Posts Tagged 'cats'

Cats in the Archives

An exhibition at the Smithsonian’s Archives of American Art about cats in their collections inspired me to go searching for cats in the DMA Archives collections. Here is what I found.

Painter, printmaker, and DMFA Museum School instructor Lucille Jeffries with an unidentified cat. Barbara Maples Papers, Photographs, DMA Archives

Sculptor James Surls plays with a black cat under his sculpture while a second cat looks on. Exhibition Photography, Visions: James Surls, 1974-1984, December 2, 1984-January 13, 1985, Artist photographs, DMA Archives

Artist Brent Steen with his cat, photographed during artist studio visits in conjunction with the 2003 exhibition Come Forward: Emerging Art in Texas. Exhibition Photography, Come Forward: Emerging Art in Texas, February 23-May 11, 2003, Artists in studio, DMA Archives

Keep an eye out for dogs in the Archives in the future—and of course I’ve already done llamas. Enjoy!

Hillary Bober is the Archivist at the Dallas Museum of Art.

Friday Photos: Canines vs Felines

Since the arrival of Divine Felines: Cats of Ancient Egypt, the DMA has been serving some serious cat-titude. We’ve spent the past few months celebrating these awesome animal companions in several different ways: families could enjoy our Friendly Felines family guide while others could really get into the spirit of the exhibition with the Divine Felines Spotify playlist.

However, as a dog person, I think man’s best friend could use a little more attention. Here are a few of our dearest dogs matched against some of our favorite felines from the collection. Which would you prefer?

Make sure you visit Divine Felines before the exhibition closes this Sunday, January 8!

Jessica Thompson
Manager of Teen Programs

Memory, All Alone in the Moonlight

Some furry friends invaded the DMA back in October and set up residence for three whole months in the Museum. They told visitors from far and wide stories of ancient Egypt where they were revered as powerful deities. They also educated them on some very important practices like mummification . . . GASP. Just look at all the fun that was had!

final-cats

It’s not too late for you too to experience the PAWsitively PURRfect exhibition Divine Felines: Cats of Ancient Egypt, but it will be soon. After January 8, Divine Felines will only be a “memory, all alone in the moonlight”.  So scurry your tails down to the Museum to check out the exhibition that everyone has been meowing over!

Julie Henley is the Communications and Marketing Coordinator at the DMA. 

 

Sensory Sensation

HyperFocal: 0

At the DMA, you can currently visit Divine Felines: Cats of Ancient Egypt, featuring works from the extensive holdings of the Brooklyn Museum. The appeal of an exhibition about both cats and ancient Egypt seemed like the perfect opportunity for the DMA to experiment with a multisensory interpretive space within an exhibition setting, essentially creating a satellite, smaller-scale Center for Creative Connections (C3). While C3 is an experimental space focused on innovative and diverse ways of interpreting a selection of DMA artworks, the Divine Felines Creative Connections Gallery is intended to contextualize the exhibition through a variety of interpretive interactives. In this space, visitors can step up to a listening station and hear tales of the Egyptian deities, sniff incenses that would have filled ancient temples, or see a real mummy and watch a film about mummification.

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This diagram shows the layout of the 1,600 square feet of gallery space at the back of the Divine Felines exhibition.

This educational gallery also provides DMA staff with insight into our visitors’ interests and preferences. The more we know about our visitors’ expectations and interests, the more equipped we are to provide them with meaningful gallery interactives. First, we keep track of the number of visitors who enter the Divine Felines Creative Connections Gallery and compare it to the total number of visitors to the exhibition. In October, nearly 70% of visitors to the exhibition entered the Creative Connections Gallery. And, interestingly, Thursdays saw the highest percentage of visitors entering the space.

Additionally, three days a week for two hours at a time, we observe visitors in the gallery to determine which activities they interact with and how long they engage within the space. To structure our observations, we created a tracking sheet (see image above) where we note participation in specific activities and the total duration of their visit to the space. Our system of tracking notes depth of engagement within an activity. For example, in relation to the short film about mummification we are curious to know if the visitor:

  • Reads the label outside of the film room.
  • Enters the film room.
  • Sits down on the bench.
  • Watches the whole film.

Finally, we ask half of the visitors we observe if they are willing to take a quick survey on an iPad. The questions we ask relate to visitors’ motivations for entering the educational space and what components visitors would like to see in future educational spaces.

So far, we’ve noticed a few interesting trends. In October, for example, the majority of observed visitors spent time looking at the mummy or Thoth sculpture and visited the scent bar. Here is the breakdown of how many visitors participated in each activity in October.
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Other data points to date:

  • Visitors spent an average of 10 minutes in the space.
  • Over 70% of visitors entered the gallery with a group; 30% were alone.
  • On average, visitors smelled 8 out of the 10 fragrances at the scent bar.
  • On average, visitors listened to 2 out of the 5 stories at the listening station.
  • Slightly more visitors picked up the all-ages self-guide than the family guide.
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*Note: Visitors were able to choose more than one response.

We would love your feedback, too. What educational tools would you like to see at the DMA?

Jessica Fuentes is the Manager of Gallery Interpretation and the Center for Creative Connections at the DMA. Andrea Severin Goins is the Head of Interpretation at the DMA.

On the Bookshelves: CATchy Tales Edition

catchy-tales-blog-post

This month I’ve been spending a lot of time in Divine Felines: Cats of Ancient Egypt with preschoolers. Ancient Egypt is always endlessly fascinating for young children, but add in cats and picture books, and you’ve got a triple threat! I’ve gathered up some purrrfect picture books for any kid cat-lovers—two of the stories take place in ancient Egypt and two are catchy tales you won’t want to miss.

 

Mummy Cat by Marcus Ewert, illustrated by Lisa Brown

With a rustle and a whisper, a little mummy cat wakes up deep in a pyramid and goes in search of his mistress and friend, Queen Hat-Shup-Set. As he journeys through the corridors, paintings on the wall tell the tale of his past life and the tragic fate of his Queen. Brown’s illustrations paint a story-within-a-story, and young readers will love pouring over each little detail and will beg to read this book again and again. Look for three little mice hiding on many of the pages and search for hieroglyphs sprinkled throughout the illustrations. An author’s note on mummies, hieroglyphs, and Queen Hat-Shup-Set make this book an excellent introduction to ancient Egypt. And if you visit Divine Felines, you can see an authentic cat sarcophagus!

 

Temple Cat by Andrew Clements, illustrated by Kate Kiesler

A cat lives like a king in the temple, with servants to care for his every need, but all he dreams of is a life beyond the temple walls. So one night, he quietly slips out and embarks on an adventure, sleeping in barns, catching his own food, and making friends with some children. Along the way, he discovers his greatest dream—to be loved as an ordinary cat. Cat-lovers will especially love how Kiesler captures the very “cat-ness” of our hero as he licks his paws, revels in chin tickles, or weaves around a child’s leg. The background illustrations however, are just as beautiful, painting a vivid picture of what ancient Egyptian life might have been like.

 

They All Saw a Cat by Brendan Wenzel

“The cat walked through the world, with its whiskers, ears, and paws…” With this lyrical beginning, Wenzel takes readers on a journey of perspective, imagining different encounters between a cat and its surroundings. With each page turn, we see the cat from a different point of view. A child sees a cuddly, friendly companion. A dog and fox see something to chase. A fish and a mouse see a huge, scary creature to be avoided at all costs! A flea sees a warm place to take a nap. The text itself is incredibly simple, but the illustrations take on a life of their own, challenging young readers to consider how one animal (or by extension, person) can be so many different things. And for art-loving kids, the way Wenzel changes his style to fit each creature’s perspective is truly magical. They All Saw a Cat is already getting some buzz for the coming picture book awards season!

 

Mr. Tiger Goes Wild by Peter Brown

Mr. Tiger is tired of his prim and proper life, and decides something needs to change. HE needs to change! And so he goes “wild.” But does he go just a little too far? I’ve written about this book before here, and it still continues to be a go-to favorite for story time. One page turn in particular ALWAYS elicits shrieks of laughter and gasps, and I can’t help but love it when the children roar right along with Mr. Tiger.

 

What’s your favorite meow-sterpiece in cat picture books? Please share in the comments below!

And as always—happy reading!

Leah Hanson
Manager of Family and Early Learning Programs

Linear Perspectives: Creative Discovery with Lines

Some great new additions to the Center for Creative Connections have sparked new ways for visitors to think about and interact with artworks. In the Young Learners Gallery, the newly redesigned space has concentrated our visitors’ focus on lines. Visitors use the pegboards to create symbols, images, words, and phrases that are outlined by stretchy fabric pieces. We’ve been snapping some shots of our favorites we’ve seen so far:

Visit the Young Learners Gallery in the Center for Creative Connections and discover how you can use lines creatively!

Kerry Butcher is the Center for Creative Connections Coordinator at the DMA.

Whiskered Deities

Cats are invading the DMA beginning this Sunday, October 9, when the Museum opens the nationally touring exhibition Divine Felines: Cats of Ancient Egypt. The exhibition features 80 objects from the world-renowned Egyptian collection of the Brooklyn Museum depicting cats and lions in ancient Egyptian mythology, kingship, and everyday life (and a few dogs too).

Below is an interview with DMA curator and avid cat-lover Dr. Anne Bromberg that was first published in the DMA Member magazine Artifacts. Mark your calendars for a cat-tastic night on Friday, October 21, during a special Late Night celebrating all things cat and Egypt. Listen to the purrrfect soundtrack to understand why cats are the Furry Conquerors of Culture, and follow the DMA on Spotify.

What are you most excited to present in this exhibition?
The ancient Egyptians were superb artists. Or perhaps one should say they were wealthy enough that they could afford to pay artists generously. The other interesting aspect is that for the Egyptians, cats were very important as divinities, as well as fun and delightful in ordinary life. I’ve said this to practically everybody, but cats have the closest brains to primates, or us, monkeys!

Sphinx of King Sheshenq, c. 945–718 B.C.E., bronze, Brooklyn Museum. Charles Edwin Wilbour Fund, 33.586

Sphinx of King Sheshenq, Egypt, Third Intermediate Period, c. 945–718 B.C.E., bronze, Brooklyn Museum, Charles Edwin Wilbour Fund, 33.586

Many people associate the ancient Egyptians with death or funerary rituals.
That’s partly because tombs were substantially built, so they survived. It’s clear from tomb paintings that the homes of the ancient Egyptians were equally glamorous, but almost none of that has survived.

What did this glamorous life look like?
They had beautiful clothes and were well fed. Furnishings of the everyday, as well as ritual objects, were exquisitely made. I’m sure they had trashy junk (because everyone does) but the impression you have is that the objects people lived with were really beautiful. The Egyptians believed that after death you could live forever in the land of eternal life. Part of the appeal of all Egyptian art, and certainly of this show, is that you see art made by people who believed you could take it with you.

Cat's Head, 30 B.C.E. to 3rd century C.E., bronze, gold, Brooklyn Museum. Charles Edwin Wilbour Fund, 36.114

Cat’s Head, Egypt, Roman Period, 30 B.C.E.-3rd century C.E., bronze and gold, Brooklyn Museum, Charles Edwin Wilbour Fund, 36.114

It’s impressive that the ancient Egyptian civilization lasted so long.
They were isolated to some degree, and they had a foolproof source of food with the Nile River. They were also extremely literate. People who conquered Egypt knew they were taking over one of the most sophisticated cultures in their world, so they allowed that culture to continue. This many-thousand-year continuity of culture did not disappear until the coming of the Christians, who were opposed to traditional Egyptian religious ideas.

Does any part of that culture persist today?
Something that has continued unabated from prehistoric times and up until today is the passion for cats. It is still a very pro-cat civilization.

Figure of a Cat, 305 B.C.E.–1st century C.E., wood (sycamore fig), gilded gesso, bronze, copper, pigment, rock crystal, glass, Brooklyn Museum. Charles Edwin Wilbour Fund , 37.1945E

Figure of a Cat, Egypt, Ptolemaic Period-Roman Period, 305 B.C.E.–1st century C.E., wood (sycamore fig), gilded gesso, bronze,rock crystal, and glass, Brooklyn Museum, Charles Edwin Wilbour Fund, 37.1945E

Kimberly Daniell is the Senior Manager of Communications, Public Affairs, and Social Media Strategy at the DMA.


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