Posts Tagged 'Christopher Blay'

Artist Interview: Christopher Blay

This spring in the Center for Creative Connections, we invited C3 Visiting Artist Christopher Blay to work with us on a new design for our in-gallery activities. We hope you agree that our time was very well spent. Meet Christopher here and learn more about these imaginative and reflective activities designed for visitors of all ages.

Tell us about yourself in 50 words or less.
I am an artist, and I curate exhibitions at Tarrant County College. I also review art locally. I enjoy the process of making, and create installations that reflect a sense of place. I see value in art that meets both the artist and their audience where they live.

What motivated you to apply to the C3 Visiting Artist Project?
I thought it would be an interesting way to share my ideas with audiences, outside of a curated exhibition. This was about creating a space for reflection, and saying the things left unsaid, in that moment of reflection.

Tell us about the activities you’ve created in C3.
I created three rounds of participatory activities under the project name Machines for Intangible Communications for the Visiting Artist Project (sketches above). They all revolved around the idea that some of the things we want to say can no longer be heard by the people we hope are listening. Part A presented visitors with a desk, a typewriter, some writing materials, and a mailbox. Part B had walkie-talkies and satellites to relay what was spoken. Part C is a phone booth and a Morse code machine for dialing and relaying messages into the void. In each iteration of this project, visitors could reach out and say the things they wish they’d said to themselves, or others. It was a way of expressing the thoughts and words we’ve always wanted to express.

Do you have any favorite visitor responses you’d like to share?
I do. There was a man from Turkey who lost his grandfather when he was about a year old. He told me that it was difficult to speak into the walkie-talkie because he was suddenly at a loss for words; however, when he did speak, he thanked his grandfather for the gift of life, and wished that he was present to see his current life. It was a beautiful moment that I was happy to share with a stranger.

What did you enjoy most about this experience?
I enjoyed being able to make a gesture in a space for art that reflected real experiences. I was inspired to build these machines out of a sense of longing and personal loss, and from stories about loss. This is a human experience and one that I hope connects with visitors. I wanted to build an impossible bridge that maybe a whisper could cross.

Visitor responses from Machines for Intangible Communications Part A.

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Join C3 Visiting Artist Christopher Blay for the Teen Workshop Revolutionary Prints on Saturday, June 24, from 1:00 to 3:00 p.m. The workshop is for ages 13-19; all materials are provided, and no prior experience is necessary. The cost is $8 for the public and $5 for DMA Members.

Jessica Fuentes is the Manager of Gallery Interpretation and the Center for Creative Connections at the DMA.

In Collaboration

The Center for Creative Connections (C3) has a long history of partnering with artists and organizations to create meaningful experiences for our visitors. These partnerships have taken many forms, from interactive installations and performances to hands-on workshops and classes. In fall 2016, we did things a little differently—we invited artists to propose to us programs and projects for collaboration. The education team voted to work with Janeil Engelstad, Christopher Blay, Lisa Huffaker, and the collaborative pair xtine burrough and Sabrina Starnaman in 2017. We’re excited to introduce them to you here:

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Janeil Engelstad, January–March 2017

Collaboratively and independently, Janeil Engelstad has produced exhibitions and multiform projects throughout the world. Her creative practice and community advocacy work often dovetail into work that addresses political, social, and environmental concerns through writing and the visual arts. She is the Founding Director of MAP – Make Art with Purpose, an organization that produces projects at the intersection of art and other disciplines including science, technology, education, and social justice activism. Engelstad’s projects have been supported and produced with a variety of partner organizations, including 9e2 Seattle, Art Margins/MIT, California Museum of Photography, Central European Foundation, City of Chicago Department of Cultural Affairs, Dallas Museum of Art, International Center for Photography, Kunsthalle Stanica Žilina-Záriečie, Oboro/Montreál, San Francisco Camerawork, US Department of State, and others.

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Christopher Blay, April–June 2017

Christopher Blay is an artist, writer, and curator with a BFA from Texas Christian University. He runs the Art Corridor Gallery at Tarrant County College Southeast and reviews art for the Fort Worth Weekly Magazine. His work incorporates video, sculpture, and performance. His most recent work, KWTXR, is based on the fictional character Kara Walker – Texas Ranger and responds to historical violence against African Americans by law enforcement officers. Other recent projects include Cos N!&&@^$ Can’t Breathe at the Lakeview Gallery, The Seven Deadly Things at 500X Gallery, Satellites at CentralTrak Gallery, and two ongoing public art projects in Dallas’s Coombs Creek Park and East Rosedale Avenue, Fort Worth. In 2013, Blay received the SMU Meadows Museum’s Moss/Chumley Award.

Lisa Huffaker, July - September 2017

Lisa Huffaker, July–September 2017

Lisa Huffaker is an opera singer by training, but her creative practice has exploded into poetry, visual art, and bookmaking. She founded White Rock Zine Machine, offering tiny books by Dallas writers and artists, sold in whimsically repurposed vending machines. Her poetry has appeared in numerous journals, including Southwest Review, Measure, and Poet Lore. She sings with the Dallas Opera and teaches creative writing in museums, art studios, youth shelters, and libraries.

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Sabrina Starnaman and xtine burrough, October–December 2017

Dr. Sabrina Starnaman is a Clinical Assistant Professor of Literary Studies and the Acting Director of the Center for Values in Medicine, Science and Technology at the University of Texas at Dallas. Her research focuses on Progressive Era (1880–1930) American texts about social settlements and women’s activism, urbanism, and disability. Central to Starnaman’s research agenda is exploring how 19th-century activists remediated exploitative labor practices, racism, and poverty. She is interested in finding ways that their historical solutions, often implemented locally, can be brought to bear on similar problems in the 21st century.

xtine burrough is a new media artist, author, and educator. She has authored or edited several books including Foundations of Digital Art and Design (2013), Net Works: Case Studies in Web Art and Design (2011), and The Routledge Companion to Remix Studies (2015). She is the Editor of the Visual Communication Quarterly, and an Associate Professor in the School of Arts, Technology, and Emerging Communication at UT Dallas. Her awards include a Webby Honoree, a Terminal commission, and grants from the UK Big Lottery fund and California Humanities. Her recent projects recover feminist texts through mediation and reimagine virtual crowd workers as bodies with agency.

Upon meeting at UT Dallas in fall 2016, Starnaman and burrough discovered a shared passion for embodiment, literature, and the working class. The two became fast friends and quickly set forth to merge burrough’s interventions with crowdsourcing platforms with Starnaman’s expertise in literature, history, and labor. Together they are working on “The Laboring Self,” a project funded in part by Humanities Texas.

Check back next month for a highlight of Janeil Engelstad and the project she is undertaking during her time as a C3 Visiting Artist.

Applications for 2018 will be made available later this year.

Jessica Fuentes is the Manager of Gallery Interpretation and the Center for Creative Connections at the DMA.


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