Archive for the 'Behind-the-Scenes' Category

School’s in Session

School is back in session in DFW and at the DMA. You may have heard about the establishment of the Edith O’Donnell Institute of Art History at the University of Texas at Dallas last fall and the downtown campus at the DMA. Dr. Kimberly L. Jones, the DMA’s Ellen and Harry S. Parker III Assistant Curator of the Arts of the Americas, will lead one of the Institute’s first seminars this fall on Inca art inside the Museum galleries, and ahead of the completion of the Edith O’Donnell Institute of Art History’s DMA space’s construction.  Check out the progress below on the the new downtown campus in the Museum’s building.

Kimberly Daniell is the Manager of Communications and Public Affairs at the DMA

Speakeasy Star

This Friday we’re traveling through the 20th century during Late Night with a different decade highlighted every hour. We asked one of our favorite costume gurus, Breanna Cooke (you may remember the amazing Greek Hero look she created inspired by The Body Beautiful), for tips on how to dress for a time traveling evening.

The evening kicks off with a tribute to the 1920s-30s, so here’s how you can make a flapper headband and then put together an outfit.

4

What you’ll need for the headband:

  • Long piece of sequined elastic, or stretch fabric, or other headband
  • Craft foam or a large button
  • Hot glue
  • Duct tape (optional)
  • Feathers
  • Bits of lace, ribbon, fringe
  • Rhinestones, buttons, brooches, or even pieces from broken earrings

3

  1. Make a headband
    Measure a piece of elastic or fabric to fit around your head. Then use hot glue, tape, or needle and thread to attach the ends together. If you’re taping or gluing it together, overlap the two ends. Don’t worry about the seam—you’ll glue your embellishment on top of it.

2

  1. Make an embellishment
    Using a small circle of craft foam (or a large button) as a base, start gluing rhinestones, sequins, and buttons on top. Get creative and use what you have lying around at home. Then glue some feathers or fringe to the back of your craft foam base.

 

1

  1. Put it together
    Using hot glue, attach your embellishment to your headband. Be sure to stick it on top of the seam to hide it.

Ideas to complete the outfit

  • Gloves
  • Feather boa
  • Long string of pearls (Hint: Mardi Gras beads work great! If you don’t have the right color, just paint them with spray paint or acrylic paints)
  • Sleeveless dress
  • Black fishnet stockings

For the gentlemen
It’s still hot in Texas, but a suit is a great accompaniment to your flapper friends. Find a bow tie, grab your fedora, shine your shoes, and we’ll see you at the DMA!

Once you have your costumes complete, come kick up your heels with the Matt Tolentino Band, who will be performing songs from the roaring 20s and 30s at 6:00 p.m. Check out the full night’s lineup online at DMA.org.

Breanna Cooke is a Graphic Designer, Costume Creator, and Body Painter living in Dallas. To see more of her work, visit breannacooke.com. Check out progress photos of her latest projects on Facebook.

Pint-Size Sous Chefs

During this month’s Art Babies, our mini museum-goers joined a hungry caterpillar at an imaginary dinner party to explore the sense of taste. Armed with their very own—Museum staff approved!—silver spoons, they goo-ed and gah-ed over the shiny silver serveware on Level 4. Their appetites primed with art, we then headed to the Art Studio, which was transformed into a smorgasbord of color, texture, and even flavor! Our petite Picassos used vibrant food puree “paint” to create their own masterpieces, taste-testing encouraged. Class ended with a colorful, baby-approved snack of blueberry carrot oat mini muffins, which you can try out at home:

Blueberry Carrot Oat Mini Muffins
20438306986_fd529afecc_k
1 cup rolled oats
½ cup whole wheat flour
½ cup all-purpose flour
1 tsp baking powder
½ tsp baking soda
½ tsp salt
2 eggs, room temperature
½ cup sugar
6 oz vanilla Greek yogurt, room temperature
½ cup carrot puree
1 tbsp vegetable oil
2 tsp vanilla
1 cup fresh blueberriesPreheat oven to 375° F. Line mini muffin pan with paper liners or spray with non-stick cooking spray.In large mixing bowl, stir together oats, both flours, baking powder, baking soda, and salt. In medium bowl, whisk eggs and sugar until pale and frothy. Add yogurt, carrot puree, vegetable oil, and vanilla, whisking until fully combined and smooth.

Add carrot mixture to flour mixture and stir with rubber spatula until flour is mostly incorporated. Gently fold blueberries into batter with a few revolutions, just enough to incorporate remaining flour and distribute berries evenly throughout.

Divide batter into muffin cups, using a tablespoon scoop to fill them almost to the top. Bake about 10 minutes, or until a toothpick inserted in the center comes out clean. Note: A regular muffin pan can be used instead, increasing the baking time to 20 minutes.

Tickets for our fall classes go on sale September 3—we hope to see you then!

Sarah Coffey is the Education Coordinator at the DMA.

Our Portal Into Publishing

View from Macmillan Children's Publishing Group located in the famous Flatiron Bldg

View from Macmillan Children’s Publishing Group located in the famous Flatiron Building

The annual DMA Arts & Letters Live planning trip to New York provides the foundation for each season of the DMA’s literary and performing arts series. During more than 30 meetings in five days at the end of July, Carolyn Bess and I learned which authors are generating a lot of buzz for their new books, and who will be on tour during our 25th anniversary season. These meetings provide a portal into the publishing world not yet revealed to the media or to the public. Here begins the dialogue regarding the authors and books publishers want to catapult into public conversation. We share statistics and successes from our recent events as we attempt to woo such “wish list” writers as Donna Tartt, Bill Bryson, and Nick Hornby. Authors often tour to a predetermined number of cities and only for a short time following their book release date, so there can be significant competition when it comes to securing them for Arts & Letters Live. We seek to balance the type of books, speakers, and performances we feature in each season to construct a mix of literary and historical fiction, poetry, memoir, nonfiction, pop culture, and emerging authors.

Though our meeting schedule certainly kept us busy, we managed to squeeze a few excellent cultural outings into our visit. The Tony Award-winning Broadway musical adaptation of Alison Bechdel’s acclaimed illustrated memoir Fun Home: A Family Tragicomic was excellent and would fit nicely into our Artful Musings category (if only Alison weren’t in such high demand these days!). We enjoyed seeing Gerald Murphy’s Cocktail on view in the glorious new Renzo Piano building of the Whitney Museum of American Art as we look forward to hosting Liza Klaussmann tomorrow night at the DMA for her new fictional account of Sara and Gerald Murphy in Villa America. On a Friday evening visit to the Metropolitan Museum of Art, we joined the Museum Hack tour for what their brochure terms “a highly interactive, subversive, fun, non-traditional museum tour.” Their strategy did not disappoint. During our three-hour tour, we learned obscure and whimsical tidbits about a select number of pieces in the Met’s collection and wandered the galleries after hours, inciting childhood fantasies of spending the night in the Met like Claudia in E. L. Konigsburg’s iconic novel, The Mixed Up Files of Mrs. Basil E. Frankweiler.

One of the things that impressed me most during these meetings was the number of times publishers commented on the excellent reputation of the Dallas Museum of Art and Arts & Letters Live. After working on events with publicists all year via phone and e-mail, it is gratifying to meet with them in person and to hear how much they appreciate the quality of events that we host at the DMA. The professional relationships built and fostered during this New York trip are a key component to Arts & Letters Live’s success.

Michelle Witcher is the Program Manager, Arts & Letters Live, at the DMA.

Moore on the Move

Photos showing the North Entrance of the museum prior to the start of renovation efforts.

The North Entrance of the Museum prior to the start of renovation efforts.

Henry Moore’s Two Piece Reclining Figure, No. 3 has greeted visitors at the Museum’s North Entrance for many years. Last week, Moore’s sculpture moved to a new home on the south side of the building, where it will welcome visitors into the Sculpture Garden. The move involved a lot of planning, and many precautions were in place to move the 2,200-pound bronze sculpture. Follow the sculpture’s journey below:

Museum Murder Solved!

Tonight we completed our fourth annual Museum Murder Mystery Game. This year, Victory was found dead just before Late Night began. Visitors searched the galleries for the body and integrated the suspects to determine who did it, with what object, and in which gallery. Below is the news report from their findings.

Museum Murder Solved!
Isabelle Lemonnier Confesses

Edouard Manet, Portrait of Isabelle Lemonnier with a Muff, c. 1879, oil on canvas, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, 1978.1

Edouard Manet, Portrait of Isabelle Lemonnier with a Muff, c. 1879, oil on canvas, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, 1978.1

 17 JULY – Chaos has reigned for the past few hours here at the Dallas Museum of Art. Following the violent death of Victory, a prominent (and notoriously annoying) member of the collection, staff and visitors conducted an intensive inquiry. Lily Davenport, summer intern and chief investigator, explained that “we interviewed every artwork under suspicion for Victory’s murder, and checked on almost all of the potential weapons on display in the Museum.” In the end, one of those suspects broke down and confessed, under close questioning regarding the timing of her walk home.

Isabelle Lemonnier admitted to strangling Victory with an Etruscan composite necklace in the Indonesian Art Gallery. An unrepentant Isabelle reportedly remarked during her interrogation, “It was easy. I let everyone think I had taken Lady in a Red Hat up to her portrait, when really I just circled around to the third floor, by way of the Barrel Vault. The necklace looked as though it would fit in my muff, so I took it out of its case in the Ancient Mediterranean Gallery and went up to the Indonesian section to wait for Victory. I got her from behind as she came through the door—I doubt she ever even saw me.”

When this reporter asked about her motive, Isabelle cited Victory’s “disruptive and obnoxious” behavior and her own longstanding envy of the other artwork’s vocal self-confidence. Said the killer, “She always acted like she was so much better than me, than all of us. And the self-promotion never really let up. So it was just the icing on the cake when she interrupted Buddha’s meditation session to ask about dealing with envious friends. I knew she was talking about me, and it made me so angry!”

Museum staff did not comment on Isabelle’s eventual fate, as artwork-on-artwork violence is comparatively rare, and little judicial precedent exists. “It’s much more common for human visitors to pose a threat to the art,” said an investigator from the curatorial department who wishes to remain nameless. “I don’t even know where to begin writing this incident report.”

 

Lily Davenport is the Summer Intern for Adult Programming at the DMA

CosPlaying at the DMA

19565093100_9c6146e1c3_z

This week, teens have been experimenting and creating through group and solo challenges during our Urban Armor: Cosplay Challenge Camp. Each challenge allows this group to learn new concepts and construction techniques to use in their final costume design which they showcased this afternoon in the Museum galleries. Inspired by last year’s Zombie Camp, this year’s group was visited daily by experts from various professions that they may want to pursue like film and fashion. One of the returning campers from last year, a student at Booker T. Washington, said “this (the Urban Armor camp) is the only camp that I sign up for every year because it’s so awesome. I love it.”

So if you’re in the DMA galleries this afternoon, don’t be surprised if you run into a superhero or two.


19592036978_cfb3c2492d_z


Enter your email address to follow this blog and receive notifications of new posts by email.

Join 1,185 other followers

Twitter Updates

Flickr Photo Stream

More Photos

Join Us on Facebook


Follow

Get every new post delivered to your Inbox.

Join 1,185 other followers