Archive for the 'Education' Category

Arturo’s Wrinkle in Time

Spring break at the DMA is not about WHERE you go—it’s WHEN you go! We’re creating a makeshift time travel machine, and you’re invited to take a ride. With four floors of art from across the globe and throughout time, it’s not too difficult to imagine a wrinkle in time that allows you to jump across continents and centuries. Arturo volunteered to take the maiden journey and show us just how easy it is!

From a quick stop in ancient Egypt…

To searching for animals in modern Nigeria…

To kicking up dust in Depression-era Texas…

To saying hello to Mr. President…

To hiking through the Andes for ancient royal treasure–the DMA is everyWHEN you wanna be!

Want to go on your own time travel adventure? Join us every day during the week of spring break, March 13-16 for free family fun. But remember to watch out for wormholes!

Leah Hanson is the Manager of Family and Early Learning Programs at the DMA

Flower Power

Edward Steichen: In Exaltation of Flowers is in bloom until May 13, so while we still have these colorful, one-of-a-kind murals on our walls, we hosted a workshop all about florals. The program began with a tour in the exhibition where the group learned more about Steichen’s social scene and the friends that he immortalized in this artwork. Participants saw how Steichen used flowers as symbols for the different people in the murals and how his passion for horticulture lent itself to extremely realistic depictions. After the tour, everyone chose their own flowers to create their personal still life. The group then learned watercolor techniques from local artist Carol Ivey, who paints minutely detailed still lifes. By the end of the workshop, everyone had bloomed into new watercolor painters and departed with their finished work and brushes to continue practicing.

If you missed the workshop but want to learn more about Edward Steichen, his murals, and his love of flowers, join us on Thursday, April 26, at 7:00 p.m. for an exhibition talk by Jessica Murphy, Manager of Digital Engagement, Brooklyn Museum.


Katie Cooke is Manager of Adult Programming at the DMA. 


You can’t spell DART without art

Prior to moving to Dallas, I found myself doing a lot of research about how to navigate the city. As a person that doesn’t have a car or know how to drive, I knew without a doubt I would be depending on the DART system. As my bus moves down Ross Ave in morning traffic, I can take time to look out the windows and get glimpses of Dallas, soaking in the details that might be missed otherwise.

The study of public transportation can show how cities both shape and are shaped by these models. While public transportation attempts to create access for ever growing cities, the nature of this large scale building has seen its share of highs and lows throughout its long history. Although DART is fairly new to Dallas (1980s), we can see the way neighborhoods around stops have changed and developed as lines have been added. Trains and buses have been of interest to artists around the world, and the DMA has a number of works that explore their many facets.

Lothar Baumgarten, Missouri-Kansas-Texas Railroad, Katy Yard, Continental Viaduct, Dallas, Dallas County, Texas, negative 1989, gelatin silver print, Dallas Museum of Art, gift of the artist and Marian Goodman Gallery, 2004.41.2, © Lothar Baumgarten / Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn

In 1989, German artist Lothar Baumgarten dedicated six months to following America’s railroad tracks to create the series, Carbon. This image shows the Katy, also known as the Missouri-Kansas-Texas Railroad. Today this railyard has been replaced by the American Airlines Center. The Katy was the first railroad to connect Texas to the rest of the United States in the late 1800s, and  it served as a way to transport goods such as cotton across the United States. Baumgarten addresses the irony of the beautiful landscapes that were made available for public consumption as tracks were laid across fields, but also the destruction that comes with it. In addition, he looks at the human accomplishment of settling the land that carried with it the cost of displacing communities. Finally, this work addresses the decline of the railroads themselves as they became industrial transportation.

Willard Watson, Untitled, 1985, drawings, Dallas Museum of Art, gift of the Friends of Willard Watson, 1985.181.4 © Estate of Willard Watson

Willard Watson, “The Texas Kid,” reminisces about when his family moved to Texas from Louisiana in his series of drawings, Life Story. Watson’s family were sharecroppers, a system where the landowner allows a tenant to use the land in exchange for a share of the crop. However, this system often kept tenant farm families severely indebted, with many laws in place to favor the landowners position. This particular image shows the way railroad travel could be empowering, as Watson writes at bottom, “when we were coming across this bridge going to Dallas, Daddy said we were home free.”

Just as these artists were inspired by their experiences with transportation, the DART Student Art Contest invites students to create works of art inspired by DART. Come visit the DMA to get inspiration for your DART contest submissions, which are due February 28. I can’t wait to see the Best of Show winner across the DART bus on my daily commute, along with all the other finalists on view at the DMA in April!

Olivia Feal is the McDermott Intern for Interpretation at the DMA

Have a PAWsome New Year!

Friday is Chinese New Year and we invite you to start the New Year with us as we celebrate the Year of the Dog during our monthly Late Night. Throughout the night, you can experience lion dances, watch Chinese martial arts demonstrations, have your name written in Chinese calligraphy, and listen to traditional Chinese music in our galleries. There will be dog-themed tours, of course, but you can get a jump-start learning about the dogs in our collection with two previous blog posts here and here.

While dogs take precedence this year, be sure to check out these works of art from China on Level 3 that feature other animals from the Chinese zodiac:

Funerary plaque, China, Western Jin dynasty, 219-316 CE, limestone, The Cecil and Ida Green Acquisition Fund, 2016.33.a-b

This tomb marker features two of the four “spiritually endowed” directional deities – the tortoise and the dragon. The other two deities are the phoenix and the unicorn. While not one of the animals represented in the Chinese zodiac, the tortoise is important in Chinse Buddhist belief because it symbolized longevity.

Pair of Lokapala (Heavenly Guardians), China, Tang dynasty, 1st half of 8th century, pottery with colored lead glazes, The Eugene and Margaret McDermott Fund, in honor of Ellen and Harry S. Parker III, 1987.1-2.MCD

Learn more about these heavenly guardians, which often featured lions and tigers on their armor and showed triumph as guardians by balancing on the figure of a bull (or ox), on our 6:30 p.m. spotlight tour with DMA Teaching Specialist Jennifer Sheppard.

Rectangular box, China, mark and reign of Emperor Wanli (r. 1573-1619), dated in inscription to 1595, cinnabar lacquer over wood core, Dallas Museum of Art, gift of Mr. and Mrs. George A. Shutt

The cover of this box features two symmetrically opposed imperial five-clawed dragons chasing the flaming pearl of wisdom.

Polo horse tomb figure, China, attributed to Tang dynasty (A.D. 618-907), ceramic, Gift of Mr. and Mrs. Arthur Rothwell, 1960.167

This horse is a mingqi or “spirit object” that was buried with the deceased in underground tombs. With the accession of the emperors of the Tang dynasty, the number of funerary objects placed in tombs increased, as funerary art became a means to display your wealth publically.

Friday’s Late Night will also feature a talk by DMA curator Dr. Anne Bromberg who will discuss our new installation Asian Textiles: Art and Trade Along the Silk Road which features these two coats from China:

Short coat: dragons and auspicious symbols, China, late 19th century, silk with metal-wrapped yarn, Gift of Betty Ann Walter and Ruth Walter Benedict in memory of Ethyl Walter and Gladys Walter, 1993.70

Woman’s semi-formal court coat, China, 19th century, silk and metal-wrapped yarns, Gift of Mrs. Beatrice M. Haggerty, 1995.40

So if January wasn’t all you thought it would be, start fresh this Friday and join us as we kick-off a PAWsome new year!

Stacey Lizotte is Head of Adult Programming and Multimedia Services

The Game is Afoot!

Calling All Junior Detectives! There’s a mystery afoot, and we need every Sherlock min-fan and Nancy Drew-in-training on the case! After years of hosting the popular Museum Murder Mystery Game here at the DMA, we’ve decided it’s finally time to give the kids a chance to step into the role of detective. Our kid-friendly version is the perfect mash-up of Night at the Museum and the game of Clue, featuring plenty of fun and games . . . without the murder.

On Friday, March 9th our first ever Family Mystery Night will make its debut, and we’re looking for the brightest junior detectives to help solve the case. Actors will bring the art to life, and kid detectives can interview the suspects, search for clues in the galleries, sniff out the crime scene, and hopefully solve the mystery by the end of the evening.

We polled a few prospective detectives on what the mystery could be and got some very devious ideas (maybe we should watch our backs?!).

From Caleb, age 7:

“I think maybe one of the paintings is a map to the emperor’s treasure, I don’t know where, maybe in a dojo!”

From Lucia, age 14:

“If I had to guess, there are a bunch of art pieces who aren’t happy because they don’t get enough attention, so they decide to steal/kidnap another work of art who is very popular. This art was supposed to travel somewhere, but because they stole it, everything got delayed, so now we have to find the missing painting so it can get to its destination.”

From Naomi, age 9:

“Somebody’s head got chopped off! A kidnapping! A painting is rogue!”

To get the dirt on the real story, find all the details here and purchase your tickets today. Happy sleuthing!

Leah Hanson is the Manager of Family and Early Learning Programs at the DMA

What a year!

What a year 2017 was at the DMA! Below is a brief look back on some of our memorable moments.

The launch of the C3 Visiting Artist Project.
The DMA Teen Advisory Council organized and debuted their Disconnect to Reconnect program.
The launch of Sensory Scouts, a monthly program designed for teens and tweens on the autism spectrum.
The 26th season of DMA Arts & Letters Live kicked off on January 14 with Zadie Smith.
The DMA welcomed Anna Katherine Brodbeck as The Nancy and Tim Hanley Assistant Curator of Contemporary Art.

The DMA launches its first ever crowdfunding campaign, Destination Dallas: Bringing México 1900–1950: Diego Rivera, Frida Kahlo, José Clemente Orozco, and the Avant-Garde to Dallas, bringing in more than $100,000.
The DMA’s Speakeasy was the bee’s knees, celebrating the Shaken, Stirred, Styled: The Art of the Cocktail exhibition.

México 1900–1950: Diego Rivera, Frida Kahlo, José Clemente Orozco, and the Avant-Garde opens at the DMA on March 12, presenting a once-in-a-lifetime opportunity to experience the greats of Mexican modernism in Dallas.
The first of a total of 12 DMA Family Days launched on Sunday, March 26, with a total of 39,778 visitors on those days, with almost half being first-time visitors.

The 52nd Art Ball raises more than $1.3 million.
The DMA is proud to be the recipient of the second annual Dallas Art Fair Foundation Acquisition Program, which included the addition of work by Justin Adian, Katherine Bradford, Andrea Galvani, Matthews Wong, and Derek Fordjour.
The Keir Collection of Islamic Art Gallery opens to the public, marking the largest public presentation of the collection to date.

Aruto’s Nest got a new look.
Visions of America: Three Centuries of Prints from the National Gallery of Art and Iris van Herpen: Transforming Fashion open, kicking off our summer fun.

Works of art centered around the idea of communication went on view in C3.
Twenty-four DISD students with vision impairment participated in the DMA’s first indoor touch tour of the Museum’s European sculptures.
Six hundred and fifty sleuths help solve our sixth annual Museum Murder Mystery evening.
President and Mrs. Bush explored México 1900–1950 with DMA Director Agustín Arteaga.

More than 1,000 people participated in our Guinness World Record attempt on what would have been Frida Kahlo’s 110th birthday during the DMA’s Frida Fest, with almost 6,000 visitors in attendance.
México 1900–1950 welcomed 125,894 visitors before it closed on July 16.
Visitors went gaga for our Iris van Herpen-themed Late Night featuring a Lady Gaga costume contest.

Guerrilla Girl Käthe Kollwitz discussed the groups iconic work during the August Late Night
The Junior Associates celebrated the last days of summer during their August 25 Kickoff Party.

The DMA celebrated the first anniversary of Agustín Arteaga’s tenure as The Eugene McDermott Director.
DMA Members got to be the first to step into infinity during two weeks of preview days for Yayoi Kusama: All the Eternal Love I Have for the Pumpkins.
More than $17,000 was gifted to the DMA during North Texas Giving Day.
The Dallas Cultural Plan held a kickoff event at the DMA to help shape the future of arts and culture in Dallas.

Yayoi Kusama officially opened and immediately became an Instagram sensation.
Truth: 24 frames per second, the DMA’s first time-based media exhibition, opened.
TWO x TWO for AIDS and Art, benefiting amfAR and the Dallas Museum of Art, raised over $7.3 million.
It was Potter-mania during a spellbinding Second Thursday with a Twist.

The second annual Rosenberg Fête featured an evening themed around François Lemoyne’s The Bather from the Rosenberg Collection.
More than 7,000 visitors took part in our three-day Islamic Art Festival: The Language of Exchange celebrating the Keir Collection of Islamic Art.

Asian Textiles: Art and Trade Along the Silk Road goes on view in the Museum’s Level 3 gallery.
We traveled to a gallery far, far away during the final Second Thursday with a Twist inspired by Star Wars
The DMA reflects upon a year of amazing art, events, and visitors!

Home Is Where the Art Is

“Now this is the good stuff,” notes Leon Pollard, an artist from the Stewpot Art Program, as he settles in front of Jean Baptiste Marie Pierre’s The Abduction of Europa. We’re exploring flowers in the DMA’s collection, and Leon, who was recently commissioned to paint a mural for his church, immediately points out how Pierre skillfully guides the viewer’s eye across the expanse of the oversized 18th-century canvas. He breaks into a characteristic grin and says, “I really look forward to coming every month. It’s always an education—an inspiration.”

Leon sharing his work in the Sculpture Garden

This summer we marked the one-year anniversary of our monthly gallery teaching program in partnership with The Stewpot, a community outreach program that serves homeless and at-risk populations here in Dallas. Beyond addressing basic survival needs, The Stewpot offers enrichment opportunities for healing, financial support, and personal growth. The Stewpot Art Program offers class time and art supplies to individuals looking to express themselves creatively, grow as artists, and support themselves through the sale of their work. Thanks to Tanya Krueger, one of our DMA docents who also volunteers for The Stewpot, we were able to connect and coordinate a monthly visit for Stewpot artists here at the DMA. Visit by visit, we’ve gotten to know each other and the artists have grown more comfortable in the Museum. A favorite memory of mine is when one of the artists, Donald of Dallas, dropped by to visit during a rainy day, knowing he was welcome at the DMA.

Working with the Stewpot Art Program has been an eye-opening introduction to the realities of homelessness in our community. Our diverse group includes former teachers, first responders, and veterans. Importantly, there is no single narrative of homelessness, and we should never assume that homelessness reflects the consequence of an individual’s poor decisions. Over the past year, I’ve gained a deeper appreciation for the importance of building relationships and inviting our community into the Museum. This point was driven home when Leon observed, “I used to sleep in the Arts District because it’s peaceful and you can sometimes hear music. I never knew this was here! Now I learn something new every visit by looking at the art.”

Luis with David Alfaro Siqueiros’s Self-Portrait (The Great Colonel) in the México 1900–1950 exhibition earlier this year

Words cannot express how grateful and thankful I am to work with this group and get to know the artists. Together, we’ve seen art come alive through our participants’ experience and interpretations. We’ve shared moments of joy and gratitude—such as when one of the artists, Luis, broke into applause in front of David Alfaro Siqueiros’s Self-Portrait (The Great Colonel), which was on view in the special exhibition México 1900–1950: Diego Rivera, Frida Kahlo, José Clemente Orozco, and the Avant-Garde—and we’ve encouraged each other to take risks and try new styles and subject matter when we sketch in the galleries. We’ve celebrated graduations, new jobs, and a participant receiving a new set of dentures. We have even taken solace in the timeless beauty of the Keir Collection following the unexpected loss of a participant. Our experience illustrates that art is for everyone, and that studying art helps us understand the human experience and enriches our lives. Looking back, especially during the Thanksgiving season, on our time together sharing gallery discussions, art making, and an appreciation for art and each other’s company, I am deeply thankful for the opportunity to work with the amazing Stewpot artists.

Lindsay O’Connor is the Manager of Docent and Teacher Programs at the DMA.

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 1,430 other followers

Twitter Updates

Flickr Photo Stream