ball family worked as a team to design a jersey for their Art Madness MVP in the daily Championship Challenge.

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Mama B-ball thought yoga was very relaxing and loved finding peaceful inspiration in the art around her. (Little B-ball wasn’t quite as meditative.)

b-ball ventriloquist

Daddy B-ball couldn’t help but laugh at ventriloquist Nancy Worcester’s hilarious show in the Horchow Auditorium.

Their final conclusion: “Visiting the DMA is a slam dunk!”

Our analysis? Art + Basketball = A surefire hit for the entire family. We hope to see you here March 11-16!

Amanda Blake is the head of family, access, and school experiences at the DMA.
Leah Hanson is the manager of early learning programs at the DMA.


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