Archive for January, 2015

ThisClose: A Rare Look at Reves Treasures

This year, the Dallas Museum of Art celebrates the 30th anniversary of the opening of the Wendy and Emery Reves Galleries, which house a varied and celebrated collection of paintings, sculptures, furnishings, and decorative arts. The Reves Galleries were designed as a replica, on a slightly reduced scale, of the principle rooms in the couple’s villa on the French Riviera. The unusual domestic character of these galleries has made them both loved and loathed over the years. They offer an opportunity to step into the past and discover the history of art collecting and display in the mid-20th century. But, the barriers that separate visitors from the displays have been a perennial frustration. As curators, we are often as frustrated as our audiences with the limitations of the display in the Reves Galleries. Yes, we feel your pain.

The Grand Salon in The Wendy and Emery Reves Collection at the Dallas Museum of Art

The Grand Salon in the Wendy and Emery Reves Collection at the Dallas Museum of Art

This spring, we are making some modest refurbishments to two of the rooms in the Reves Galleries that will require them to be closed for some months (the rest of the Reves wing will remain open). We’ll take advantage of the partial closure to photograph the works of art on view in those galleries as part of the DMA’s multi-year digital cataloging project. In coming months, visitors to our online collection will discover the fruits of that labor in hundreds of new and improved images of works of art in the Reves Collection. But, there will be also be an even more immediate opportunity for visitors to take a closer look at some of the Reves treasures.

Claude Monet, The Pont Neuf, 1871, oil on canvas, Dallas Museum of Art, The Wendy and Emery Reves Collection, 1985.R.38

Claude Monet, The Pont Neuf (detail), 1871, oil on canvas, Dallas Museum of Art, The Wendy and Emery Reves Collection, 1985.R.38

On January 31, we will open an intimate exhibition, included in free general admission, in Focus Gallery II on Level 1, featuring the great impressionist paintings from the Reves Collection, including works by Pierre-Auguste Renoir, Claude Monet, Camille Pissarro, and Paul Cézanne. These works, usually on display in the Library and Grand Salon of the Reves Galleries, are among the greatest treasures of the Reves Collection . . . and among the most difficult to appreciate in their current setting, hanging on distant walls some twenty or even thirty feet from the barriers. In the exhibition Impressionist Paintings from the Reves Collection, thirteen of the greatest paintings from the Reves Collection will be brought together for a period of close study and exploration. Anyone who has longed for a closer view of these paintings will revel in this opportunity, curators included! But, this opportunity will be a limited one. Impressionist Paintings from the Reves Collection will be on view only until March 22, so be sure to plan a visit soon for an up-close and personal visit with these old friends.

Pierre-Auguste Renoir, Lise in a White Shawl (detail), c. 1872, oil on canvas, Dallas Museum of Art, The Wendy and Emery Reves Collection, 1985.R.58

Pierre-Auguste Renoir, Lise in a White Shawl (detail), c. 1872, oil on canvas, Dallas Museum of Art, The Wendy and Emery Reves Collection, 1985.R.58

Heather MacDonald is The Lillian and James H. Clark Associate Curator of European Art at the DMA.

The Selfie Seen Around the World

Today marks the second anniversary of DMA Friends and we are so excited to have over 90,000 friends! Today also happens to be Museum Selfie Day, with people sharing selfies in museums from around the world. Celebrate two years of free general admission and the DMA Friends program by sharing your DMA selfie with the hashtag #MuseumSelfie.

Enjoy a few of our favorite Museum Selfies from our DMA Friends, visitors, and staff. If you aren’t already a DMA Friend, sign up for our free membership program on your next visit!

Cocktail Creations: A Toast to the DMA

The DMA turns 112 this month and we wanted to celebrate with a fun cocktail contest inspired by works of art in our collection, giving our visitors a chance to toast the DMA with their creativity!

LN_CreativeCocktail

We asked visitors to choose a work of art in our collection that inspired them to create a cocktail recipe along with a fun (or even punny) name for the drink. We saw a lot of great submissions from our community of art and alcohol connoisseurs, and with the help of our Executive Chef we have picked a winner and four finalists.

Single snake armlet, 1st century A.D.Dallas Museum of Art, Museum League Purchase Funds, The Eugene and Margaret McDermott Art Fund, Inc., and Cecil H. and Ida M. Green in honor of Virginia Lucas Nick, 1991.75.92.1

Single snake armlet, Roman Empire, 1st century A.D., gold, Dallas Museum of Art, Museum League Purchase Funds, The Eugene and Margaret McDermott Art Fund, Inc., and Cecil H. and Ida M. Green in honor of Virginia Lucas Nick, 1991.75.92.1

The winning cocktail, Twisted Serpent, created by Lori Pasillas, was inspired by the single snake armlet in our ancient Mediterranean collection. This drink, made with amaretto, Chambord, club soda, Italian soda, mint leaves, and a twist of orange peel, will be available for purchase at our upcoming Late Night on Friday, January 16.

That night, we will host a Creative Cocktail Lounge in our Founders Room, where you can purchase this winning drink plus the drinks created by the four finalists. While you enjoy these libations, DJ Yeahdef will spin a set of eclectic music.

It was interesting to see that our visitors were inspired by works of art from across our global collection. We had submissions that drew inspiration from our Japanese, decorative arts, ancient American, and contemporary collections, in addition to artworks in our American and European collections.

The works chosen by the four finalists were The Fish and the Man by Charles Webster Hawthorne, Heat Wave-Texas by Coreen Mary Spellman, Still Life by Perry Nichols, and the Miss Blanche armchair by Shiro Kuramata.

 

Miss Blanche chair by Shiro Kuramata, Dallas Museum of Art, gift of Caren Prothro, Vincent and Dara Prothro, and Nita and Cullum Clark, and Catherine, Alex, Charlie, Jack, and Will Rose, Lela Rose and Grey, Rosey, and Brandon Jones in honor of Deedie Rose, DMA/amfAR Benefit Auction Fund, and Discretionary Decorative Arts Fund, 2012.29.A-E

Miss Blanche chair, Shiro Kuramata, designer; Ishimaru Company Ltd., manufacturer, designed 1988, executed 1989, acrylic, artificial roses, and aluminum with Alumite (anodized) finish, Dallas Museum of Art, gift of Caren Prothro, Vincent and Dara Prothro, and Nita and Cullum Clark, and Catherine, Alex, Charlie, Jack, and Will Rose, Lela Rose and Grey, Rosey, and Brandon Jones in honor of Deedie Rose, DMA/amfAR Benefit Auction Fund, and Discretionary Decorative Arts Fund, 2012.29.a-e

To find out what drink concoctions these works inspired, visit the Creative Cocktail Lounge this Friday. While you are here, don’t forget to go to Tim Federle’s talk at 7:00 p.m. Tim’s punny cocktail books Tequila Mockingbird: Cocktails with a Literary Twist and Hickory Daiquiri Dock helped inspire this contest and his talk is sure to be fun!

tequilamockingbird

So come and join us in toasting the DMA this Friday!

Stacey Lizotte is Head of Adult Programming and Multimedia Services at the DMA.

Dressed to the Nines: Canine Couture and Fashionista Felines

Last year the DMA pets took to the catwalk for Dress Your Pet Up Day, which is held every January 14. We had such a paws-itive response that we couldn’t wait to get our fashion hounds ready for their close ups once again. DMA staff and their furry pals took inspiration from the DMA’s collection and delivered some on trend looks that will get your tails WAGging.

Sabby_Marlo Pascual
DMA Staffer: Mandy Engleman, Director of Creative Services
DMA Pet: Sabrina, Bassador (Basset Hound/Yellow Lab), age 6 1/2
Portrait Inspiration: Marlo Pascual, Untitled, 2009
I’ve always been fascinated with Sabby’s short little legs and big paws, and when I saw the Pascual photo I knew we had to re-create this artistic still life. However, due to her short/long stature, a lounging pose was required!

panda 3
DMA Staffer: Stacey Lizotte, Head of Adult Programming and Multimedia Services
DMA Pet: Parker (he belongs to my parents but I borrowed him when I was home for Christmas), English Springer Spaniel, age 1
Portrait Inspiration: Banquete chair with pandas, Fernando Campana and Humberto Campana, designed 2006
With Parker being a black-and-white Springer, my mind went immediately to the banquete chair with pandas in our collection. Since it was cost prohibitive to buy a lot of stuffed pandas to place around Parker in a chair shape, my mom made a panda bear quilt with fabric we found online, which we then draped over a chair before posing Parker in it.

John_George
DMA Staffer: Amanda Blake, Head of Family, Access, and School Experiences
DMA Pet: George Costanza, West Highland White Terrier, age 8
Portrait Inspiration: John Singleton Copley, Woodbury Langdon, 1767
Dress Your Pet Up Day provided George with the perfect excuse to invite Chloe over for a play date. Even though he is a rough and tumble type of dog, he knows when to bring on the charm and put his best paw forward like Woodbury. (While George has many talents, holding a westie stamped document isn’t one of them. Amanda created a lifelike paw for his shoot).

Chloe_Sarah
DMA Staffer: Kimberly Daniell, Manager of Communications and Public Affairs
DMA Pet: Chloe (she is actually my roommate’s dog. I dog-napped her for the photo shoot), West Highland Terrier, age 9
Portrait Inspiration: John Singleton Copley, Sarah Sherburne Langdon, 1767
Chloe and George have been discussing portrait options since last January to create a team for this year’s Dress Your Pet Up Day. The perfect pair for this westie duo were the Langdons, though George took to his sophisticated background much more easily than Chloe. She hasn’t adjusted to the nouveau riche lifestyle of the Langdons.

Captain Charles_Nandi
DMA Staffer: Fran Baas, Associate Conservator
DMA Pet: Captain Charles, Domestic Shorthair (very handsome Tuxedo with many admirers), age 4
Portrait Inspiration: Nandi, c. 13th century, South India
A cat can be a difficult model. Since I am the objects conservator here at the DMA, I wanted to choose one of the many fabulous sculptures from the collection that are currently on view. The Nandi bull, the bull that serves as mount and gatekeeper for the god Shiva, was an obvious choice by my dear Captain for several reasons: reclining, an “immature” bull, a protector, and adored by many. He didn’t really want to wear the floral garland trim and thought it was something to play with. His usual “reclining” pose went out the door.

Fidel_Georgia O'Keeffe
DMA Staffer: Jessica Fuentes, The Center for Creative Connections Gallery Coordinator
DMA Pet: Fidel, short-haired Chihuahua, age 3
Portrait Inspiration: Georgia O’Keeffe, Grey Blue & Black—Pink Circle, 1929
Georgia O’Keeffe is one of my daughter’s favorite artists and Grey Blue & Black – Pink Circle is my favorite O’Keeffe in the Museum’s collection. My original idea was to attach colored fabric to my dogs’ harnesses and capture them running in circles; however, Nene did not want to participate, so I was left with one Chihuahua who didn’t want to run around solo. So I improvised. I set the camera for a longer exposure setting, stood above Fidel, and twisted the camera as I took my photograph, blurring the colors around him.

Baxter_Pietro Bellotti
DMA Staffer: Laura Hartman, Paintings Conservator
DMA Pet: Baxter, Bulldog, age 7
Portrait Inspiration: Pietro Bellotti, Old Pilgrim, c. 1660s-1670s
Baxter has always looked like an old man, even as a puppy. He captures the feeling of this painting very well, but he would not cooperate and wear a beard.

Sampspn_Piet Mondrian
DMA Staffer: Maegan Hoffmann, Assistant Manager of DMA Partners Program
DMA Pet: Sampson, American Long Hair Kitty-Snuggle-Study-Buddy-Cat, age 6
Portrait Inspiration: Piet Mondrian, Composition with Large Blue Plane, Red, Black, Yellow, and Gray, 1921
Sampson adores boxes and loves to hang out inside them. When I saw Mondrian’s piece Composition with Large Blue Plane, Red, Black, Yellow, and Gray, I just knew Sampson would love to participate in the work by transforming the flat 2D plane of the work into a 3D box of De Stijl art! Sampson is mostly white and black and gray with pops of color, like the ginger in his fur or the green in his eyes, similar (but not exactly) to Mondrian’s pieces during the De Stijl movement that focused on the use of primary colors and cubist influence. Mondrian believed that “all things are parts of a whole,” and Sampson definitely completes my existence.

animals 2
DMA Staffer: Reagan Duplisea, Associate Registrar, Exhibitions
DMA Pet: Mosey, Florida Brown Dog, age 10
Portrait Inspiration: Cornelis Saftleven, College of Animals, 1655
Mosey was inspired by her four-legged scholar friends in the College of Animals to brush up on her humanities in order to be a well-rounded canine companion. The cat (not pictured despite many attempts) claimed that she knew all that was worth knowing in life and much preferred napping to studying, thank you very much.

danielle 2
DMA Staffer: Danielle Schulz, Teaching Specialist
DMA Pet: Bella (Lab/Collie mix), Ruby (Lab/Retriever/Pointer mix), Kitty (Bombay), ages 2, 3, and 4
Portrait Inspiration: Louise Nevelson, Diminishing Reflections VIII (Left & Right), 1964
I wanted to play upon the animals’ color, as all three are entirely, or almost entirely, black. It therefore seemed fitting to take inspiration from sculptor Louise Nevelson’s monochromatic, abstract wooden forms.

Annie_Figure of a woman
DMA Staffer: Fran Baas, Associate Conservator
DMA Pet: Annie, Domestic Shorthair (lovely gray-white with captivating golden eyes), age 4
Portrait Inspiration: Figure of a woman, Roman Empire, 2nd century A.D.
Again, a cat is a very difficult model. Annie wanted nothing to do with the soft drapery chosen to mimic the exquisitely carved marble drapery depicted in the ancient Roman figure of a woman. Like the noblewoman depicted, Annie typically radiates nobility and grace (until you try to cover her with fabric).

emma
DMA Staffer: Emma Vernon, Manager of the DMA Partners Program
DMA Pet: Semiramis (Mirie), Shih-tzu/Poodle, age 10 months
Portrait Inspiration: William Wetmore Story, Semiramis, designed 1872, carved 1873
I chose Semiramis because she is Mirie’s namesake! I’ve always loved this gorgeous statue and the thrilling story of the ambitious Assyrian queen it represents. Mirie is still very much a puppy, so she may not be as graceful, but she certainly has the moxie!

Visit the DMA’s collection galleries, included in free general admission, to find inspiration for your pet’s high fashion and share your photos: #DressYourPetUp.

Images: Marlo Pascual, Untitled, 2009, digital C-print, Dallas Museum of Art, Lay Family Acquisition Fund, © Marlo Pascual; Fernando Campana, Humberto Campana, Banquete chair with pandas, designed 2006, stuffed animals on steel base, Dallas Museum of Art, DMAamfAR Benefit Auction Fund; John Singleton Copley, Woodbury Langdon, 1767, oil on canvas, Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc.; John Singleton Copley, Sarah Sherburne Langdon, 1767, oil on canvas, Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc.; Nandi, South India, c. 13th century, granite, Dallas Museum of Art, the Cecil and Ida Green Acquisition Fund and gift of David T. Owsley via the Alvin and Lucy Owsley Foundation; Georgia O’Keeffe, Grey Blue & Black—Pink Circle, 1929, oil on canvas, Dallas Museum of Art, gift of The Georgia O’Keeffe Foundation, © The Georgia O’Keeffe Foundation/Artists Rights Society (ARS), New York; Pietro Bellotti, Old Pilgrim, c. 1660s-1670s, oil on canvas, Dallas Museum of Art, The Karl and Esther Hoblitzelle Collection, gift of the Hoblitzelle Foundation; Piet Mondrian, Composition with Large Blue Plane, Red, Black, Yellow, and Gray, 1921, oil on canvas, Dallas Museum of Art, Foundation for the Arts Collection, gift of Mrs. James H. Clark, © 2015 Mondrian/Holtzman Trust, c/o HCR International Washington DC; Cornelis Saftleven, College of Animals, 1655, oil on canvas, Dallas Museum of Art, The Karl and Esther Hoblitzelle Collection, gift of the Hoblitzelle Foundation; Louise Nevelson, Diminishing Reflections VIII (Left & Right), 1964, painted wood, Dallas Museum of Art, Foundation for the Arts Collection, anonymous gift, © Estate of Louise Nevelson/Artists Rights Society (ARS), New York; Figure of a woman, Roman Empire, 2nd century A.D., marble, Dallas Museum of Art, gift of Mr. and Mrs. Cecil H. Green; William Wetmore Story, Semiramis, designed 1872, carved 1873, marble, Dallas Museum of Art, gift of Morynne and Robert E. Motley in memory of Robert Earl Motley, Jr., 1942-1998

Amanda Blake is Head of Family, Access, and School Experiences and Kimberly Daniell is the Manager of Communications and Public Affairs at the DMA.

Turner Time

Mr. Turner, a film about the last 25 years of the renowned artist’s life, has just opened in Dallas. Experience even more Joseph Mallord William Turner at the DMA with a visit to the Museum’s European Gallery on Level 2, included in our daily free general admission, to take in the artist’s 1803 work, Bonneville, Savoy in the DMA collection.

Joseph Mallord William Turner, Bonneville, Savoy, 1803, oil On canvas, Dallas Museum of Art, Foundation for the Arts Collection, gift of Nancy Hamon in memory of Jake L. Hamon with additional donations from Mrs. Eugene D. McDermott, Mrs. James H. Clark, Mrs. Edward Marcus and the Leland Fikes Foundation, Inc.

Joseph Mallord William Turner, Bonneville, Savoy, 1803, oil On canvas, Dallas Museum of Art, Foundation for the Arts Collection, gift of Nancy Hamon in memory of Jake L. Hamon with additional donations from Mrs. Eugene D. McDermott, Mrs. James H. Clark, Mrs. Edward Marcus and the Leland Fikes Foundation, Inc.

 

A DMA Anniversary Game

The DMA was founded on January 19, 1903, which means our 112th birthday is right around the corner. For this year’s anniversary, I have a little game for you.

The Museum has had a few different names and many different logos over its 112 years. Can you match the logo with the year it was used?

The answers are below . . . and no peeking!

A. 1909   B. 1938   C. 1944   D. 1958   E. 1970   F. 1984   G. 1995   H. 2002   I. 2003   J. 2007

1.

museum_logo_1

2.

DMCA_logo_2

 

3.

museum_logo_3

 

4.

museum_logo_4

 

5.

museum_logo_5

 

6.

museum_logo_6

 

7.

museum_logo_7

 

8.

museum_logo_8

 

9.

museum_logo_9

 

10.

museum_logo_10

How did you do? Sorry, no prizes, just a virtual gold star from the DMA Archives and bragging rights on your graphic design sense.

Hillary Bober is the Archivist at the Dallas Museum of Art.

 

Answers:
1. E   2. D   3. B   4. G   5. H   6. C   7. A   8. F   9. J   10. I

Forward Facing

With the onset of a new year, it’s useful to take stock of what is up next at the Museum. At the end of January, we will mark the second anniversary of DMA Friends, our much-heralded free membership program. With more information gleaned from our visitors than ever before, we are excited to share insights among four major art museums exploring the opportunities presented by this program, thanks to a six-figure grant from the Institute of Museum and Library Services. The Los Angeles County Museum of Art, Denver Art Museum, Minneapolis Institute of Arts, and DMA are partnering in a roll-out of the museum Friends program, and will have much to learn in the months ahead.

15596853568_7a4dd6e52b_k

Maxwell L. Anderson discussing the Wittgenstein Vitrine with AT&T Performing Arts Center’s Chris Heinbaugh

 

Following the evocative exhibition of 19th-century oils titled Bouquets: French Still-Life Painting from Chardin to Matisse, which local critics hailed as one of the best  exhibitions of 2014, we look forward to presenting three remarkable exhibitions of art of the last half-century. Between Action and the Unknown: The Art of Kazuo Shiraga and Sadamasa Motonaga opens on February 8 in the Hoffman Galleries, for the first time revealing some of the breadth of the Museum’s newly formed collection of postwar Japanese painting and sculpture, which augments an already major collection of European and American art of the 20th and 21st centuries.

The newly acquired Marcia H Travels (1970), the first work in the DMA’s collection by the Guyanese-born British painter Frank Bowling, will be displayed along with four other paintings by Bowling from private collections. Frank Bowling: Map Paintings, opening February 20, will mark the first time in nearly forty-five years that these “Map Paintings” will be brought together since their debut at the Whitney Museum of American Art in 1971.

Rounding out the spring, the US premiere of the internationally traveling exhibition, Michaël Borremans: As sweet as it gets, on the work of contemporary Belgian artist Michaël Borremans opens at the DMA in March 2015. Co-organized by the DMA and Center for Fine Arts, Brussels (BOZAR), this retrospective will draw our visitors into the fascinating realism of one of today’s most heralded painters.

A feast for the eye, all are made possible by the generous supporters of the DMA, to whom the Board and staff extend our sincere appreciation. I look forward to welcoming you to the Museum this winter and spring, and hope you will encourage others to join as DMA Partners to undergird free general admission—a year-round gift to our community.

Maxwell L. Anderson is The Eugene McDermott Director at the DMA


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