Posts Tagged 'Arts & Letters Live'

But Wait There’s More!

DMA Arts & Letters Live, the Museum’s acclaimed literary and performing arts series, announced a “but wait there’s more!” extension of its 25th anniversary season this week with six author events for the fall.

I’m particularly excited that each of these carefully selected programs dovetails with the DMA’s collection, and we’re offering pre-event tours so that people can explore connections between the featured books and art currently on view.

Here’s the scoop and a few tidbits on why we selected them.

September 11: Robert Hoge

Robert Hoge UGLY

Australian author Robert Hoge wowed us with his TEDx talk, sharing his own poignant and personal story of being born with a tumor on his face and disfigured legs. His memoir for adults and now middle grade students, Ugly addresses life, love, beauty, imperfection, and pain, so his story will resonate with a wide variety of ages. Hoge says, “We all have scars only we can own.” Our pre-event tour will focus on Frida Kahlo’s Self Portrait Very Ugly and stir discussion about self-perception and ideas of beauty.

September 15: Ross King

Claude Monet, Water Lilies, 1908, oil on canvas, Dallas Museum of Art, gift of the Meadows Foundation, Incorporated, 1981.128

Claude Monet, Water Lilies, 1908, oil on canvas, Dallas Museum of Art, gift of the Meadows Foundation, Incorporated, 1981.128

Ross King returns to the DMA by popular demand with his new book, Mad Enchantment, about the beloved artist Claude Monet and the creation of his famous water lily paintings. He argues that there is more than meets the eye with these serene images of beauty, examining the complexity behind them and the frustrations and challenges that Monet overcame to create them. A docent will discuss the DMA’s iconic painting of water lilies and other Impressionist highlights before the event.

September 28: Candice Millard

Candice Millard Hero of the Empire

Candice Millard’s brilliant new biography, Hero of the Empire, pinpoints the little-known story of young Winston Churchill’s Indiana Jones–like adventures, including a bold escape from prison camp during the Boer War. Millard offers keen insights on how the lessons Churchill learned in the midst of these challenges related to his achievements and legacy as prime minister later in his life. Before the event, enjoy a gallery talk about Winston Churchill’s friendship with Wendy and Emery Reves and see his paintings and belongings on view in the Reves Collection.

October 26: Yaa Gyasi and Margo Jefferson

Yaa Gyasi_credit Michael Lionstar

Margo Jefferson (c) Michael Lionstar

One of the most buzzworthy books this summer, garnering more than 250 stellar reviews on Amazon, Yaa Gyasi’s epic debut novel, Homegoing, begins with two half-sisters in 18th-century Ghana—one married off to a wealthy Englishman, the other sold into slavery—and traces the lives of their descendants to 20th-century America. (FYI: Knopf acquired the novel for more than $1 million from the then 25-year-old author!). Pulitzer Prize–winning critic Margo Jefferson adored Gyasi’s novel and will discuss it with her as well as her own National Book Critics Circle Award–winning memoir, Negroland. Before the event, join curator Dr. Roslyn Walker in the galleries to explore works of art from Ghana.

November 15: Hannah Rothschild

Hannah Rothschild PB Cover

British author Hannah Rothschild knows the art world—she comes from a prominent art-collecting family and is the first woman chair of the National Gallery in London. Rothschild is coming to the DMA in her only US appearance for the paperback release of her debut novel, The Improbability of Love. The New York Times hailed it as “a frolicsome art-world caper,” and Elizabeth Gilbert called it “an inspired feast of clever delights.” In it, Annie McDee stumbles upon a grimy painting in a secondhand shop that turns out to be a lost masterpiece by one of the most important French artists of the 18th century. While searching for the painting’s identity, Annie will unwittingly uncover some of the darkest secrets of European history as well as the possibility of falling in love again. Before the event, don’t miss the chance to hear Dr. Nicole Myers, The Lillian and James H. Clark Curator of European Painting and Sculpture, highlight 18thcentury French paintings in the DMA’s collection.

November 17: Patricia Cornwell

Patricia CORNWELL__Author Photo__cred Patrick Ecclesine

We’ve had several requests to bring in the #1 New York Times bestselling author Patricia Cornwell on audience surveys, so we are excited to cap off our 25th anniversary season with twenty-five years of Cornwell’s popular high-stakes series starring medical examiner Dr. Kay Scarpetta. Cornwell will share insights about her new novel, Chaos, involving a cyberbully; her creative process in researching and writing her books; and her theory that artist Walter Sickert was Jack the Ripper. Fans can purchase VIP experience tickets that include a wine and cheese reception with the author, a hardcover copy of Chaos, reserved premium seating, and a book signing fast-track pass.

You can make DMA Arts & Letters Live your own book club—invite your friends to join you for these unique and inspiring evenings combining books and art!

Carolyn Bess is the Director of Arts & Letters Live at the DMA.

The Golden Age: Dominic Smith

The DMA hosted author Dominic Smith as part of our Arts & Letters Live 25th anniversary season, and this event is also the launch party for his new novel, The Last Painting of Sara de Vos. We are excited to be the first place where book and art enthusiasts can grab a copy of the novel and spend time with the Texas-based author. The book has already received high acclaim, including from author Ben Fountain, who praised it as “quite simply, one of the best novels I have ever read, and as close to perfect as any book I’m likely to encounter in my reading life.” Uncrated was able to chat with Smith prior to his appearance and learn a bit more about his love of art and the focal point of his novel, Sara de Vos.

Photo: Stacy Sodolak

Photo: Stacy Sodolak

DMA: Have you always been drawn to art and in particular Dutch work?
DS: I’ve always loved museums and old paintings. I first experienced the Dutch Golden Age up close about 15 years ago, when I spent a year living in Amsterdam. During my time there, I was struck by the sheer variety and output of the Dutch baroque period. Bawdy genre scenes, delicate floral still lifes, serene landscapes, austere portraits—the subjects run the gamut. And by some estimates, there were about 50,000 Dutch painters plying their trade across the 17th century; if you walked into an Amsterdam butcher shop or bakery in 1630 you might have found floor-to-ceiling paintings. A painting could cost the same as a fish at the market, or it could cost the same as a house. This period endlessly fascinates me, especially the artistic fate of the 25 or so women who were admitted to a Guild of St. Luke, the main professional body for painters. We have surviving works for only a handful of those two dozen baroque women painters.

Johannes Vermeer, Young Woman Seated at a Virginal, c. 1670–1672, oil on canvas, The Leiden Collection, Inv# JVe-100 28.2015.1 © The Leiden Collection, New York

Johannes Vermeer, Young Woman Seated at a Virginal, c. 1670–72, oil on canvas, © The Leiden Collection, New York

DMA: Tell us a bit about your character, Sara de Vos. What do you feel Sara’s response would be to a few of the eight works from her contemporaries on view in the DMA’s exhibition Vermeer Suite: Music in 17th-Century Dutch Painting?
DS: I think Sara de Vos would be very pleased with these paintings. Like the real Judith Leyster, who sometimes painted genre scenes of merrymaking in taverns, Sara de Vos belongs to a moment of Dutch painting that celebrated music as part of everyday life. In the novel, Sara de Vos mostly paints landscapes and still lifes, but she would have greatly admired Vermeer’s Young Woman Seated at a Virginal. The light from the unseen window and the dramatic shadows on the virginal and in the woman’s clothing really capture this as a moment of suspended time. Her hands look as if they’re continuing to play the piece of music, even as she’s looking directly at us. I can’t help wondering what that music sounds like.

Last Painting_Layout 1-2.indd

DMA:  Why is it unique that de Vos would have painted landscapes, and how did this shape your story?
DS: There are no known landscapes by Dutch women painters of the Golden Age. So part of the conceit of The Last Painting of Sara de Vos involved working out the circumstances under which a woman might have created a landscape. The traditional explanation for the lack of landscapes by women is that it was a genre that required many hours spent out of doors and this was not the domain of women during the 17th century. I accept this explanation somewhat. But it’s worth remembering that there were women who defied convention during this time period. Maria Sibylla Merian left behind her estranged husband at the end of the 17th century and moved with her daughter to Surinam (a Dutch colony at the time) in South America for two years. She spent her days in the jungle sketching botanical specimens. If a Dutch Golden Age woman can do that, then surely she could spend a day sketching outside by herself, in preparation for a landscape that might be finished in her studio. Maybe a brother, husband, or older son could have accompanied her. My hunch is that the masters who presided over the Guilds of St. Luke decided that landscapes would be the exclusive realm of men. The novel tries to subvert this notion and bring a landscape by a baroque woman to life.

Kimberly Daniell is the Senior Manager of Communications, Public Affairs, and Social Media Strategy at the DMA.

Ten Times Dwight Schrute Was Your Spirit Animal

Sage Life Lessons and Wisdom from the Duke of Dunder Mifflin Himself

In anticipation of Rainn Wilson’s visit to the DMA on March 19 as part of our 25th anniversary season of Arts & Letters Live, we’ve pulled together a list of ten times our favorite obnoxious beet farmer just “got us,” with a little visual help from art in our collection. For you Jim and Pam types out there, I apologize, but let’s be honest, our pre-coffee selves will always belong to this mustard shirt-wearing maven.

Calculating Speed…

Fred Darge, Survival of the Fittest, c. 1941, oil on canvas, Dallas Museum of Art, anonymous gift 1944.13

Fred Darge, Survival of the Fittest, c. 1941, oil on canvas, Dallas Museum of Art, anonymous gift, 1944.13

“I am fast. To give you a reference point, I am somewhere between a snake and a mongoose . . . and a panther.”  

Brain Power…

Salvador Dalí, Spectacles with Holograms and Computers for Seeing Imagined Objects, 1976, Etching, Drypoint, Lithograph, Silkscreen, and Collage, Dallas Museum of Art, gift of Lois and Howard B. Wolf © 2008 Salvador Dalí, Gala-Salvador Dalí Foundation/Artists Rights Society (ARS), New York

Salvador Dalí, Spectacles with Holograms and Computers for Seeing Imagined Objects, 1976, etching, drypoint, lithograph, silkscreen, and collage, Dallas Museum of Art, gift of Lois and Howard B. Wolf, 1998.6.1, © 2008 Salvador Dalí, Gala-Salvador Dalí Foundation/Artists Rights Society (ARS), New York

“Through concentration, I can raise and lower my cholesterol at will.”  

Healthcare…

Edward Hicks , The Peaceable Kingdom, c. 1846-1847, oil on canvas, Dallas Museum of Art, The Art Museum League Fund 1973.5

Edward Hicks, The Peaceable Kingdom, c. 1846-47, oil on canvas, Dallas Museum of Art, The Art Museum League Fund, 1973.5

“In the wild, there is no healthcare. Healthcare is “Oh, I broke my leg!” A lion comes and eats you, you’re dead. Well, I’m not dead, I’m the lion, you’re dead!”

Flu Season…

George Platt Lynes, W. H. Auden Reaching into Garbage Can, 1947, gelatin silver print, Dallas Museum of Art, gift of William B. Jordan and Robert Brownlee 2000.375

George Platt Lynes, W. H. Auden Reaching into Garbage Can, 1947, gelatin silver print, Dallas Museum of Art, gift of William B. Jordan and Robert Brownlee, 2000.375

“The principle is sound. To avoid illness, expose yourself to germs, enabling your immune system to develop antibodies. I don’t know why everyone doesn’t do this. . . . Maybe they have something against living forever.”

Water Cooler Gossip…

Susan Magilow, Seven Deadly Sins: Gossip, 1986, ink on paper, Dallas Museum of Art, anonymous gift 1989.126.6

Susan Magilow, Seven Deadly Sins: Gossip, 1986, ink on paper, Dallas Museum of Art, anonymous gift, 1989.126.6

“It’s a real shame because studies have shown that more information gets passed through water cooler gossip than through official memos. Which puts me at a disadvantage because I bring my own water to work.”

Stress Management…

Christian Wilhelm Ernst Dietrich, The Satyr in the House of the Peasants, 1739, etching, Dallas Museum of Art, gift of Carnegie Inc. 1940.48

Christian Wilhelm Ernst Dietrich, The Satyr in the House of the Peasants, 1739, etching, Dallas Museum of Art, gift of Carnegie Inc., 1940.48

“Nothing stresses me out. Except having to seek the approval of my inferiors.” 

Dealing with Crowds…

François–Auguste Biard, Seasickness on an English Corvette, 1857, oil on canvas, Dallas Museum of Art, gift of J.E.R. Chilton 2011.27

François-Auguste Biard, Seasickness on an English Corvette, 1857, oil on canvas, Dallas Museum of Art, gift of J. E. R. Chilton, 2011.27

“Why are all these people here? There are too many people on this earth. We need a new plague.”

 The “R” Sound…

Fish knife, c. 1870, silver, Dallas Museum of Art, The V. Stephen Vaughan Collection, gift of the 1991 Silver Supper 1992.7.10.1

Fish knife, c. 1870, silver, Dallas Museum of Art, The V. Stephen Vaughan Collection, gift of the 1991 Silver Supper, 1992.7.10.1

“No, I disagree. “R” is one of the most menacing of sounds. That’s why they call it murder not ‘muckduck.’”  

Utopia…

From Paintings in Old Imperial Palace, n.d., hand-colored etching, Dallas Museum of Art, gift of Mrs. B. Hopkins 1964.44.9

From Paintings in Old Imperial Palace, n.d., hand-colored etching, Dallas Museum of Art, gift of Mrs. B. Hopkins, 1964.44.9

“In an ideal world, I would have all ten fingers on my left hand so my right hand could just be a fist for punching.”  

Paying Attention…

Pierre-Auguste Renoir, Lise in a White Shawl, c. 1872, oil on canvas, Dallas Museum of Art, The Wendy and Emery Reves Collection 1985.R.58

Pierre-Auguste Renoir, Lise in a White Shawl, c. 1872, oil on canvas, Dallas Museum of Art, The Wendy and Emery Reves Collection, 1985.R.58

“You couldn’t handle my undivided attention.”  

Julie Henley is the Communications and Marketing Coordinator at the DMA.

 

 

 

Silver Belles Lettres

The DMA Arts & Letters Live series is thrilled to celebrate its 25th season—our silver anniversary—in 2016! As the DMA’s literary and performing arts series, we are known for presenting literary icons, and this year is no different, with authors from Hanya Yanagihara (author of one of the most talked about books of 2015), Erik Larson, Dave Isay, Daniel James Brown, Rainn Wilson, Elizabeth GilbertPadma Lakshmi, and Kate Tempest, just to name a few. We’re kicking off the season with an award-winning duo of “Memoiristas” on January 11: Mary Karr, who will discuss her new book The Art of Memoir, and Tony and Emmy Award–winning actor Mary-Louise Parker, who will play Mary Karr in Showtime’s forthcoming series Lit.

This year you may notice a new look on the cover of our season brochure, which you can view online or pick up in person the next time you visit the Museum. The DMA hosts a staff art show every two years, and I’ve always admired Cathy Davis-Famous’s (you’ve probably all met Cathy on a visit to the DMA; she is always ready with a smile and warm hello at our Visitor Services Desk) whimsical paper dolls made out of discarded exhibition rack cards and notecards. So, I invited her to create a special cover for our 25th season brochure. Here’s what she has to say about designing it:

“When I was asked if I would be interested in creating a design feature for the cover of the DMA Arts & Letters Live brochure celebrating its 25th anniversary, I was ecstatic! I couldn’t believe it–what an honor to be considered for this milestone event. During the fifteen years that I’ve been a part of the DMA, there has always been an impressive lineup of authors and great books. One of my favorite moments is meeting Nanny McPhee’s Emma Thompson at the booksigning table, where I made her burst into a roaring laugh when I told her that I still cry with her at the end of Sense and Sensibility when she finds out Edward Ferris isn’t married. I’ll never forget that!

“I was supplied with an large stack of images of many book covers of great authors, titles, illustrators, and photography, so much to choose from. Then the excitement gave way to stress and the pressure of coming up with a design worthy of this 25th year recognition.

“I had two or three ideas in mind, so I looked through past projects for inspiration but kept going back to what I enjoy creating the most, “Paperdolls.” I needed an image that could display a variety of covers. With the space that I had to work within, the best design would be the likeness of a Marie Antoinette–style, 17th-century fashion big skirt.

20151130_171152

“I proceeded to clip out images of book covers and arranged them and rearranged them until the pattern was suitable. Then I began to piece the paper images onto the template of the doll parts using paper glue, tweezers, and a toothpick. Time intensive but gratifying, she is outfitted with some of Arts & Letters Live’s best! Thanks for letting me be a part of the celebration.”

 

The 25th season promises to deliver several exciting one-of-a-kind experiences. We hope you enjoy this star-studded special anniversary season as much as we enjoyed bringing together these award-winning authors, actors, and performers. Visit DMA.org now to see our entire season and purchase your tickets.

 Carolyn Bess is the Director of Programming and Arts & Letters Live at the DMA; Cathy Davis-Famous is a Visitor Services Representative at the Museum.

Our Portal Into Publishing

View from Macmillan Children's Publishing Group located in the famous Flatiron Bldg

View from Macmillan Children’s Publishing Group located in the famous Flatiron Building

The annual DMA Arts & Letters Live planning trip to New York provides the foundation for each season of the DMA’s literary and performing arts series. During more than 30 meetings in five days at the end of July, Carolyn Bess and I learned which authors are generating a lot of buzz for their new books, and who will be on tour during our 25th anniversary season. These meetings provide a portal into the publishing world not yet revealed to the media or to the public. Here begins the dialogue regarding the authors and books publishers want to catapult into public conversation. We share statistics and successes from our recent events as we attempt to woo such “wish list” writers as Donna Tartt, Bill Bryson, and Nick Hornby. Authors often tour to a predetermined number of cities and only for a short time following their book release date, so there can be significant competition when it comes to securing them for Arts & Letters Live. We seek to balance the type of books, speakers, and performances we feature in each season to construct a mix of literary and historical fiction, poetry, memoir, nonfiction, pop culture, and emerging authors.

Though our meeting schedule certainly kept us busy, we managed to squeeze a few excellent cultural outings into our visit. The Tony Award-winning Broadway musical adaptation of Alison Bechdel’s acclaimed illustrated memoir Fun Home: A Family Tragicomic was excellent and would fit nicely into our Artful Musings category (if only Alison weren’t in such high demand these days!). We enjoyed seeing Gerald Murphy’s Cocktail on view in the glorious new Renzo Piano building of the Whitney Museum of American Art as we look forward to hosting Liza Klaussmann tomorrow night at the DMA for her new fictional account of Sara and Gerald Murphy in Villa America. On a Friday evening visit to the Metropolitan Museum of Art, we joined the Museum Hack tour for what their brochure terms “a highly interactive, subversive, fun, non-traditional museum tour.” Their strategy did not disappoint. During our three-hour tour, we learned obscure and whimsical tidbits about a select number of pieces in the Met’s collection and wandered the galleries after hours, inciting childhood fantasies of spending the night in the Met like Claudia in E. L. Konigsburg’s iconic novel, The Mixed Up Files of Mrs. Basil E. Frankweiler.

One of the things that impressed me most during these meetings was the number of times publishers commented on the excellent reputation of the Dallas Museum of Art and Arts & Letters Live. After working on events with publicists all year via phone and e-mail, it is gratifying to meet with them in person and to hear how much they appreciate the quality of events that we host at the DMA. The professional relationships built and fostered during this New York trip are a key component to Arts & Letters Live’s success.

Michelle Witcher is the Program Manager, Arts & Letters Live, at the DMA.

A Soft Touch

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This evening, in advance of our special DMA Arts & Letters Live event with Rebecca Alexander, who will discuss her memoir about losing her vision and hearing due to a rare genetic disease, we will host our first Touch Tour for adults in the Museum’s Sculpture Garden. Last summer, the DMA hosted a similar tour for a group of children with visual impairment; you can explore photos from the event below and learn more about the history here.

Tonight, artist John Bramblitt will lead participants to three works of art and then discuss his process as an artist who happens to be blind. The all-inclusive tour for those attending the Arts & Letters Live event (those with full vision will be given blindfolds for the tour) begins at 6:15 p.m. Visit DMA.org for additional information about tonight’s program and to purchase tickets.

Amanda Blake is the Head of Family, Access, and School Experiences at the DMA. 

Summer Reading

Whether you’ll be on a beach or in the air-conditioned comfort of your home, get some inspiration from works in the DMA’s collection and dive into a good book this spring and summer. In addition, don’t miss the upcoming DMA Arts & Letters Live authors appearing at the Museum through July.

(left) Miguel Cabrera, Saint Gertrude (Santa Gertrudis), 1763, oil on canvas, Dallas Museum of Art, gift of Laura and Daniel D. Boeckman in honor of Dr. William Rudolph; (right) The Sisterhood book jacket, source: Amazon.com

(left) Miguel Cabrera, Saint Gertrude (Santa Gertrudis), 1763, oil on canvas, Dallas Museum of Art, gift of Laura and Daniel D. Boeckman in honor of Dr. William Rudolph; (right) The Sisterhood book jacket, source: Amazon.com

Saint Gertrude the Great (1256–1301 or 1302) was a German Benedictine nun and a prolific mystic writer. The artist, Miguel Cabrera, is considered one of the greatest 18th-century Mexican painters. Saint Gertrude is sure to enjoy The Sisterhood by Helen Bryan. In this beautifully written novel, a woman’s journey to finish her thesis shifts as she uncovers biblical and art historical secrets that stretch back to the Spanish Inquisition.

 

(left) Mary Cassatt, The Reading Lesson, c. 1901, oil on canvas, Lent by the Pauline Allen Gill Foundation; (right) The Book With No Pictures jacket cover, source: EmertainmentMonthly.com

(left) Mary Cassatt, The Reading Lesson, c. 1901, oil on canvas, lent by the Pauline Allen Gill Foundation; (right) The Book with No Pictures book jacket, source: EmntertainmentMonthly.com

Mary Cassatt’s The Reading Lesson looks like a peaceful reading scene between a woman and a young child. Perhaps they need a little more excitement, and Arts & Letters Live alum B. J. Novak has just the book for that! The Book with No Pictures encourages the reader to read every word, even if it’s silly or loud!

 

(left) Vessel (itinate), early 20th century, Cham or Mwona peoples, ower Gongola River Valley, Nigeria, Africa, terracotta, Dallas Museum of Art, gift of The Cecil and Ida Green Foundation; (right) Half of a Yellow Sun book jacket , source: Mr. Kew blog

(left) Vessel (itinate), Nigeria, Lower Gongola River Valley, Cham or Mwona peoples, early 20th century, terracotta, Dallas Museum of Art, gift of The Cecil and Ida Green Foundation; (right) Half of a Yellow Sun book jacket , source: Mr. Kew blog

This vessel from the early 20th century, featuring a stylized female figure, was traditionally used in divination and healing rituals among the diverse peoples in the Lower Gongola River Valley in northeast Nigeria. This figure, were she to come alive, might be interested in reading Chimamanda Ngozi Adichie’s novel Half of a Yellow Sun, which narrates the story of five individuals whose lives were dramatically altered by the Nigerian Civil War (1967-70).

 

(left) Pablo Picasso, Bust, 1907-1908, oil on canvas, Dallas Museum of Art, Foundation for the Arts Collection, gift of Joshua L. Logan, Loula D. Lasker, Ruth and Nathan Cummings Art Foundation, Mr. and Mrs. Edward S. Marcus, Sarah Dorsey Hudson, Mrs. Alfred L. Bromberg, Henry Jacobus and an anonymous donor, by exchange © Estate of Pablo Picasso / Artists Rights Society (ARS), New York; (right) Middlesex book jacket, source: Amazon.com

(left) Pablo Picasso, Bust, 1907-08, oil on canvas, Dallas Museum of Art, Foundation for the Arts Collection, gift of Joshua L. Logan, Loula D. Lasker, Ruth and Nathan Cummings Art Foundation, Mr. and Mrs. Edward S. Marcus, Sarah Dorsey Hudson, Mrs. Alfred L. Bromberg, Henry Jacobus, and an anonymous donor, by exchange © Estate of Pablo Picasso / Artists Rights Society (ARS), New York; (right) Middlesex book jacket, source: Amazon.com

Picasso’s Bust, with its ambiguous gender and powerfully defined lines, would be enthralled by Jeffrey Eugenides’ Middlesex. This bestselling novel, featuring an intersex main character, explores the theme of identity and the many forms that it can take.

 

(left) Fernand Léger, The Divers (Red and Black), 1942, oil on canvas, Dallas Museum of Art, Foundation for the Arts Collection, gift of the James H. and Lillian Clark Foundation © Artists Rights Society (ARS), New York / ADAGP, Paris; (right) Mrs Dalloway book jacket, Source: penguin.com.au

(left) Fernand Léger, The Divers (Red and Black), 1942, oil on canvas, Dallas Museum of Art, Foundation for the Arts Collection, gift of the James H. and Lillian Clark Foundation, © Artists Rights Society (ARS), New York / ADAGP, Paris; (right) Mrs Dalloway book jacket, Source: penguin.com.au

Fernand Léger’s The Divers shows many different views of a body as it moves and dances throughout space. What better way to explore Léger’s modernist art theories than to enjoy Virginia Woolf’s modernist writing? Set during a single June day in London, a memorable event ties multiple characters together in this mid-20th-century masterpiece.

 

(left) François Auguste Biard, Seasickness on an English Corvette (Le mal de mer, au bal, abord d'une corvette Anglaise), 1857, oil on canvas, Dallas Museum of Art, gift of J.E.R. Chilton; (right) Paris: The Novel book jacket, Source: Amazon.com

(left) François Auguste Biard, Seasickness on an English Corvette, 1857, oil on canvas, Dallas Museum of Art, gift of J. E. R. Chilton; (right) Paris: The Novel book jacket, Source: Amazon.com

Seasickness on an English Corvette depicts travelers, bound for France, crossing the English Channel. The woman in the middle is clearly entranced by her book, which might be Paris, written by Edward Rutherfurd. This epic narrative of the City of Lights introduces a cast of characters whose fates have been intertwined since the Middle Ages.

Madeleine Fitzgerald is the Audience Relations Coordinator, Education, and Taylor Jeromos is the McDermott Education Intern for Adult Programming and Arts & Letters Live at the DMA.


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