Archive for the 'Special Events' Category

Universal Languages – SOLUNA 2018

As part of the annual SOLUNA festival, on Sunday, May 13, experience a work of art combining visual and musical elements. Inspired by Beethoven’s Ninth Symphony, Argentinian artist Lihuel Gonzalez’s Las personas no van juntas (They Just Don’t Match) examines the efficacy of translation between languages and between language and music and features Dallas Symphony cellist Jeffrey Hood.

Lihuel Gonzalez, Las personas no van juntas (They Just Don’t Match), 2016, video installation and musical activation, 8 minutes. [image source: lihuelgonzalez.com].

In Las personas no van juntas, González gets at the heart of the difficulty of communication. This is true on a much broader, universal level, but it is particularly germane to the subject of González’s work: the arts and philosophy. This video installation and performance enacts how art is almost always experienced after being subjected to layers of translation. Films or literature or libretti are translated from one language to another so that audiences around the world can access them. And written or spoken interpretation often accompanies visual art or music (as is the case in this very text). In this work, monitors show a speech being simultaneously translated from one language to another, almost like a game of telephone, before a musical composition created of that speech by a computer is played on stage by a cellist. Whew, you might think, I’m lost. Luckily, as González shows us, gesticulations and facial expressions bridge cultures, as does art, which at the end of the day, is one of the true universal languages.

Las personas no van juntas (Activación N2) from Lihuel González on Vimeo

Anna Katherine Brodbeck is The Nancy and Tim Hanley Associate Curator of Contemporary Art at the DMA.

Farewell to Florals

For the past several months, the Rachofsky Quadrant Gallery on the Museum’s first level has been occupied by seven large paintings spanning half the gallery, nearly floor to ceiling. Installed on a lilac-colored wall, the framed canvases contain figures posed with flowers, rendered in eye-catching pastel hues, and surrounded by alternating sections of black and gold leaf.

These paintings are Edward Steichen’s In Exaltation of Flowers, a commissioned series that the artist completed in 1914 for the home of New York financier Eugene Meyer and his wife, Agnes. Never installed in the space for which they were created, the majority of the panels were kept in storage for the past century. Last summer, the DMA’s conservation team unrolled the canvases, stretched and framed them, and completed conservation treatment so the series could go on tour. Newly conserved and reunited in one exhibition, In Exaltation of Flowers is a time capsule of Edward Steichen’s life and the lives of his close friends on the eve of World War I.

On Thursday, April 26, from 6:00 to 8:00 p.m., we will say goodbye to In Exaltation of Flowers with a soiree that will include a complimentary reception with drinks and small bites inspired by the paintings, a tour about flower symbolism with Dallas Arboretum VP of Gardens Dave Forehand, and a talk by art historian Dr. Jessica Murphy.

Reception
6:00 p.m., Check in at Will Call, Horchow Auditorium, Level 1
Arrive early for a complimentary reception featuring beer, wine, and small bites inspired by In Exaltation of Flowers and Edward Steichen’s French country garden. Hors d’oeuvres will include:

FRESH PEA AND MINT SHOOTER
butter-poached shrimp and hibiscus crema

DRIED FIG AND BRIE CROSTADA
balsamic glaze

GRILLED QUAIL AND SUNDRIED CHERRY SALAD
chive crepes and saffron aioli

ROASTED RED & GOLDEN BEETS WITH TEXAS GOAT CHEESE
arugula and orange-tarragon dressing

PARSLEY CHICKEN IN PHYLLO
romesco sauce

ROSE AND WHITE CHOCOLATE MOUSSE
candied rose petals and toasted almonds

Tour: In Exaltation of Flowers
6:30 p.m., Meet at the Flora Street Visitor Services Desk, Level 1
Edward Steichen was an avid gardener who exhibited his celebrated delphiniums in New York’s Museum of Modern Art. For Steichen and much of society at this time, flowers were more than just beautiful objects; they took on human character traits and the giving or receiving of flowers served as a kind of subtle language. Each of the sitters for In Exaltation of Flowers is paired with specific flowers that relate to their personalities or the nicknames given to them within their friend group. Join Dave Forehand of the Dallas Arboretum for a tour of In Exaltation of Flowers focusing on the types of flowers Steichen included in his paintings and what they might have communicated to a viewer in 1914.

Exhibition Talk: Murals from a “Magic Garden”: Edward Steichen’s “In Exaltation of Flowers”
7:00 p.m., Horchow Auditorium, Level 1
In Exaltation of Flowers captures a very particular moment in Edward Steichen’s career, in the history of art, and in the lives of a circle of friends on the eve of the World War I. A very personal project for the artist, the murals include portraits of close friends, either painted from life or from photographs, alongside flowers inspired by his garden at the French country home where he hosted lively parties. Steichen’s careful portrayal of his subjects reveals the nuances of their personalities and relationships within the social group. Best remembered as a photographer, Steichen had a somewhat rocky relationship with painting and ultimately destroyed much of his painted work. His approach to this series shows a nod toward the Symbolist movement, with its emphasis on flatness, invariable color, and in some sections abandonment of realism. Jessica Murphy, Brooklyn Museum’s Manager of Digital Engagement, will bring to life these and other stories behind Edward Steichen’s murals and the people who inspired them.

Don’t miss your chance to spend an evening in 1914 with Edward Steichen and his closest friends before In Exaltation of Flowers leaves the DMA in early May. For more information, visit DMA.org or click here to purchase a $5 ticket.

Jessie Carrillo is Manager of Adult Programs at the DMA.

 

Thank you from the bottom of our hearts

It’s that time of year again, we start seeing candy hearts, bouquets of fresh red roses and couples celebrating Valentines Day. This year we wanted to say thanks to some of the sweet notes the DMA has received from couples that celebrated their big day with us under the Chihuly glass or out in the Sculpture Garden (which will reopen this Spring!).

“We were so impressed with you and your staff!  You all were so professional and handled everything we asked and paid attention to all the details!!!  Thank you and all the employees that worked so hard to make the DMA SUCH A MAGICAL PLACE FOR NEILLEY AND LOUIS!”

“Thank you again for all your help! Our friends and family had an amazing time and we loved our wedding.”

“I just wanted to say thank you for all of your help coordinating our wedding day. It turned out so perfectly”

“Thank you so much for such a beautiful reception at the DMA.  We all had such a great time!  Everything went off without a hitch!”

“This was truly a dream come true!”

Xoxo,
The DMA

To book your own experience at the DMA visit our Host an Event page now!

Jordan Gomez is the Marketing Manager at the DMA

The Art of Speakeasy

Get your party outfits ready in time for the second DMA Speakeasy, the most anticipated party in town, on Saturday, February 24. If you are gunning for first prize in the costume contest, look back on an Uncrated tutorial on how to become a Speakeasy Star.

The evening kicks off with custom crafted cocktails from Dallas’ finest, the Singapore Swingers 18 piece orchestra, 1920s dance lessons, novelty gaming tables and admission to our amazing galleries. The vintage 1974 version of the Great Gatsby will be rolling on the big screen in Horchow Theater. Our guests will be attired in their finest 20s rags. A scavenger hunt is planed that will take our guests throughout our vast collection to “Track down the bootleggers”.

The night is capped off with fantastic raffle prizes; to include a package from the Joule Hotel; Two DMA Arts and Letters Live VIP Packages: one for Maria Shriver and one for Lidia Bastianich; Stock Your Bar Package compliments of ROXOR, NUE, and Title No 21; and a Five Course Tasting for four at Wolfgang Puck at Reunion Tower. Tickets are a throwback to the 20s at only on buck.

Tickets to this event are available to DMA Members starting at $70. All tickets include 2 drink tickets redeemable for your choice of our “bootleggers” crafted cocktails, live entertainment, dance instructions by the talented hoofers from The Rhythm Room, access to the gaming tables, tasty bites and photo booths.

Jennifer Harris is the Director of Special Events at the DMA

You’re Invited

On September 21, the DMA will host a special Decorative Arts Symposium, and you’re invited! The morning of the symposium will begin with coffee, breakfast bites, and stimulating conversation until attendees sojourn into Horchow Auditorium for a delightful round of renowned speakers.

The Decorative Arts Symposium features garden designer, author, television host, and conservationist P. Allen SmithJohn Hays, Deputy Chairman of Christie’s America and specialist in American Furniture and Decorative Arts; and Ann Pailthorp, Farrow & Ball’s leader of the North American Colour Consultancy Program for British craftsmen in paint and paper.
uncrat
At the culmination of all the speaker’s presentations, guests are invited to attend an intimate book signing. Publications by the speakers will be available onsite the day of the symposium in case you don’t own them yet!

It’s not too late to secure you tickets for this enchanting morning – after all, how often do you get to listen to speakers of this caliber in one room together? http://bit.ly/DMADecArtsSymposium 

Prohibition Ends at Last! Bottoms Up!

“What America Needs Now is a Drink” – Franklin D. Roosevelt (supposedly)

It only took 13 years for the 18th Amendment to be repealed. What was meant to halt drunken disorder, cure mental illness, and simultaneously put an end to crime in America only increased such debauchery. Speakeasies popped up at an unprecedented rate, and corruption ran rampant. It was a dark time for the United States, but there was light at the end of the tunnel. On December 5, 1933, Prohibition was overturned, and still stands as the only constitutional amendment to ever be revoked.

Sloppy Joe's Bar

Sloppy Joe’s in Chicago when the 18th Amendment had been repealed. [American Stock Archive/Getty Images]


Celebrate repeal day by sharing a drink with a loved one, friend, or stranger, and cheers to our constitutional right to enjoy alcohol responsibly. Then stop by the Museum for a special look at cocktail culture in Shaken, Stirred, Styled: The Art of the Cocktail.

bottoms-up-cocktail-tumbler_2001-163-1

[Image: Bottoms Up cocktail tumbler, 1928, attributed to McKee Glass Company, pressed glass, Dallas Museum of Art, the Patsy Lacy Griffith Collection, bequest of Patsy Lacy Griffith, 2001.163.1–2]


In true rambunctious and Roaring Twenties fashion, the festivities don’t end there. Join us on February 4 when the Museum will turn into a Speakeasy that will rival the Cotton Club itself!

Julie Henley is the Communications and Marketing Coordinator at the DMA. 

Untitled, But Not Insignificant

On your most recent visit, you might have noticed a new work of art in the Museum’s Concourse. Laura Owens’ whimsical piece Untitled (2004) was installed last week in honor of the artist’s recognition by TWO x TWO for AIDS and Art 2016 for her generous support of amfAR’s programs. TWO x TWO for AIDS and Art is an annual contemporary art auction held in the Richard Meier-designed Rachofsky House in Dallas, benefiting two organizations—the Dallas Museum of Art and amfAR, The Foundation for AIDS Research. Laura Owens will receive the amfAR Award of Excellence for Artistic Contributions to the Fight Against AIDS this Sunday during a brunch hosted by Cindy and Howard Rachofsky.

lauraowens_install1

Best known for her large-scale paintings, Laura Owens came on the scene in the 1990s, creating engaging multifaceted compositions that are simultaneously fun and technique driven. Born in 1970, she received a B.F.A. in 1992 from the Rhode Island School of Design, and she graduated with an M.F.A. from the California Institute of the Arts in 1994. For the past two decades, Laura’s work has inspired others to think outside the confines of modern painting. The artist now resides and works in Los Angeles.

lauraowens_install2

Julie Henley is the Communications and Marketing Coordinator at the DMA. 

 


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