Posts Tagged 'Arts & Letters Live'

Arts & Letters Live Announces its 27th Season

Arts & Letters Live, the DMA’s signature literary and performing arts series, is excited to announce its 27th season of 25 events from January through June 2018! Ignite your curiosity and secure your seats now to hear award winners and icons in the fields of literature, music, visual art, poetry, happiness, and food.

Some of the headliners for the 2018 season include:

▪ Creator-producer-screenwriter of the PBS Masterpiece series Victoria, Daisy Goodwin

▪ Happiness researcher and bestselling author Shawn Achor, whose TED Talk has more than 16 million views

▪ Grammy Award–winning vocal ensemble Conspirare’s Dallas premiere performance of Considering Matthew Shepard

▪ Emmy Award–winning journalist and producer Maria Shriver

▪ Award-winning poet and author Naomi Shihab Nye, who will debut a new poem inspired by a work of her choice in the DMA’s collection and will juxtapose works from the collection with a live reading of her poetry

Two authors who have been on Arts & Letters Live’s wish list for years, Pulitzer Prize winner Jhumpa Lahiri and Booker Prize winner Michael Ondaatje, will take part in the Distinguished Writers series. Jhumpa Lahiri will talk about her experience moving to Rome with her family, seeking full immersion in the Italian language—“a trial by fire, a sort of baptism.” Imagine being soaked in the art, language, and culture of Rome for an extended period of time, enjoying beautiful vistas of the Colosseum as seen here in Jean-Achille Benouville’s painting.

Jean-Achille Benouville, Colosseum Viewed from the Palatine, 1844, oil on canvas, Dallas Museum of Art, gift of Mr. and Mrs. George A. Shutt, Dr. and Mrs. George N. Aldredge, Jr., the Societe Generale, 1984.63

Many opportunities exist this season to connect art in the DMA’s collection with authors and books featured at Arts & Letters Live, both through pre-event tours and short story, poetry, and illustration workshops, often using works of art as inspiration for writing and drawing. On February 7, author Denise Kiernan will talk about her new nonfiction book The Last Castle: The Epic Story of Love, Loss, and American Royalty in the Nation’s Largest Home, which explores the drama and tragic struggles of the famous Vanderbilt family inside the Biltmore House. This story features a captivating cast of real-life characters, including F. Scott Fitzgerald, John Singer Sargent, James Whistler, Henry James, and Edith Wharton. The pre-event tour will spotlight a beautiful console table that was once housed in the Vanderbilt mansion in New York City and other paintings and decorative arts of that era.

Vanderbilt Console, Herter Brothers, c. 1881–82, oak, marble, silverplate, and bronze, Dallas Museum of Art, gift of an anonymous donor and the Friends of the Decorative Arts, 1996.213.a-e

Bestselling cookbook author, Emmy Award–winning television personality, and successful restaurateur Lidia Bastianich will talk about her heartwarming memoir My American Dream: A Life of Love, Family, and Food. Bastianich spent two years in a refugee camp before moving to the United States—a hugely formative experience in her life. You can enjoy a dinner featuring some of her favorite recipes before the event and hear her share stories about those dishes. Her vibrant personality and love of food call to mind one of my favorite still lifes in the DMA’s collection by Paul Cézanne.

Paul Cézanne, Still Life with Apples on a Sideboard, 1900–06, watercolor over pencil on paper, Dallas Museum of Art, The Wendy and Emery Reves Collection, 1985.R.12

Arts & Letters Live will delve further into the theme of immigration with a dynamic pairing of two award-winning authors, Luis Alberto Urrea and Francisco Cantú, who will explore the United States–Mexico border in fact and fiction. Cantú served for years as a US Border Patrol guard, and Urrea’s forthcoming novel, The House of Broken Angels, paints a vivid portrait of a complex family and reminds us what it means to be the first generation and to live two lives across one border. Dallas Nine artist William Lester’s painting The Three Crosses evokes for me the often tragic aspects of border crossings. The stark landscape with barbed wire is not Golgotha, but is recognizably Texas.

William Lester, The Three Crosses, 1935–36, oil on Masonite, Dallas Museum of Art, gift of the New York World’s Fair Department of Contemporary Art, 1937.24, © The Estate of William L. Lester

 

To see a complete roster of the Arts & Letters Live 2018 season from January through June, visit DMA.org/all.

Carolyn Bess is the Director of Arts & Letters Live at the DMA.

 

Homer for the Holidays

They say there’s no place like home for the holidays, and here at the Museum, we’ve been excited about one of the oldest stories about going home: The Odyssey. On Wednesday, November 29, DMA Arts & Letters Live will host award-winning author Daniel Mendelsohn as he talks about his book An Odyssey: A Father, a Son, and an Epic. Mendelsohn’s memoir shares what he learned from teaching his dad in a university course on Homer’s The Odyssey, reading and reliving this epic.

Thanks to the DMA’s wonderful collection of classical art, visitors can view Greek artworks related to Homer’s The Odyssey before Mendelsohn’s talk. Here are a few of our favorites.

Heroes

The star of The Odyssey, Odysseus, is not your typical hero. As Mendelsohn’s dad points out, Odysseus “lost all his men . . . is a liar . . . cheated on his wife . . . and without the gods [is] helpless” (Mendelsohn). However, classical heroes are not necessarily moral, but merely impressive people who fought well and died for honor. The DMA’s  funerary sculpture of a young man shows the Greek idea of a hero: a great man who died bravely in battle. This idealized nude figure at the prime of his life is memorialized in a military stance.

Figure of a young man from a funerary relief, Greek, Attic, c. 330 B.C.E., marble, Dallas Museum of Art, gift of Mr. and Mrs. Cecil H. Green, 1966.26

Frenemies

The real prototype for a Greek hero is Achilles, the famed warrior of Homer’s epic The Iliad. We find Achilles fighting on this DMA black-figure panel amphora. Looking back to The Iliad, the interactions between Achilles and Odysseus are strained, even while they fight for the same side. Achilles tells Odysseus, “I hate . . . like the very Gates of Death [that man] who stoops to peddling lies” (as translated by Fagles). Since Odysseus uses tricks constantly, it makes sense that the two don’t get along.

Black-figure panel amphora, Greek; Attic, last quarter of 6th century B.C.E., ceramic, Dallas Museum of Art, Munger Fund, 1965.29.M

Seduction and Violence

The Odyssey illustrates the dangers of two timeless powers: love and death. Look inside this DMA kylix, or drinking bowl, and you’ll find a familiar face: a siren. The enchanting sirens are one of Odysseus’s obstacles, and they combine the two dangers of seduction and physical violence. Placed on the interior of this bowl, the image of the siren was likely meant to ward off evil.

Black-figure kylix, Attic, c. 550-530 B.C.E., ceramic with slip, Dallas Museum of Art, gift of Bill and Jean Booziotis and Wendover Fund in honor of Pepecha Zarafonetis Booziotis, 2004.19

Immortality

Gold olive-leaf wreaths typically crowned athletes, influential politicians, or individuals who had died. When crowning dead bodies, as this DMA wreath likely did, the undying gold may have symbolized the hope that the fame of the individual would triumph in immortality. The desire for immortality was a frequent theme in Greek mythology. However, Odysseus is unique in that, when offered immortality from the goddess Calypso, he refuses it. For him, reaching home is more important than eternal life.

Wreath, Greek, 4th century B.C.E., gold, Dallas Museum of Art, Museum League Purchase Funds, The Eugene and Margaret McDermott Art Fund, Inc., and Cecil H. and Ida M. Green in honor of Virginia Lucas Nick, 1991.75.55

In Greek, the word nostos refers to a return trip home (fun fact: nostos + algos, which means grief or pain, is the root of nostalgia). Only a small portion of The Odyssey is considered a true telling of nostos, but the prevalence of nostos ballads shows that the Greeks definitely recognized the value of returns. Mendelsohn and his father seem to agree: while reaching the end can be complicated, there is something important about a journey back. Wherever you might be heading this winter, safe travels!

Tickets are still available to see Daniel Mendelsohn at the DMA on November 29! Join me that night for a pre-event tour as we take a closer look at Homer’s themes in the DMA’s Greek collection.

Kathleen Alva, McDermott Intern for Adult Programming and Arts & Letters Live at the DMA.

 

Fabulous Fall with Bestselling Authors

When publishers vet book tour locations for someone with the caliber of international bestselling author Ken Follett, the well-established reputation of Arts & Letters Live, the DMA’s 27-years strong literary and performing arts series, is a huge benefit. Dallas is one of only three stops on Follett’s US tour, the other two being Boston and New York. Ken Follett will kick off the Fall 2017 season on September 14 at First United Methodist Church with a discussion of A Column of Fire, the third novel in his enthralling Kingsbridge Series. The first two novels in the series, Pillars of the Earth and World Without End, have sold 38 million copies worldwide!

For those who yearn for the seemingly lost art of a well-crafted written letter in lieu of a quick email or text message, Seattle-based Letters Aloud presents an afternoon of real letters by real people, read by great actors with live musical accompaniment, on September 24. Letters Aloud’s mission is to connect audiences to famous (and infamous) historical figures through their intimate correspondence. As one fan said, “It’s like literary crack” and makes history come to life in surprising, inspiring, and hilarious ways. These dramatic readings will chart the course of celebrity through the correspondence of artistic luminaries like Stephen King, Jackson Pollock, Elvis Presley, Emily Dickinson, Frank Lloyd Wright, Vincent van Gogh, and Tom Hanks, to name a few.

Letters Aloud

Want the inside scoop on international bestselling author Dan Brown’s interest in codes, science, religion, and art and his creative process in writing chart-topping books and making blockbuster movies? On October 6 he takes the stage for the first time in Dallas to talk about all that and his newest novel, Origin, which has been hailed as his most brilliant and entertaining work to date. The novel opens with Robert Langdon, Harvard professor of symbology and religious iconology, arriving at the ultramodern Guggenheim Museum in Bilbao, Spain, to attend a major announcement—the unveiling of a discovery that “will change the face of science forever.” When the meticulously orchestrated evening suddenly erupts into chaos, Langdon is forced to escape Bilbao. Navigating the dark corridors of hidden history and extreme religion, Langdon must evade a tormented enemy whose all-knowing power seems to emanate from Spain’s Royal Palace itself. On a trail marked by modern art and enigmatic symbols, Langdon uncovers clues that ultimately illuminate the breathtaking truth that has long eluded us.

Bestselling author and acclaimed journalist Walter Isaacson joins us on October 26 to discuss Leonardo da Vinci, the biography of the famous artist that sets forth little known information about da Vinci’s life, connecting his art and science. Isaacson shows us how Leonardo’s genius stemmed from skills we can hone in ourselves—passionate curiosity, keen observation, a playful imagination, and being bold enough to think differently. Leonardo DiCaprio was recently slated to play the artist in the film adaptation after a heated bidding war between Paramount and Universal.

Legendary photographer Annie Leibovitz landed on the DMA Arts & Letters Live roster after a Texas Book Festival colleague recommended that Arts & Letters Live have lunch with the national marketing director of Phaidon, who was in town for a conference. While chatting with our new Phaidon friends on the DMA’s Socca Cafe patio, we learned about the forthcoming book Annie Leibovitz: Portraits 2005–2016 and knew immediately that DMA audiences would adore hearing about this artist’s creative process and behind-the-scenes stories of all the famous people she has photographed. Leibovitz’s event with DMA Arts & Letters Live on November 14 is one of only five appearances slated worldwide.

To see the complete roster of Arts & Letters Live events and to purchase tickets, visit DMA.org/all

 

Carolyn Bess is Director of Arts & Letters Live at the DMA.
Michelle Witcher is the Program Manager of Arts & Letters Live at the DMA.

Adventures with Stephen Tobolowsky

On April 18, Stephen Tobolowsky will return to the DMA Arts & Letters Live stage to celebrate the release of his second memoir, My Adventures with God. In preparation for his visit, I had the privilege of interviewing Stephen about his acting turned writing career and some of the things he learned along the way. His answers are insightful, relatable, and as always, humorous. From the aspiring artist to the admiring onlooker, Stephen offers advice, intentionally or not, for anyone interested in advancing his or her own path to success and level of self-awareness. So, what did I glean from our interchange, you might wonder? Well, as a young professional embarking on a long career ahead of me, this interview reminded me that I do not need to have all the answers, That I can trust my instincts, and that, even in times of doubt, I should cling to what gives me strength and a sense of what makes me, me. Below you can read just a snippet of our discussion and get a glimpse into what’s to come on the night of his much anticipated appearance at the DMA:

Sara: In this book, you continually return to Judaism as a kind of grounding force throughout the vicissitudes of your life. Can you speak broadly about how you understand the role of faith, religious or not, factoring into one’s lived experience?

Stephen: This is the question from which all questions come. We like to think that we are fixed quantities that move through time. We are not. We are equations with more than one unknown. I think this fundamental uncertainty about our existence is why we cling to things we feel are certain. Like science. Like art. It’s why people like cats. We are certain of their uncertainness.

The only protections we have from false prophets and the despair that grips us all at one time or another is beauty and in embracing a good philosophy. Judaism provides both.

We live in an age that popularly views religion as primitive and elevates science. I like science, even when it is wrong. I find the pursuit of answers inspirational. But for my money, I don’t care how smart Steven Hawking is or how interesting a black hole may be, if he doesn’t understand the Holiness code of Leviticus, not to curse the deaf nor put an obstacle before the blind, it doesn’t add up to much.

Judaism is a layer cake built over thousands of years. The different layers reflect that age’s relationship to truth. In some ages, it was popular to think that truth can be known. You end up with the Ten Commandments. In other ages, it was popular to think the truth was hidden. You end up with mystical works like the Zohar and the Midrash. There are very few creations of man that have existed through so many conflicting times and have survived so many hardships. The wisdom embodied in Judaism has endured. The philosophy in a nutshell? From Hillel over two thousand years ago: “What is hateful to you do not do unto your fellow man. The rest is commentary. Go and study.”

To read the entire interview, you can visit Stephen’s website, where he posted the exchange in two parts: Part I and Part II. The Museum is excited to welcome Stephen back to DMA Arts & Letters Live, so go grab a copy of My Adventures with God in the DMA Store and join us for an evening full of inquisitive minds, entertaining anecdotes, and rip-roaring laughter.

Sara Beth Greenberg is the McDermott Graduate Intern for Adult Programming and Arts & Letters Live at the DMA.

But Wait There’s More!

DMA Arts & Letters Live, the Museum’s acclaimed literary and performing arts series, announced a “but wait there’s more!” extension of its 25th anniversary season this week with six author events for the fall.

I’m particularly excited that each of these carefully selected programs dovetails with the DMA’s collection, and we’re offering pre-event tours so that people can explore connections between the featured books and art currently on view.

Here’s the scoop and a few tidbits on why we selected them.

September 11: Robert Hoge

Robert Hoge UGLY

Australian author Robert Hoge wowed us with his TEDx talk, sharing his own poignant and personal story of being born with a tumor on his face and disfigured legs. His memoir for adults and now middle grade students, Ugly addresses life, love, beauty, imperfection, and pain, so his story will resonate with a wide variety of ages. Hoge says, “We all have scars only we can own.” Our pre-event tour will focus on Frida Kahlo’s Self Portrait Very Ugly and stir discussion about self-perception and ideas of beauty.

September 15: Ross King

Claude Monet, Water Lilies, 1908, oil on canvas, Dallas Museum of Art, gift of the Meadows Foundation, Incorporated, 1981.128

Claude Monet, Water Lilies, 1908, oil on canvas, Dallas Museum of Art, gift of the Meadows Foundation, Incorporated, 1981.128

Ross King returns to the DMA by popular demand with his new book, Mad Enchantment, about the beloved artist Claude Monet and the creation of his famous water lily paintings. He argues that there is more than meets the eye with these serene images of beauty, examining the complexity behind them and the frustrations and challenges that Monet overcame to create them. A docent will discuss the DMA’s iconic painting of water lilies and other Impressionist highlights before the event.

September 28: Candice Millard

Candice Millard Hero of the Empire

Candice Millard’s brilliant new biography, Hero of the Empire, pinpoints the little-known story of young Winston Churchill’s Indiana Jones–like adventures, including a bold escape from prison camp during the Boer War. Millard offers keen insights on how the lessons Churchill learned in the midst of these challenges related to his achievements and legacy as prime minister later in his life. Before the event, enjoy a gallery talk about Winston Churchill’s friendship with Wendy and Emery Reves and see his paintings and belongings on view in the Reves Collection.

October 26: Yaa Gyasi and Margo Jefferson

Yaa Gyasi_credit Michael Lionstar

Margo Jefferson (c) Michael Lionstar

One of the most buzzworthy books this summer, garnering more than 250 stellar reviews on Amazon, Yaa Gyasi’s epic debut novel, Homegoing, begins with two half-sisters in 18th-century Ghana—one married off to a wealthy Englishman, the other sold into slavery—and traces the lives of their descendants to 20th-century America. (FYI: Knopf acquired the novel for more than $1 million from the then 25-year-old author!). Pulitzer Prize–winning critic Margo Jefferson adored Gyasi’s novel and will discuss it with her as well as her own National Book Critics Circle Award–winning memoir, Negroland. Before the event, join curator Dr. Roslyn Walker in the galleries to explore works of art from Ghana.

November 15: Hannah Rothschild

Hannah Rothschild PB Cover

British author Hannah Rothschild knows the art world—she comes from a prominent art-collecting family and is the first woman chair of the National Gallery in London. Rothschild is coming to the DMA in her only US appearance for the paperback release of her debut novel, The Improbability of Love. The New York Times hailed it as “a frolicsome art-world caper,” and Elizabeth Gilbert called it “an inspired feast of clever delights.” In it, Annie McDee stumbles upon a grimy painting in a secondhand shop that turns out to be a lost masterpiece by one of the most important French artists of the 18th century. While searching for the painting’s identity, Annie will unwittingly uncover some of the darkest secrets of European history as well as the possibility of falling in love again. Before the event, don’t miss the chance to hear Dr. Nicole Myers, The Lillian and James H. Clark Curator of European Painting and Sculpture, highlight 18thcentury French paintings in the DMA’s collection.

November 17: Patricia Cornwell

Patricia CORNWELL__Author Photo__cred Patrick Ecclesine

We’ve had several requests to bring in the #1 New York Times bestselling author Patricia Cornwell on audience surveys, so we are excited to cap off our 25th anniversary season with twenty-five years of Cornwell’s popular high-stakes series starring medical examiner Dr. Kay Scarpetta. Cornwell will share insights about her new novel, Chaos, involving a cyberbully; her creative process in researching and writing her books; and her theory that artist Walter Sickert was Jack the Ripper. Fans can purchase VIP experience tickets that include a wine and cheese reception with the author, a hardcover copy of Chaos, reserved premium seating, and a book signing fast-track pass.

You can make DMA Arts & Letters Live your own book club—invite your friends to join you for these unique and inspiring evenings combining books and art!

Carolyn Bess is the Director of Arts & Letters Live at the DMA.

The Golden Age: Dominic Smith

The DMA hosted author Dominic Smith as part of our Arts & Letters Live 25th anniversary season, and this event is also the launch party for his new novel, The Last Painting of Sara de Vos. We are excited to be the first place where book and art enthusiasts can grab a copy of the novel and spend time with the Texas-based author. The book has already received high acclaim, including from author Ben Fountain, who praised it as “quite simply, one of the best novels I have ever read, and as close to perfect as any book I’m likely to encounter in my reading life.” Uncrated was able to chat with Smith prior to his appearance and learn a bit more about his love of art and the focal point of his novel, Sara de Vos.

Photo: Stacy Sodolak

Photo: Stacy Sodolak

DMA: Have you always been drawn to art and in particular Dutch work?
DS: I’ve always loved museums and old paintings. I first experienced the Dutch Golden Age up close about 15 years ago, when I spent a year living in Amsterdam. During my time there, I was struck by the sheer variety and output of the Dutch baroque period. Bawdy genre scenes, delicate floral still lifes, serene landscapes, austere portraits—the subjects run the gamut. And by some estimates, there were about 50,000 Dutch painters plying their trade across the 17th century; if you walked into an Amsterdam butcher shop or bakery in 1630 you might have found floor-to-ceiling paintings. A painting could cost the same as a fish at the market, or it could cost the same as a house. This period endlessly fascinates me, especially the artistic fate of the 25 or so women who were admitted to a Guild of St. Luke, the main professional body for painters. We have surviving works for only a handful of those two dozen baroque women painters.

Johannes Vermeer, Young Woman Seated at a Virginal, c. 1670–1672, oil on canvas, The Leiden Collection, Inv# JVe-100 28.2015.1 © The Leiden Collection, New York

Johannes Vermeer, Young Woman Seated at a Virginal, c. 1670–72, oil on canvas, © The Leiden Collection, New York

DMA: Tell us a bit about your character, Sara de Vos. What do you feel Sara’s response would be to a few of the eight works from her contemporaries on view in the DMA’s exhibition Vermeer Suite: Music in 17th-Century Dutch Painting?
DS: I think Sara de Vos would be very pleased with these paintings. Like the real Judith Leyster, who sometimes painted genre scenes of merrymaking in taverns, Sara de Vos belongs to a moment of Dutch painting that celebrated music as part of everyday life. In the novel, Sara de Vos mostly paints landscapes and still lifes, but she would have greatly admired Vermeer’s Young Woman Seated at a Virginal. The light from the unseen window and the dramatic shadows on the virginal and in the woman’s clothing really capture this as a moment of suspended time. Her hands look as if they’re continuing to play the piece of music, even as she’s looking directly at us. I can’t help wondering what that music sounds like.

Last Painting_Layout 1-2.indd

DMA:  Why is it unique that de Vos would have painted landscapes, and how did this shape your story?
DS: There are no known landscapes by Dutch women painters of the Golden Age. So part of the conceit of The Last Painting of Sara de Vos involved working out the circumstances under which a woman might have created a landscape. The traditional explanation for the lack of landscapes by women is that it was a genre that required many hours spent out of doors and this was not the domain of women during the 17th century. I accept this explanation somewhat. But it’s worth remembering that there were women who defied convention during this time period. Maria Sibylla Merian left behind her estranged husband at the end of the 17th century and moved with her daughter to Surinam (a Dutch colony at the time) in South America for two years. She spent her days in the jungle sketching botanical specimens. If a Dutch Golden Age woman can do that, then surely she could spend a day sketching outside by herself, in preparation for a landscape that might be finished in her studio. Maybe a brother, husband, or older son could have accompanied her. My hunch is that the masters who presided over the Guilds of St. Luke decided that landscapes would be the exclusive realm of men. The novel tries to subvert this notion and bring a landscape by a baroque woman to life.

Kimberly Daniell is the Senior Manager of Communications, Public Affairs, and Social Media Strategy at the DMA.

Ten Times Dwight Schrute Was Your Spirit Animal

Sage Life Lessons and Wisdom from the Duke of Dunder Mifflin Himself

In anticipation of Rainn Wilson’s visit to the DMA on March 19 as part of our 25th anniversary season of Arts & Letters Live, we’ve pulled together a list of ten times our favorite obnoxious beet farmer just “got us,” with a little visual help from art in our collection. For you Jim and Pam types out there, I apologize, but let’s be honest, our pre-coffee selves will always belong to this mustard shirt-wearing maven.

Calculating Speed…

Fred Darge, Survival of the Fittest, c. 1941, oil on canvas, Dallas Museum of Art, anonymous gift 1944.13

Fred Darge, Survival of the Fittest, c. 1941, oil on canvas, Dallas Museum of Art, anonymous gift, 1944.13

“I am fast. To give you a reference point, I am somewhere between a snake and a mongoose . . . and a panther.”  

Brain Power…

Salvador Dalí, Spectacles with Holograms and Computers for Seeing Imagined Objects, 1976, Etching, Drypoint, Lithograph, Silkscreen, and Collage, Dallas Museum of Art, gift of Lois and Howard B. Wolf © 2008 Salvador Dalí, Gala-Salvador Dalí Foundation/Artists Rights Society (ARS), New York

Salvador Dalí, Spectacles with Holograms and Computers for Seeing Imagined Objects, 1976, etching, drypoint, lithograph, silkscreen, and collage, Dallas Museum of Art, gift of Lois and Howard B. Wolf, 1998.6.1, © 2008 Salvador Dalí, Gala-Salvador Dalí Foundation/Artists Rights Society (ARS), New York

“Through concentration, I can raise and lower my cholesterol at will.”  

Healthcare…

Edward Hicks , The Peaceable Kingdom, c. 1846-1847, oil on canvas, Dallas Museum of Art, The Art Museum League Fund 1973.5

Edward Hicks, The Peaceable Kingdom, c. 1846-47, oil on canvas, Dallas Museum of Art, The Art Museum League Fund, 1973.5

“In the wild, there is no healthcare. Healthcare is “Oh, I broke my leg!” A lion comes and eats you, you’re dead. Well, I’m not dead, I’m the lion, you’re dead!”

Flu Season…

George Platt Lynes, W. H. Auden Reaching into Garbage Can, 1947, gelatin silver print, Dallas Museum of Art, gift of William B. Jordan and Robert Brownlee 2000.375

George Platt Lynes, W. H. Auden Reaching into Garbage Can, 1947, gelatin silver print, Dallas Museum of Art, gift of William B. Jordan and Robert Brownlee, 2000.375

“The principle is sound. To avoid illness, expose yourself to germs, enabling your immune system to develop antibodies. I don’t know why everyone doesn’t do this. . . . Maybe they have something against living forever.”

Water Cooler Gossip…

Susan Magilow, Seven Deadly Sins: Gossip, 1986, ink on paper, Dallas Museum of Art, anonymous gift 1989.126.6

Susan Magilow, Seven Deadly Sins: Gossip, 1986, ink on paper, Dallas Museum of Art, anonymous gift, 1989.126.6

“It’s a real shame because studies have shown that more information gets passed through water cooler gossip than through official memos. Which puts me at a disadvantage because I bring my own water to work.”

Stress Management…

Christian Wilhelm Ernst Dietrich, The Satyr in the House of the Peasants, 1739, etching, Dallas Museum of Art, gift of Carnegie Inc. 1940.48

Christian Wilhelm Ernst Dietrich, The Satyr in the House of the Peasants, 1739, etching, Dallas Museum of Art, gift of Carnegie Inc., 1940.48

“Nothing stresses me out. Except having to seek the approval of my inferiors.” 

Dealing with Crowds…

François–Auguste Biard, Seasickness on an English Corvette, 1857, oil on canvas, Dallas Museum of Art, gift of J.E.R. Chilton 2011.27

François-Auguste Biard, Seasickness on an English Corvette, 1857, oil on canvas, Dallas Museum of Art, gift of J. E. R. Chilton, 2011.27

“Why are all these people here? There are too many people on this earth. We need a new plague.”

 The “R” Sound…

Fish knife, c. 1870, silver, Dallas Museum of Art, The V. Stephen Vaughan Collection, gift of the 1991 Silver Supper 1992.7.10.1

Fish knife, c. 1870, silver, Dallas Museum of Art, The V. Stephen Vaughan Collection, gift of the 1991 Silver Supper, 1992.7.10.1

“No, I disagree. “R” is one of the most menacing of sounds. That’s why they call it murder not ‘muckduck.’”  

Utopia…

From Paintings in Old Imperial Palace, n.d., hand-colored etching, Dallas Museum of Art, gift of Mrs. B. Hopkins 1964.44.9

From Paintings in Old Imperial Palace, n.d., hand-colored etching, Dallas Museum of Art, gift of Mrs. B. Hopkins, 1964.44.9

“In an ideal world, I would have all ten fingers on my left hand so my right hand could just be a fist for punching.”  

Paying Attention…

Pierre-Auguste Renoir, Lise in a White Shawl, c. 1872, oil on canvas, Dallas Museum of Art, The Wendy and Emery Reves Collection 1985.R.58

Pierre-Auguste Renoir, Lise in a White Shawl, c. 1872, oil on canvas, Dallas Museum of Art, The Wendy and Emery Reves Collection, 1985.R.58

“You couldn’t handle my undivided attention.”  

Julie Henley is the Communications and Marketing Coordinator at the DMA.

 

 

 


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