Archive for the 'Education' Category

As You Wish

The Princess Bride is one of my favorite movies. It has everything a classic fairy tale should—sword fights, castles, intrigue, large rodents, pirates, even (*gasp*) kissing!

Therefore, my excitement knows no bounds as our Second Thursday with a Twist this week is themed As You Wish—a fun night exploring themes between our collection and The Princess Bride.

You’ll be able to watch a fencing demonstration, take a scavenger hunt through the Museum, and listen to actors dramatically read passages from the book.

To prepare you for an inconceivable night, I wanted to share some works of art from our collection that remind me of characters or scenes from the movie:

The Dread Pirate Roberts is swoon-worthy and mysterious—as is Le Captaine.

Debbie Fleming Caffery, Le Captaine, Louisiana, 1995, gelatin silver print, Dallas Museum of Art, gift of DMA Friends of Photography, 1998.127

The Dread Pirate Roberts first appears at the Cliffs of Insanity, and I always imagine that this painting could have inspired them.

Thomas Cole, The Fountain of Vaucluse, 1841, oil on canvas, Dallas Museum of Art, gift of J. E. R. Chilton, 1992.14

Atop the Cliffs of Insanity, the most epic fencing scene takes place, and every time I walk by this painting I think of Inigo Montoya and automatically say “You killed my father, prepare to die!”

Michael Sweerts, Portrait of a Gentleman, possibly a Member of the Deutz Family, 1648–49, oil on canvas, Dallas Museum of Art, The Karl and Esther Hoblitzelle Collection, gift of the Hoblitzelle Foundation, 1987.25

For those who love Fezzik, Untitled (big/small figure) features our resident giant.

Tom Friedman, Untitled (big/small figure), 2004, styrofoam and paint, promised gift of the Dallas Museum of Art Board of Trustees to the Dallas Museum of Art in honor of John Eagle; Dallas Museum of Art through the TWO x TWO for AIDS and Art Fund, © Tom Friedman, 2004.33.a-c

One of Fezzik’s memorable lines is “Anybody want a peanut?” So try not to start a rhyming game when you see this gold weight in the Power of Gold exhibition.

Goldweight, Asante peoples, possibly, mid-20th century, brass and copper alloys, Dallas Museum of Art, Foundation for the Arts, The Alfred and Juanita Bromberg Collection, bequest of Juanita K. Bromberg, 2000.229.86.FA

The battle of wits between Westley and Vizzini brings us another classic scene: “Are you the sort of man who would put the poison into his own goblet or his enemy’s?”

Goblet (one of a pair), George B. Sharp for Bailey & Co., c. 1864, silver, Dallas Museum of Art, gift of Jo Kurth Jagoda in memory of Constance Owsley Garrett, 1989.20.2

There are three things to fear in the Fire Swamp, and whenever I see this painting I think if I went just beyond the trees I might step on a fire spurt, fall into some quicksand, or encounter an R.O.U.S.

Narcisse–Virgile Diaz de la Peña, Forest of Fontainebleau, 1868, oil on canvas, Dallas Museum of Art, Munger Fund, 1991.14.M

Speaking of R.O.U.S.es—while this rat is not an unusual size, it clearly has no problem attacking a human and eating his nose!

Large jar: figure with rat eating the nose, Moche culture, 400–600 CE, ceramic, slip, and paint, Dallas Museum of Art, The Nora and John Wise Collection, gift of Mr. and Mrs. Jake L. Hamon, the Eugene McDermott Family, Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, and Mr. and Mrs. John D. Murchison, 1976.W.116

Killer rodents aside, if you are a fan of TRU WUV be sure to join us on Thursday night!

Stacey Lizotte is the DMA League Director of Adult Programs at the DMA.

Beat the Heat

School’s out, the temps are rising, and we’ve got long, lazy 100-degree days ahead. Are you ready? Whether you’ve got art-seeking explorers, I’d-rather-be-reading library kids, or pass-me-the-glue crafters, the DMA has something fun for everyone.

You can cool off from the heat while taking a closer look at art from around the world . . .

Listen to tall tales and daring adventures during story time . . .

Get a creative workout making a sculpture or sketch in the Center for Creative Connections . . . and so much more!

Summer fun begins Tuesday, June 12, and it’s easy-peasy-lemon-squeezy to join in. No tickets needed, no reservations—just stop by for FREE family fun every day (except Monday—we’re closed!) and check off your summer fun to-do list. You can see the complete schedule here.

Leah Hanson is the Director of Family, Youth, and School Programs at the DMA.

Farewell to Florals

For the past several months, the Rachofsky Quadrant Gallery on the Museum’s first level has been occupied by seven large paintings spanning half the gallery, nearly floor to ceiling. Installed on a lilac-colored wall, the framed canvases contain figures posed with flowers, rendered in eye-catching pastel hues, and surrounded by alternating sections of black and gold leaf.

These paintings are Edward Steichen’s In Exaltation of Flowers, a commissioned series that the artist completed in 1914 for the home of New York financier Eugene Meyer and his wife, Agnes. Never installed in the space for which they were created, the majority of the panels were kept in storage for the past century. Last summer, the DMA’s conservation team unrolled the canvases, stretched and framed them, and completed conservation treatment so the series could go on tour. Newly conserved and reunited in one exhibition, In Exaltation of Flowers is a time capsule of Edward Steichen’s life and the lives of his close friends on the eve of World War I.

On Thursday, April 26, from 6:00 to 8:00 p.m., we will say goodbye to In Exaltation of Flowers with a soiree that will include a complimentary reception with drinks and small bites inspired by the paintings, a tour about flower symbolism with Dallas Arboretum VP of Gardens Dave Forehand, and a talk by art historian Dr. Jessica Murphy.

Reception
6:00 p.m., Check in at Will Call, Horchow Auditorium, Level 1
Arrive early for a complimentary reception featuring beer, wine, and small bites inspired by In Exaltation of Flowers and Edward Steichen’s French country garden. Hors d’oeuvres will include:

FRESH PEA AND MINT SHOOTER
butter-poached shrimp and hibiscus crema

DRIED FIG AND BRIE CROSTADA
balsamic glaze

GRILLED QUAIL AND SUNDRIED CHERRY SALAD
chive crepes and saffron aioli

ROASTED RED & GOLDEN BEETS WITH TEXAS GOAT CHEESE
arugula and orange-tarragon dressing

PARSLEY CHICKEN IN PHYLLO
romesco sauce

ROSE AND WHITE CHOCOLATE MOUSSE
candied rose petals and toasted almonds

Tour: In Exaltation of Flowers
6:30 p.m., Meet at the Flora Street Visitor Services Desk, Level 1
Edward Steichen was an avid gardener who exhibited his celebrated delphiniums in New York’s Museum of Modern Art. For Steichen and much of society at this time, flowers were more than just beautiful objects; they took on human character traits and the giving or receiving of flowers served as a kind of subtle language. Each of the sitters for In Exaltation of Flowers is paired with specific flowers that relate to their personalities or the nicknames given to them within their friend group. Join Dave Forehand of the Dallas Arboretum for a tour of In Exaltation of Flowers focusing on the types of flowers Steichen included in his paintings and what they might have communicated to a viewer in 1914.

Exhibition Talk: Murals from a “Magic Garden”: Edward Steichen’s “In Exaltation of Flowers”
7:00 p.m., Horchow Auditorium, Level 1
In Exaltation of Flowers captures a very particular moment in Edward Steichen’s career, in the history of art, and in the lives of a circle of friends on the eve of the World War I. A very personal project for the artist, the murals include portraits of close friends, either painted from life or from photographs, alongside flowers inspired by his garden at the French country home where he hosted lively parties. Steichen’s careful portrayal of his subjects reveals the nuances of their personalities and relationships within the social group. Best remembered as a photographer, Steichen had a somewhat rocky relationship with painting and ultimately destroyed much of his painted work. His approach to this series shows a nod toward the Symbolist movement, with its emphasis on flatness, invariable color, and in some sections abandonment of realism. Jessica Murphy, Brooklyn Museum’s Manager of Digital Engagement, will bring to life these and other stories behind Edward Steichen’s murals and the people who inspired them.

Don’t miss your chance to spend an evening in 1914 with Edward Steichen and his closest friends before In Exaltation of Flowers leaves the DMA in early May. For more information, visit DMA.org or click here to purchase a $5 ticket.

Jessie Carrillo is Manager of Adult Programs at the DMA.

 

Arturo’s Wrinkle in Time

Spring break at the DMA is not about WHERE you go—it’s WHEN you go! We’re creating a makeshift time travel machine, and you’re invited to take a ride. With four floors of art from across the globe and throughout time, it’s not too difficult to imagine a wrinkle in time that allows you to jump across continents and centuries. Arturo volunteered to take the maiden journey and show us just how easy it is!

From a quick stop in ancient Egypt…

To searching for animals in modern Nigeria…

To kicking up dust in Depression-era Texas…

To saying hello to Mr. President…

To hiking through the Andes for ancient royal treasure–the DMA is everyWHEN you wanna be!

Want to go on your own time travel adventure? Join us every day during the week of spring break, March 13-16 for free family fun. But remember to watch out for wormholes!

Leah Hanson is the Manager of Family and Early Learning Programs at the DMA

Flower Power

Edward Steichen: In Exaltation of Flowers is in bloom until May 13, so while we still have these colorful, one-of-a-kind murals on our walls, we hosted a workshop all about florals. The program began with a tour in the exhibition where the group learned more about Steichen’s social scene and the friends that he immortalized in this artwork. Participants saw how Steichen used flowers as symbols for the different people in the murals and how his passion for horticulture lent itself to extremely realistic depictions. After the tour, everyone chose their own flowers to create their personal still life. The group then learned watercolor techniques from local artist Carol Ivey, who paints minutely detailed still lifes. By the end of the workshop, everyone had bloomed into new watercolor painters and departed with their finished work and brushes to continue practicing.

If you missed the workshop but want to learn more about Edward Steichen, his murals, and his love of flowers, join us on Thursday, April 26, at 7:00 p.m. for an exhibition talk by Jessica Murphy, Manager of Digital Engagement, Brooklyn Museum.

 

Katie Cooke is Manager of Adult Programming at the DMA. 

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You can’t spell DART without art

Prior to moving to Dallas, I found myself doing a lot of research about how to navigate the city. As a person that doesn’t have a car or know how to drive, I knew without a doubt I would be depending on the DART system. As my bus moves down Ross Ave in morning traffic, I can take time to look out the windows and get glimpses of Dallas, soaking in the details that might be missed otherwise.

The study of public transportation can show how cities both shape and are shaped by these models. While public transportation attempts to create access for ever growing cities, the nature of this large scale building has seen its share of highs and lows throughout its long history. Although DART is fairly new to Dallas (1980s), we can see the way neighborhoods around stops have changed and developed as lines have been added. Trains and buses have been of interest to artists around the world, and the DMA has a number of works that explore their many facets.

Lothar Baumgarten, Missouri-Kansas-Texas Railroad, Katy Yard, Continental Viaduct, Dallas, Dallas County, Texas, negative 1989, gelatin silver print, Dallas Museum of Art, gift of the artist and Marian Goodman Gallery, 2004.41.2, © Lothar Baumgarten / Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn

In 1989, German artist Lothar Baumgarten dedicated six months to following America’s railroad tracks to create the series, Carbon. This image shows the Katy, also known as the Missouri-Kansas-Texas Railroad. Today this railyard has been replaced by the American Airlines Center. The Katy was the first railroad to connect Texas to the rest of the United States in the late 1800s, and  it served as a way to transport goods such as cotton across the United States. Baumgarten addresses the irony of the beautiful landscapes that were made available for public consumption as tracks were laid across fields, but also the destruction that comes with it. In addition, he looks at the human accomplishment of settling the land that carried with it the cost of displacing communities. Finally, this work addresses the decline of the railroads themselves as they became industrial transportation.

Willard Watson, Untitled, 1985, drawings, Dallas Museum of Art, gift of the Friends of Willard Watson, 1985.181.4 © Estate of Willard Watson

Willard Watson, “The Texas Kid,” reminisces about when his family moved to Texas from Louisiana in his series of drawings, Life Story. Watson’s family were sharecroppers, a system where the landowner allows a tenant to use the land in exchange for a share of the crop. However, this system often kept tenant farm families severely indebted, with many laws in place to favor the landowners position. This particular image shows the way railroad travel could be empowering, as Watson writes at bottom, “when we were coming across this bridge going to Dallas, Daddy said we were home free.”

Just as these artists were inspired by their experiences with transportation, the DART Student Art Contest invites students to create works of art inspired by DART. Come visit the DMA to get inspiration for your DART contest submissions, which are due February 28. I can’t wait to see the Best of Show winner across the DART bus on my daily commute, along with all the other finalists on view at the DMA in April!

Olivia Feal is the McDermott Intern for Interpretation at the DMA

Have a PAWsome New Year!

Friday is Chinese New Year and we invite you to start the New Year with us as we celebrate the Year of the Dog during our monthly Late Night. Throughout the night, you can experience lion dances, watch Chinese martial arts demonstrations, have your name written in Chinese calligraphy, and listen to traditional Chinese music in our galleries. There will be dog-themed tours, of course, but you can get a jump-start learning about the dogs in our collection with two previous blog posts here and here.

While dogs take precedence this year, be sure to check out these works of art from China on Level 3 that feature other animals from the Chinese zodiac:

Funerary plaque, China, Western Jin dynasty, 219-316 CE, limestone, The Cecil and Ida Green Acquisition Fund, 2016.33.a-b

This tomb marker features two of the four “spiritually endowed” directional deities – the tortoise and the dragon. The other two deities are the phoenix and the unicorn. While not one of the animals represented in the Chinese zodiac, the tortoise is important in Chinse Buddhist belief because it symbolized longevity.

Pair of Lokapala (Heavenly Guardians), China, Tang dynasty, 1st half of 8th century, pottery with colored lead glazes, The Eugene and Margaret McDermott Fund, in honor of Ellen and Harry S. Parker III, 1987.1-2.MCD

Learn more about these heavenly guardians, which often featured lions and tigers on their armor and showed triumph as guardians by balancing on the figure of a bull (or ox), on our 6:30 p.m. spotlight tour with DMA Teaching Specialist Jennifer Sheppard.

Rectangular box, China, mark and reign of Emperor Wanli (r. 1573-1619), dated in inscription to 1595, cinnabar lacquer over wood core, Dallas Museum of Art, gift of Mr. and Mrs. George A. Shutt

The cover of this box features two symmetrically opposed imperial five-clawed dragons chasing the flaming pearl of wisdom.

Polo horse tomb figure, China, attributed to Tang dynasty (A.D. 618-907), ceramic, Gift of Mr. and Mrs. Arthur Rothwell, 1960.167

This horse is a mingqi or “spirit object” that was buried with the deceased in underground tombs. With the accession of the emperors of the Tang dynasty, the number of funerary objects placed in tombs increased, as funerary art became a means to display your wealth publically.

Friday’s Late Night will also feature a talk by DMA curator Dr. Anne Bromberg who will discuss our new installation Asian Textiles: Art and Trade Along the Silk Road which features these two coats from China:

Short coat: dragons and auspicious symbols, China, late 19th century, silk with metal-wrapped yarn, Gift of Betty Ann Walter and Ruth Walter Benedict in memory of Ethyl Walter and Gladys Walter, 1993.70

Woman’s semi-formal court coat, China, 19th century, silk and metal-wrapped yarns, Gift of Mrs. Beatrice M. Haggerty, 1995.40

So if January wasn’t all you thought it would be, start fresh this Friday and join us as we kick-off a PAWsome new year!

Stacey Lizotte is Head of Adult Programming and Multimedia Services


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