Archive for the 'Education' Category

Pint-Size Sous Chefs

During this month’s Art Babies, our mini museum-goers joined a hungry caterpillar at an imaginary dinner party to explore the sense of taste. Armed with their very own—Museum staff approved!—silver spoons, they goo-ed and gah-ed over the shiny silver serveware on Level 4. Their appetites primed with art, we then headed to the Art Studio, which was transformed into a smorgasbord of color, texture, and even flavor! Our petite Picassos used vibrant food puree “paint” to create their own masterpieces, taste-testing encouraged. Class ended with a colorful, baby-approved snack of blueberry carrot oat mini muffins, which you can try out at home:

Blueberry Carrot Oat Mini Muffins
1 cup rolled oats
½ cup whole wheat flour
½ cup all-purpose flour
1 tsp baking powder
½ tsp baking soda
½ tsp salt
2 eggs, room temperature
½ cup sugar
6 oz vanilla Greek yogurt, room temperature
½ cup carrot puree
1 tbsp vegetable oil
2 tsp vanilla
1 cup fresh blueberriesPreheat oven to 375° F. Line mini muffin pan with paper liners or spray with non-stick cooking spray.In large mixing bowl, stir together oats, both flours, baking powder, baking soda, and salt. In medium bowl, whisk eggs and sugar until pale and frothy. Add yogurt, carrot puree, vegetable oil, and vanilla, whisking until fully combined and smooth.

Add carrot mixture to flour mixture and stir with rubber spatula until flour is mostly incorporated. Gently fold blueberries into batter with a few revolutions, just enough to incorporate remaining flour and distribute berries evenly throughout.

Divide batter into muffin cups, using a tablespoon scoop to fill them almost to the top. Bake about 10 minutes, or until a toothpick inserted in the center comes out clean. Note: A regular muffin pan can be used instead, increasing the baking time to 20 minutes.

Tickets for our fall classes go on sale September 3—we hope to see you then!

Sarah Coffey is the Education Coordinator at the DMA.

French Riviera Fête

Celebrate artist Gerald Murphy and the Roaring ‘20s on Thursday, August 13, at the DMA’s French Riviera Fête!

Gerald and Sara Murphy on La Garoupe beach, Antibes, summer 1926 Gerald and Sara Murphy Papers, Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library, Yale University, New Haven, Connecticut © Estate of Honoria Murphy Donnelly

Gerald and Sara Murphy on La Garoupe beach, Antibes, summer 1926. Gerald and Sara Murphy Papers, Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library, Yale University, New Haven, Connecticut, © Estate of Honoria Murphy Donnelly.

In 1921, Gerald Murphy, his wife, Sara, and their three children set sail from New York to France. Their house, Villa America on the coast of Antibes on the French Riviera, became the site of legendary parties and the hub of an illustrious social circle that included expatriates F. Scott and Zelda Fitzgerald, Pablo Picasso, Ernest Hemingway, Cole Porter, and many others. (Gerald and Sara were the real-life inspirations for Fitzgerald’s novel Tender Is the Night.) There, in their oasis by the sea, the Murphys entertained their friends with flamboyant beach parties, fiery debates over the newest ideas, and dinners beneath the stars.

On August 13, we’re having a French Riviera Fête of our own! Kick off the evening with jazz music by the Texas Gypsies and bring your dance partner. Come dressed in 1920s attire or borrow some of our props and take a selfie in our Murphy-inspired photo booth. Sip the featured cocktail (Gerald’s own recipe for “Juice of a Few Flowers”), and take tours of art by Murphy and those who inspired him.

Gerald Murphy, Razor, 1924, oil on canvas, Dallas Museum of Art, Foundation for the Arts Collection, gift of the artist © Estate of Honoria Murphy Donnelly

Gerald Murphy, Razor, 1924, oil on canvas, Dallas Museum of Art, Foundation for the Arts Collection, gift of the artist, © Estate of Honoria Murphy Donnelly

Gerald Murphy, Watch, 1925, oil on canvas, Dallas Museum of Art, Foundation for the Arts Collection, gift of the artist © Estate of Honoria Murphy Donnelly

Gerald Murphy, Watch, 1925, oil on canvas, Dallas Museum of Art, Foundation for the Arts Collection, gift of the artist, © Estate of Honoria Murphy Donnelly

Gerald Murphy only painted for seven years, and only eight of his fifteen known canvases survive today. The DMA is fortunate to own two of those surviving works: Watch and Razor. Murphy gave them directly to the Museum out of gratitude for the role its curator Douglas McAgy played in reviving his reputation as an important artist.

In 2008, the DMA hosted the exhibition Making It New about the Murphys; in a review by the New York Times, Murphy was called “the progenitor of Pop Art.” So after learning more about Gerald Murphy on August 13, mark your calendars for our International Pop exhibition opening in October.


As part of this celebration, Arts & Letters Live will feature bestselling author Liza Klaussmann at 8:00 p.m. She will share insights into her new historical novel, Villa America. Pre-order your book and buy tickets to hear her speak. Actors will also do dramatic readings of letters between Gerald, Sara, and their friends. How about bringing your book club to enjoy this festive night together?

Liza Klaussmann has quite the literary pedigree herself—she’s the great-great-great granddaughter of Herman Melville. A former journalist, Klaussmann was born in Brooklyn and spent ten years living in Paris. She currently lives in London.

“Liza Klaussmann’s Villa America is so artful and compassionate that I couldn’t fail to love the Murphys and everyone who fell into their orbit during those Lost Generation years, all of them fascinating and flawed and human. This is a beautifully rendered story.”―Therese Anne Fowler, author of “Z: A Novel of Zelda Fitzgerald”

Want to read more about Sara and Gerald Murphy? I highly recommend these books too:
Amanda Vaill, Everybody Was So Young: Gerald and Sara Murphy, a Lost Generation Love Story, 1998
Linda Patterson Miller, ed., Letters from the Lost Generation: Gerald and Sara Murphy and Friends, 2002


Carolyn Bess is the Director of Programming and Arts & Letters Live at the DMA.

CosPlaying at the DMA


This week, teens have been experimenting and creating through group and solo challenges during our Urban Armor: Cosplay Challenge Camp. Each challenge allows this group to learn new concepts and construction techniques to use in their final costume design which they showcased this afternoon in the Museum galleries. Inspired by last year’s Zombie Camp, this year’s group was visited daily by experts from various professions that they may want to pursue like film and fashion. One of the returning campers from last year, a student at Booker T. Washington, said “this (the Urban Armor camp) is the only camp that I sign up for every year because it’s so awesome. I love it.”

So if you’re in the DMA galleries this afternoon, don’t be surprised if you run into a superhero or two.


Weaving in the Andes

For thousands of years, artists in the Andean region of South America have been weaving beautiful and complex textiles—an extremely labor intensive process as well as an important form of artistic expression. Beyond serving as protection from the arduous cold of the highlands and the intense sun of the Andean coast, textiles played important roles in ritual, political, and social life and functioned as a marker of social identity for both the living and the dead. Because it took so much time and effort to produce a textile, wearing a highly decorative tunic, for example, conveyed the wearer’s social prestige. Today, we are surrounded by textiles—from the upholstery of our living room sofas to our clothes and bed sheets. But most of today’s textiles were created in mass and for the masses.


One of the goals of Inca: Conquests of the Andes—on view until November 15, 2015—is to emphasize that each of the textiles in the exhibition was laboriously and thoughtfully created by hand. So, we designed a space within its galleries to illustrate the step-by-step process of making a textile, from the shearing of a camelid for natural hair or the picking of raw cotton, to the many specific ways that fibers can be woven together to produce a textile.

We were thrilled to collaborate on this project with University of North Texas professor Lesli Robertson and the awesome students in her class Topics in Fiber: Community, Culture, and Art. To kick it off, the class visited the DMA’s textile storage and examined fragments representing a variety of weaving techniques for inspiration. Then, they returned to campus and got busy creating enlarged samples of the weaving techniques, using extra strong and thick cording and string so that visitors can touch and feel the nuanced differences between the various techniques. The students experimented with natural dyes like indigo and cochineal (a parasitic insect) to produce bright colors, mirroring the Andean artists in the exhibition. They also produced a backstrap loom—a small, portable loom popular in the Andes that is attached around the weaver’s back and anchored to a tree or other high post. Be sure to check out the students’ photodocumentation of their project on Instagram. They tagged all of their photos and video with #IncaConquestUNT.



Better yet, visit the Inca exhibition and explore the sample wall to learn about the intricate weaving processes used by the artists represented in the exhibition. When you enter, grab a Weaving Techniques guide from the holder. The colorful round icons on labels indicate the predominant weaving technique used for that artwork. Look for differences in the techniques in the artwork galleries, but try to feel the difference in the Weaving in the Andes space.



Andrea Severin Goins is the Interpretation Manager at the DMA.





DMAxTAC = Super Late Night

The Teen Advisory Council.

The Teen Advisory Council

If your tour guide looks a tad younger than expected during this month’s Late Night on Friday, June 19, chances are you’re meeting one of the amazing members of the Teen Advisory Council (TAC). You’ll see others as well—decked out in black and festooned with capes—leading art activities and scavenger hunts, helping with haiku slams and performances, and having a great time with visitors throughout the night.

The masterminds behind the evening’s activities, the TAC has spent the past three months working on the first-ever teen-planned Late Night in DMA history. Their vision for the event not only reflects their ideas for what the Museum can offer but is a collaboration that I hope will only continue to grow.

I caught up with some of the council members to ask them about what this opportunity has meant to them and what they hope visitors will experience on Friday:

Q: What activity has been the most fun or the most challenging to plan?

“The most difficult activity to plan was probably the scavenger hunt because if one detail is off then it can throw off the entire scavenger hunt. At the same time, planning this was a lot of fun because we got to choose the different works of art ourselves and make up the clues. We really got to take charge of this activity, and I think it’s cool that a group of teens was able to pull off such a task.” —Maddi

Teen Council members collaborate with Eliel Jones on his Alternative Signage event during the March Late Night.

Teen Council members collaborate with Eliel Jones on his Alternative Signage event during the March Late Night.

Q: What do you hope visitors take away from this evening?

“I hope that visitors will gain a greater appreciation of the Museum as a whole, in particular through the DMAzing Race, as it offers a wonderful opportunity to explore the Museum. I also hope people meet others with the same interests as them and gain new friends in the process, especially teens who will have a separate lounge area for themselves.” —Cristina

“I hope the new visitors to the Museum see how the Museum is actually very different from the normal museum experience and how they can interact and be a part of the Museum just as any artist can.” —Maddi

“I want the visitors to leave saying ‘I’m glad I came to this’ and learning something. They could learn about anything at the Museum, even about themselves. So, I want the visitors to learn, about anything they want.” —Nadir

The Teen Council experiments with a Creativity Challenge idea.

The Teen Council experiments with a Creativity Challenge idea.

For me, it’s been a blast to watch the TAC execute their ideas and see how much fun they’ve had in the process. I’m amazed at how undaunted they’ve been throughout the process given the magnitude of this project (maybe it just hasn’t sunk in yet?) and how many moving pieces there are. You can check out the full schedule of events for Friday’s Late Night here.

I couldn’t be more proud of all the hard work they’ve put in, and I can’t wait to see how visitors respond. Super!

JC Bigornia is the C3 Program Manager at the DMA.

A Soft Touch


This evening, in advance of our special DMA Arts & Letters Live event with Rebecca Alexander, who will discuss her memoir about losing her vision and hearing due to a rare genetic disease, we will host our first Touch Tour for adults in the Museum’s Sculpture Garden. Last summer, the DMA hosted a similar tour for a group of children with visual impairment; you can explore photos from the event below and learn more about the history here.

Tonight, artist John Bramblitt will lead participants to three works of art and then discuss his process as an artist who happens to be blind. The all-inclusive tour for those attending the Arts & Letters Live event (those with full vision will be given blindfolds for the tour) begins at 6:15 p.m. Visit for additional information about tonight’s program and to purchase tickets.

Amanda Blake is the Head of Family, Access, and School Experiences at the DMA. 

Off to Art Camp

The end of the school year marks the beginning of the DMA’s summer camp program, where each week campers make friends while exploring works of art in the collection and making their own art in the C3 studios. Yesterday we welcomed a fun and energetic group for our first two Summer Art Camps of 2015: New World Kids and Paint, Print, and Pattern.


On the first day of New World Kids, campers got to work with plants . . . and get their hands dirty while doing so!

It was a fun day, and the campers were excited to show their families the plants and other activities they had worked on.

Some of the campers were, admittedly, a little excited to see their families at pick-up…
Although all our camps are fully booked, if you would like to see a list of the types of summer camps we offer, for ages ranging from 4 to 19, visit our website,

Josh Rose is the Manager of Docent and Teacher Programs at the DMA.

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