Posts Tagged 'Center for Creative Connections'

Artist Interview: Christopher Blay

This spring in the Center for Creative Connections, we invited C3 Visiting Artist Christopher Blay to work with us on a new design for our in-gallery activities. We hope you agree that our time was very well spent. Meet Christopher here and learn more about these imaginative and reflective activities designed for visitors of all ages.

Tell us about yourself in 50 words or less.
I am an artist, and I curate exhibitions at Tarrant County College. I also review art locally. I enjoy the process of making, and create installations that reflect a sense of place. I see value in art that meets both the artist and their audience where they live.

What motivated you to apply to the C3 Visiting Artist Project?
I thought it would be an interesting way to share my ideas with audiences, outside of a curated exhibition. This was about creating a space for reflection, and saying the things left unsaid, in that moment of reflection.

Tell us about the activities you’ve created in C3.
I created three rounds of participatory activities under the project name Machines for Intangible Communications for the Visiting Artist Project (sketches above). They all revolved around the idea that some of the things we want to say can no longer be heard by the people we hope are listening. Part A presented visitors with a desk, a typewriter, some writing materials, and a mailbox. Part B had walkie-talkies and satellites to relay what was spoken. Part C is a phone booth and a Morse code machine for dialing and relaying messages into the void. In each iteration of this project, visitors could reach out and say the things they wish they’d said to themselves, or others. It was a way of expressing the thoughts and words we’ve always wanted to express.

Do you have any favorite visitor responses you’d like to share?
I do. There was a man from Turkey who lost his grandfather when he was about a year old. He told me that it was difficult to speak into the walkie-talkie because he was suddenly at a loss for words; however, when he did speak, he thanked his grandfather for the gift of life, and wished that he was present to see his current life. It was a beautiful moment that I was happy to share with a stranger.

What did you enjoy most about this experience?
I enjoyed being able to make a gesture in a space for art that reflected real experiences. I was inspired to build these machines out of a sense of longing and personal loss, and from stories about loss. This is a human experience and one that I hope connects with visitors. I wanted to build an impossible bridge that maybe a whisper could cross.

Visitor responses from Machines for Intangible Communications Part A.

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Join C3 Visiting Artist Christopher Blay for the Teen Workshop Revolutionary Prints on Saturday, June 24, from 1:00 to 3:00 p.m. The workshop is for ages 13-19; all materials are provided, and no prior experience is necessary. The cost is $8 for the public and $5 for DMA Members.

Jessica Fuentes is the Manager of Gallery Interpretation and the Center for Creative Connections at the DMA.

Nesting

This week, we open the new and improved Arturo’s Nest in our Center for Creative Connections (C3)! The old play areas and design were so well loved that it was time to refresh and re-imagine this beloved play-learning space for our youngest visitors. The Exhibitions team and I had the pleasure of collaborating with the Education Department to come up with a fresh design that harmonizes with the updated Young Learner’s Gallery just around the corner in C3.

Some of the changes we made include installing new carpet (with giant polka-dots) to help with ambient sound, and applying a brand-new landscape to the walls, courtesy of our Exhibitions Graphic Designer, Kevin Parmer. We’ve added a nightscape to a previously plain wall, which adds to the calming and enveloping charm of this space. For our design team, this project was a playful departure from the many ongoing exhibition design projects in the Museum galleries.

Material samples used in the Arturo’s Nest redesign

There will be a new “nest” structure (coming soon) that will also function as a reading nook, and the daytime landscape will be dotted with interactives that engage our youngest visitors’ budding aesthetic sensibilities. We invite you to explore Arturo’s Nest upon its reopening!

Arturo’s Nest space before

Arturo’s Nest space after

Skye Malish-Olson is the Exhibition Designer at the DMA.

Finding Yourself at the DMA

As an art museum educator, I live for the tales of visitors who have had meaningful, inspirational, life-changing experiences in museums—perhaps because it was exactly this kind of personal experience that propelled me down the career path I’ve taken. Working in the Center for Creative Connections (C3), a participatory educational space for visitors of all ages, I have the privilege of hearing these kinds of statements often; however, a few months back I was surprised to hear from a visitor who literally found herself in a photograph by Geoff Winningham currently on view in the C3.

Geoff Winningham (artist), The Cronin Gallery (publisher), U.T. Cheerleaders, negative 1972, print 1976, gelatin silver print, Dallas Museum of Art, gift of Prestonwood National Bank 1981.36.6

During a Late Night event, Laura was walking through C3 with her husband when they both stopped dead in their tracks as they walked by the photograph. “I think that’s you,” her husband stated. “I know it’s me!” Laura exclaimed.

I had so many questions for her. What was it like seeing yourself in a work of art in a museum? Did you know this photograph existed or that you were being photographed at the time? Can you recall the other cheerleaders in the photograph? Luckily, Laura was happy to meet up to discuss her experience.

As you might imagine, Laura was quite surprised to see a photo of her college-age self in the Museum. As a University of Texas cheerleader, she was aware they were photographed in action from time to time—once her image ended up as part of the opening montage of ABC’s Wide World of Sports for a full year—but she never imagined she would make it into a work of art in the DMA’s collection. Laura is uniquely well versed in the DMA collection, but until recently she had never seen this photograph before. Not only is Laura a DMA Member, but she was also part of the PM Docent class for five years, starting with the charter class under the leadership of Gail Davitt.

Both the University of Texas and the Dallas Museum of Art have loomed large in Laura’s life, but she never imagined that the two worlds would collide. In fact, UT Cheer isn’t just a distant memory as Laura regularly attends the Cheer Reunions and keeps in touch with fellow cheerleaders, including some of those captured alongside her in Winningham’s photograph. In the image below, the woman on the far right is the same woman on the far left of the UT Cheerleaders photograph by Winningham.

Now that Laura knows of the existence of this photograph, she comes back to visit it from time to time. She was also keen to meet the photographer, Geoff Winningham, and looked him up immediately to learn more about him and his work. Fortunately, Winningham was at the DMA in April to lead a Gallery Talk about the series this photograph is part of—A Texas Dozen.

Jessica Fuentes is the Manager of Gallery Interpretation and the Center for Creative Connections at the DMA.

Artist Interview: Janeil Engelstad

Last month, Janeil Engelstad, our first C3 Visiting Artist of 2017, embarked on a journey of exploring the collection and creating an in-gallery experience for our visitors. Meet Janeil and learn about her project, which will debut in March 2017.

janeil-edited2

Tell us about yourself.
The ocean and trees ground my Spirit. New York, Chicago, LA, San Francisco, Seattle, Sun Valley, and Bratislava—I carry the experiences of the places I have lived within and they continue to feed my work. My foundation is Gratitude. My practice is Kindness.

What motivated you to apply to the C3 Visiting Artist Project?
Much of my professional practice is devoted to producing projects in collaboration through my organization Make Art with Purpose (MAP), teaching, writing or curating other people’s work into exhibitions. Currently, one of the projects that I’m working on is directing the website for the documentary film Angel Wagenstein: Art Is a Weapon, which premiered at the New York Film Festival at Lincoln Center. While all of this work is rewarding and expands my creativity, every once in a while I want to dip into a project or create a body of work that is completely my own. This residency is, for me, going back into “the studio.”

Geoff Winningham, publisher: The Cronin Gallery, Sunday, February 26, Birdhouse Vendor, Interstate 45, negative 1973, print 1976, gelatin silver print, Dallas Museum of Art, gift of Prestonwood National Bank, 1981.36.8

Geoff Winningham, publisher: The Cronin Gallery, Sunday, February 26, Birdhouse Vendor, Interstate 45, negative 1973, print 1976, gelatin silver print, Dallas Museum of Art, gift of Prestonwood National Bank, 1981.36.8

Tell us about the project you’re working on.
Inspired by Geoff Winningham’s photographs currently on view in the Center for Creative Connections (C3), I am developing a project that investigates and positions narratives that the viewer might not think of when looking at a work of art. For example, there is a photograph of birdhouses on a car. What can this tell us about housing or migration? How can either one of these topics then inform an investigation of another work of art in the DMA’s collection? And how can questions that I pose through a tour, or a set of postcards developed in response to these investigations, inspire the viewer to think more broadly about the world?

What did you enjoy most about this experience?
The process is enjoyable—moving from one idea to another, thinking about the material aspects of the project. Also, I literally looked at every work of art in the permanent collection that is currently on view. My knowledge expanded and my curiosity led me to research many different things. One time I was in the Museum’s library for an entire afternoon. That was a wonderful luxury, as I haven’t made time to be in a library for so many hours in several years. Growing up, I spent a lot of time in my school libraries and in our neighborhood library in Seattle. In college and in graduate school, I spent many hours in the various libraries on each campus. I love the quiet, vibrant energy of a library—all the wisdom and knowledge contained on those shelves. When I can, I will take that over researching on-line any day.

Learn about the upcoming programs that Janeil will be hosting in February and March:
Late Night Tour: More Than a PhotographFriday, February 17, 6:30 p.m.
C3 Visiting Artist Workshop: Mapping Your EnvironmentFriday, February 17, 8:00–10:00 p.m.
Teen Workshop: Telling Stories Through ArtSaturday, February 25, 1:00–3:00 p.m.
First Tuesday: StorytimeTuesday, March 7, 11:30 a.m.

Jessica Fuentes is the Manager of Gallery Interpretation and the Center for Creative Connections at the DMA.

In Collaboration

The Center for Creative Connections (C3) has a long history of partnering with artists and organizations to create meaningful experiences for our visitors. These partnerships have taken many forms, from interactive installations and performances to hands-on workshops and classes. In fall 2016, we did things a little differently—we invited artists to propose to us programs and projects for collaboration. The education team voted to work with Janeil Engelstad, Christopher Blay, Lisa Huffaker, and the collaborative pair xtine burrough and Sabrina Starnaman in 2017. We’re excited to introduce them to you here:

janeil-edited2
Janeil Engelstad, January–March 2017

Collaboratively and independently, Janeil Engelstad has produced exhibitions and multiform projects throughout the world. Her creative practice and community advocacy work often dovetail into work that addresses political, social, and environmental concerns through writing and the visual arts. She is the Founding Director of MAP – Make Art with Purpose, an organization that produces projects at the intersection of art and other disciplines including science, technology, education, and social justice activism. Engelstad’s projects have been supported and produced with a variety of partner organizations, including 9e2 Seattle, Art Margins/MIT, California Museum of Photography, Central European Foundation, City of Chicago Department of Cultural Affairs, Dallas Museum of Art, International Center for Photography, Kunsthalle Stanica Žilina-Záriečie, Oboro/Montreál, San Francisco Camerawork, US Department of State, and others.

christopher
Christopher Blay, April–June 2017

Christopher Blay is an artist, writer, and curator with a BFA from Texas Christian University. He runs the Art Corridor Gallery at Tarrant County College Southeast and reviews art for the Fort Worth Weekly Magazine. His work incorporates video, sculpture, and performance. His most recent work, KWTXR, is based on the fictional character Kara Walker – Texas Ranger and responds to historical violence against African Americans by law enforcement officers. Other recent projects include Cos N!&&@^$ Can’t Breathe at the Lakeview Gallery, The Seven Deadly Things at 500X Gallery, Satellites at CentralTrak Gallery, and two ongoing public art projects in Dallas’s Coombs Creek Park and East Rosedale Avenue, Fort Worth. In 2013, Blay received the SMU Meadows Museum’s Moss/Chumley Award.

Lisa Huffaker, July - September 2017

Lisa Huffaker, July–September 2017

Lisa Huffaker is an opera singer by training, but her creative practice has exploded into poetry, visual art, and bookmaking. She founded White Rock Zine Machine, offering tiny books by Dallas writers and artists, sold in whimsically repurposed vending machines. Her poetry has appeared in numerous journals, including Southwest Review, Measure, and Poet Lore. She sings with the Dallas Opera and teaches creative writing in museums, art studios, youth shelters, and libraries.

sabrina-and-xtine
Sabrina Starnaman and xtine burrough, October–December 2017

Dr. Sabrina Starnaman is a Clinical Assistant Professor of Literary Studies and the Acting Director of the Center for Values in Medicine, Science and Technology at the University of Texas at Dallas. Her research focuses on Progressive Era (1880–1930) American texts about social settlements and women’s activism, urbanism, and disability. Central to Starnaman’s research agenda is exploring how 19th-century activists remediated exploitative labor practices, racism, and poverty. She is interested in finding ways that their historical solutions, often implemented locally, can be brought to bear on similar problems in the 21st century.

xtine burrough is a new media artist, author, and educator. She has authored or edited several books including Foundations of Digital Art and Design (2013), Net Works: Case Studies in Web Art and Design (2011), and The Routledge Companion to Remix Studies (2015). She is the Editor of the Visual Communication Quarterly, and an Associate Professor in the School of Arts, Technology, and Emerging Communication at UT Dallas. Her awards include a Webby Honoree, a Terminal commission, and grants from the UK Big Lottery fund and California Humanities. Her recent projects recover feminist texts through mediation and reimagine virtual crowd workers as bodies with agency.

Upon meeting at UT Dallas in fall 2016, Starnaman and burrough discovered a shared passion for embodiment, literature, and the working class. The two became fast friends and quickly set forth to merge burrough’s interventions with crowdsourcing platforms with Starnaman’s expertise in literature, history, and labor. Together they are working on “The Laboring Self,” a project funded in part by Humanities Texas.

Check back next month for a highlight of Janeil Engelstad and the project she is undertaking during her time as a C3 Visiting Artist.

Applications for 2018 will be made available later this year.

Jessica Fuentes is the Manager of Gallery Interpretation and the Center for Creative Connections at the DMA.

2016 in a Flash

It’s been a busy year at the DMA. From the opening of Eagle Family Plaza to the hiring of Dr. Agustín Arteaga, the new Eugene McDermott Director, my cameras have not taken a break! Now, I get that this is pictures of the year, but before we get to the photos, let’s run some numbers (Because who doesn’t love math when you’re trying to look at pictures).

Since January 5, 2016, I’ve photographed between 140-150 assignments. After a quick scan of all my folders from 2016 and some elementary-school-level math, my approximate total for photos taken this year is give-or-take 20,000.

With a little help from accounting, factoring that we work about 260 days a year, that’s an average of 77 photos every day. It’s also about 150 gigabytes of data for our computer savvy audience.

Clearly, a small fraction of the frames I take actually end up being used for our publications, ads, blogs, and more, but still, that’s a lot! In those 20,000 photos are celebrities, artists, politicians, dignitaries, and of course our amazing visitors. But, as corny as it may sound, nothing makes my day more than taking a photo of a group of kids creating art in the C3, a new mom holding her baby in the Young Learners gallery, or someone with their eyes glued to a painting in the DMA’s galleries.

These images range from some of the most momentous occasions we’ve had in 2016, to some fun behind-the-scenes moments and even just some of my personal favorites. Either way, I can’t wait for the next 20,000.

Greg Castillo is the Multimedia Producer at the DMA

Sights, Sounds, and Smells

intro-pic

Recently, the DMA’s Center for Creative Connections team and our Manager of Access Programs, Emily Wiskera, put their heads together to develop a new Pop-Up Art Spot with sensory-based activities. On Saturdays in December, pop in to the Museum to see Passages in Modern Art: 1946-1996 for FREE in the Barrel Vault Gallery on Level 1 and enhance your art experience.

sensory-square

With these Sensory Squares, you can explore what works of art might feel like if we were allowed to touch them. Look at nearby works of art as you feel each square and consider which works you think relate to each texture.

scent-bottles

Check out a bag of scent bottles and a ring of art cards. Sample the scents and reflect on what memories or images come to mind when you smell them. Find each work of art on the cards provided and compare the scents to the artwork. Which scents do you connect with each work of art?

paper-folding

Interested in origami? Pick up a piece of paper and try your hand at figuring out the folds Dorothea Rockburne made to create the form in Locus Series #6.

Jessica Fuentes is the Manager of Gallery Interpretation and the Center for Creative Connections at the DMA.


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