Posts Tagged 'Claude Monet'

Savor the Arts: A Kitchen Adventure

This Friday, cookbook author and professor of comparative literature Dr. Mary Ann Caws will be here to discuss her book The Modern Art Cookbook during our Savor the Arts Late Night event.

The-Modern-Art-Cookbook-by-Mary-Ann-Caws1

The Modern Art Cookbook is equal parts art historic document and recipe guide, illuminating the relationship between art and food. In preparation for this event, the DMA’s programming team decided to try some recipes from the book to see what they were like (and to test their kitchen skills).

Betsy Glickman, Manager of Adult Programming:
I have always been a fan of the “breakfast for dinner” concept, so I opted to tackle an egg-based dish from the book. Armed with a minimal set of ingredients—and an even more minimal set of cooking skills—I set aside an evening to bring Pablo Picasso’s Spanish Omelette to life in my kitchen. I originally thought the dish would resemble a traditional, half-plate-sized omelette, but as I laid out the ingredients (10 eggs, 4 potatoes, 2 onions, etc.), I realized this was going to be much larger.

Betsy_1

I began by peeling and slicing the potatoes and onions. I then tossed them into a large pan and sautéed them for about 15 minutes. While they were cooking, I beat the eggs in a large mixing bowl.

Once the potatoes and onions were beginning to brown, I drained them on some paper towels to help absorb the excess moisture. I then added them to the salad bowl along with a large helping of salt and pepper.

Next it was time to make the omelette. I pulled out the best nonstick pan I own, added some olive oil and medium heat, and poured in the contents to cook for several minutes.

Betsy_2

As the edges began to firm up, I realized the hardest part of the process was yet to come: I somehow had to flip this thing over. I snagged a plate for assistance, and, in a swift movement, transferred most of the contents to the plate and back into the pan. All in all, I’d give my flip an 8 out of 10.

Betsy_3

I cooked the omelette for another 2-3 minutes. The book instructed to leave the center a little runny, but, unfortunately, I overcooked it a bit. Even so, the end result was quite tasty. Viva el Spanish Omelette!

Betsy_4

Things I learned: It’s difficult to ruin an omelette, but there are endless ways to make it better. In the future, I may try adding tomatoes, peppers, and/or salsa to this recipe.

Stacey Lizotte, Head of Adult Programming and Multimedia Services:
I decided to make Brecht’s Favorite Potato Bread because I have always been interested in mastering a bread recipe (yeast and rising dough have always been a bit of a mystery to me). This recipe called for one cube of yeast, which I should have researched before picking this recipe. I tried finding a conversion from cubed yeast to dry yeast and was not successful, so I went with one packet of dried yeast for the recipe. Because dry yeast needs to be activated with water, I reduced the amount of oil recommended.

Stacey's Ingredients

Even with that reduction, my dough was very wet. After adding an additional cup of flour it was still not the texture I thought it should be. But having little experience with bread, and thinking that the mashed potatoes probably added moisture, I thought maybe that was how it was supposed to be.

While the dough did rise, as you can see from the photos the dough did not hold its shape once formed into “loafs.”

Stacey's Recipe 4

While the look of the bread left much to be desired, I found the flavor interesting, which I attribute to the lemon zest.

Things I learned: Yeast used to come in cubes. I will add lemon zest to any future bread dough recipes I try.

Liz Menz, Manager of Adult Programming:
The last time we all got together for a cooking blog, I went with soup, so this time I ventured into the realm of desserts. I decided to make Claude Monet’s Almond Cookies. The recipe is much like a shortbread recipe, so there were very few wet ingredients and (something I discovered halfway through) the dough required kneading.

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Combining the flour, confectioner’s sugar, ground almonds and lemon rind into a bowl with the eggs was the easy part. Realizing that the cubed butter was still needed, I figured out that my wooden spoon was not going to cut it, so kneading was the way to go!

photo 1

After some work (and one phone call to my mother), I realized I was doing this right, as the dough finally came together. It was on to rolling out the dough and cutting the cookies! I am a less-than-prepared baker and discovered that, in a pinch, a wine bottle doubles well as a rolling pin and wine glasses are the perfect size for cutting!

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After I sprinkled the cut cookies with sugar and sliced almonds, they went into the oven for about 20-25 minutes. They came out golden and yummy! The lemon rind really gave them a great flavor, and I decided that these cookies would be great with a cup of coffee and a book.

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Things I learned: Shortbread-type recipes are harder than they look, but worth it. Lemon rind is a great addition to cookies. Also, thanks Mom.

Don’t forget to join us on Friday as we savor the arts! And, for more fun food-inspired posts, peruse the Culinary Canvas section of our Canvas Blog.


Betsy Glickman is a manager of adult programming at the DMA.
Stacey Lizotte is head of adult programming and multimedia services at the DMA.
Liz Menz is a manager of adult programming at the DMA.

Sacré Bleu! A Twisted Tale of the Ultramarine Hue

Recently I managed to get my hands on an advance copy of Christopher Moore’s newest book, Sacré Bleu. This auspicious event was followed by two days of ravenous reading, skipped meals, and neglected chores. Christopher Moore, the author who has brought us absurdly funny stories about Jesus Christ, vampires, and sassy whales, has cannonballed into the pool of art history–and has made a huge splash!

"Sacré Bleu" by Christopher Moore. On sale April 3, 2012.

When asked about the origin of his latest novel, Moore says, “I simply set out to write a novel about the color blue.” This desire brought him to Paris, London, and Italy, where “it turns out they keep a lot of the art discussed in this book.” The novel opens as the tragic news of Vincent van Gogh’s death reaches Paris. His friends, Henri Toulouse-Lautrec and Lucien Lessard, set out to solve the mystery of Vincent’s death after receiving this warning from him:

“P.S. If you see the Colorman, run. Run. You are too talented and too delicate of constitution to endure, I think. I am not mad. I promise.”
–Vincent

To solve the murder, Lucien and Henri will have to hunt down this twisted little Colorman who has a penchant for ultramarine blue. They will find love, heartbreak, forgotten memories, and, ahem, some girls in Moulin Rouge. Ultimately they will uncover the secret of the Colorman and the ordained powers he gets from Sacré Bleu, but not before having a little bit of fun with their impressionist friends.

Here are some examples of uses of Sacré Bleu from Christopher Moore’s novel. Throughout the story, each of these artists is visited by the manipulative Colorman.

Pierre-Auguste Renoir, “The Swing,” 1876, oil on canvas, Museé d’Orsay.

Henri de Toulouse-Lautrec, “Rousse dit aussi La Toilette,” 1889, oil on cardboard, Museé d’Orsay.

Claude Monet, “Camille Monet on Her Deathbed,” 1879, oil on canvas, Museé d’Orsay.

Georges Seurat, “Bathers at Asnières,” 1884, oil on canvas, National Gallery.

Sacré Bleu, the “sacred blue,” the truest blue, was at the time the most expensive paint in history. It was extremely difficult to obtain. First, colormen would need the gemstone lapis lazuli, which, for centuries, was more rare and more valuable than gold. On top of that, lapis lazuli is only found in one place in the world, the mountains of Afghanistan–a world away from Europe! Why go to all this trouble to make a little bit of blue paint? Because the pigment derived from lapis lazuli creates the most spectacular, everlasting, ultramarine blue. It does not fade over time or blacken with age like some other blue paints. This quality of ultramarine blue, as well as the significant sacrifice one had to make to obtain it, made it the perfect color to reserve for the Blessed Virgin, the mother of Christ. In many religious scenes, Mary is seen wearing a Sacré Bleu gown.

Michelangelo, “The Entombment,” c. 1500, tempera on panel, National Gallery.

Although he spends most of his time haunting the impressionists in Montmartre, the Colorman does make his way back to 16th-century Italy to visit the masters of the Renaissance. In this example, it appears as though Michelangelo’s The Entombment remains unfinished because he was unable to obtain the ultramarine paint he needed to finish the figure of the Virgin Mary. Of course in reality this is probably due to the high cost of the paint, but in Sacré Bleu, it is a mystery that is waiting to be solved by you!

Christopher Moore will discuss his new book as part of the Arts & Letters Live program at the Dallas Museum of Art on Tuesday, April 1o, at 7:30 p.m. For more information and tickets to this event, visit our website. The DMA’s Museum Store is selling first-edition copies of Sacre Bleu, with beautiful color illustrations of the art discussed in the novel.

Hayley Dyer is the Audience Relations Coordinator for Programming at the Dallas Museum of Art.

Discover your DMA Art Doppelgänger!

Have you ever imagined which artist you are most like? Well now is your chance to find out with our new Artist Personality Quiz. On Friday nights during 9×9 you can stop by the Artist Personality Quiz table in the DMA’s concourse and take our 11 question quiz to find out which artist you are.

Start getting in touch with your inner artist with a sneak peek of the Artist Personality Quiz below, and stop by Friday to find your match.

My friends would most likely describe me as:
a. The brooding rebel.
b. The independent bohemian.
c. The laid-back hipster.
d. The charismatic life of the party.
e. The contemplative dreamer.
f. The detailed-oriented planner.

When I am vacationing, you can find me:
a. Renting a cottage on a secluded bluff in the Hamptons.
b. Soaking in the sun and desert landscape in Santa Fe.
c. Relaxing on the beach in Santa Monica.
d. Running with the bulls in Pamplona.
e. Taking a culinary tour of the French countryside.
f. Enjoying the hustle and bustle of Times Square.

Once you discover who your DMA Art Doppelgänger is you will receive a button proclaiming which artist you are. Then stroll through the galleries and strike up conversations with other doppelgängers to discuss how you answered the quiz questions and to find out what you have in common.

Button images (details): ClaudeMonet, Water Lilies, 1908, oil on canvas, Dallas Museum of Art, gift of the Meadows Foundation Incorporated, 1981.128; Piet Mondrian, Place de la Concorde, 1938–43, oil on canvas, Dallas Museum of Art, Foundation for the Arts Collection, gift of the James H. and Lillian Clark Foundation, 1982.22.FA, © 2004 Mondrian/Holtzman Trust, c/o hcr@hcrinternational.com


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