Posts Tagged 'Geoff Winningham'

Finding Yourself at the DMA

As an art museum educator, I live for the tales of visitors who have had meaningful, inspirational, life-changing experiences in museums—perhaps because it was exactly this kind of personal experience that propelled me down the career path I’ve taken. Working in the Center for Creative Connections (C3), a participatory educational space for visitors of all ages, I have the privilege of hearing these kinds of statements often; however, a few months back I was surprised to hear from a visitor who literally found herself in a photograph by Geoff Winningham currently on view in the C3.

Geoff Winningham (artist), The Cronin Gallery (publisher), U.T. Cheerleaders, negative 1972, print 1976, gelatin silver print, Dallas Museum of Art, gift of Prestonwood National Bank 1981.36.6

During a Late Night event, Laura was walking through C3 with her husband when they both stopped dead in their tracks as they walked by the photograph. “I think that’s you,” her husband stated. “I know it’s me!” Laura exclaimed.

I had so many questions for her. What was it like seeing yourself in a work of art in a museum? Did you know this photograph existed or that you were being photographed at the time? Can you recall the other cheerleaders in the photograph? Luckily, Laura was happy to meet up to discuss her experience.

As you might imagine, Laura was quite surprised to see a photo of her college-age self in the Museum. As a University of Texas cheerleader, she was aware they were photographed in action from time to time—once her image ended up as part of the opening montage of ABC’s Wide World of Sports for a full year—but she never imagined she would make it into a work of art in the DMA’s collection. Laura is uniquely well versed in the DMA collection, but until recently she had never seen this photograph before. Not only is Laura a DMA Member, but she was also part of the PM Docent class for five years, starting with the charter class under the leadership of Gail Davitt.

Both the University of Texas and the Dallas Museum of Art have loomed large in Laura’s life, but she never imagined that the two worlds would collide. In fact, UT Cheer isn’t just a distant memory as Laura regularly attends the Cheer Reunions and keeps in touch with fellow cheerleaders, including some of those captured alongside her in Winningham’s photograph. In the image below, the woman on the far right is the same woman on the far left of the UT Cheerleaders photograph by Winningham.

Now that Laura knows of the existence of this photograph, she comes back to visit it from time to time. She was also keen to meet the photographer, Geoff Winningham, and looked him up immediately to learn more about him and his work. Fortunately, Winningham was at the DMA in April to lead a Gallery Talk about the series this photograph is part of—A Texas Dozen.

Jessica Fuentes is the Manager of Gallery Interpretation and the Center for Creative Connections at the DMA.

Artist Interview: Janeil Engelstad

Last month, Janeil Engelstad, our first C3 Visiting Artist of 2017, embarked on a journey of exploring the collection and creating an in-gallery experience for our visitors. Meet Janeil and learn about her project, which will debut in March 2017.

janeil-edited2

Tell us about yourself.
The ocean and trees ground my Spirit. New York, Chicago, LA, San Francisco, Seattle, Sun Valley, and Bratislava—I carry the experiences of the places I have lived within and they continue to feed my work. My foundation is Gratitude. My practice is Kindness.

What motivated you to apply to the C3 Visiting Artist Project?
Much of my professional practice is devoted to producing projects in collaboration through my organization Make Art with Purpose (MAP), teaching, writing or curating other people’s work into exhibitions. Currently, one of the projects that I’m working on is directing the website for the documentary film Angel Wagenstein: Art Is a Weapon, which premiered at the New York Film Festival at Lincoln Center. While all of this work is rewarding and expands my creativity, every once in a while I want to dip into a project or create a body of work that is completely my own. This residency is, for me, going back into “the studio.”

Geoff Winningham, publisher: The Cronin Gallery, Sunday, February 26, Birdhouse Vendor, Interstate 45, negative 1973, print 1976, gelatin silver print, Dallas Museum of Art, gift of Prestonwood National Bank, 1981.36.8

Geoff Winningham, publisher: The Cronin Gallery, Sunday, February 26, Birdhouse Vendor, Interstate 45, negative 1973, print 1976, gelatin silver print, Dallas Museum of Art, gift of Prestonwood National Bank, 1981.36.8

Tell us about the project you’re working on.
Inspired by Geoff Winningham’s photographs currently on view in the Center for Creative Connections (C3), I am developing a project that investigates and positions narratives that the viewer might not think of when looking at a work of art. For example, there is a photograph of birdhouses on a car. What can this tell us about housing or migration? How can either one of these topics then inform an investigation of another work of art in the DMA’s collection? And how can questions that I pose through a tour, or a set of postcards developed in response to these investigations, inspire the viewer to think more broadly about the world?

What did you enjoy most about this experience?
The process is enjoyable—moving from one idea to another, thinking about the material aspects of the project. Also, I literally looked at every work of art in the permanent collection that is currently on view. My knowledge expanded and my curiosity led me to research many different things. One time I was in the Museum’s library for an entire afternoon. That was a wonderful luxury, as I haven’t made time to be in a library for so many hours in several years. Growing up, I spent a lot of time in my school libraries and in our neighborhood library in Seattle. In college and in graduate school, I spent many hours in the various libraries on each campus. I love the quiet, vibrant energy of a library—all the wisdom and knowledge contained on those shelves. When I can, I will take that over researching on-line any day.

Learn about the upcoming programs that Janeil will be hosting in February and March:
Late Night Tour: More Than a PhotographFriday, February 17, 6:30 p.m.
C3 Visiting Artist Workshop: Mapping Your EnvironmentFriday, February 17, 8:00–10:00 p.m.
Teen Workshop: Telling Stories Through ArtSaturday, February 25, 1:00–3:00 p.m.
First Tuesday: StorytimeTuesday, March 7, 11:30 a.m.

Jessica Fuentes is the Manager of Gallery Interpretation and the Center for Creative Connections at the DMA.

Fairground Count Down

This Friday marks the opening day for the State Fair of Texas. As you countdown the days and plan your visit, get your fair-fix by stopping at the Center for Creative Connections (C3) to view these recently installed photographs by Texas based photographer, filmmaker, and journalist Geoff Winningham.

These are part of Winningham’s photographic series, “A Texas Dozen.” In total, twelve of the fifteen photographs from this series are currently on view at the DMA.

Jessica Fuentes is the Manager of Gallery Interpretation and the Center for Creative Connections at the DMA


Enter your email address to follow this blog and receive notifications of new posts by email.

Join 1,363 other followers

Twitter Updates

Flickr Photo Stream

More Photos