Posts Tagged 'Janeil Engelstad'

Artist Interview: Janeil Engelstad

Last month, Janeil Engelstad, our first C3 Visiting Artist of 2017, embarked on a journey of exploring the collection and creating an in-gallery experience for our visitors. Meet Janeil and learn about her project, which will debut in March 2017.

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Tell us about yourself.
The ocean and trees ground my Spirit. New York, Chicago, LA, San Francisco, Seattle, Sun Valley, and Bratislava—I carry the experiences of the places I have lived within and they continue to feed my work. My foundation is Gratitude. My practice is Kindness.

What motivated you to apply to the C3 Visiting Artist Project?
Much of my professional practice is devoted to producing projects in collaboration through my organization Make Art with Purpose (MAP), teaching, writing or curating other people’s work into exhibitions. Currently, one of the projects that I’m working on is directing the website for the documentary film Angel Wagenstein: Art Is a Weapon, which premiered at the New York Film Festival at Lincoln Center. While all of this work is rewarding and expands my creativity, every once in a while I want to dip into a project or create a body of work that is completely my own. This residency is, for me, going back into “the studio.”

Geoff Winningham, publisher: The Cronin Gallery, Sunday, February 26, Birdhouse Vendor, Interstate 45, negative 1973, print 1976, gelatin silver print, Dallas Museum of Art, gift of Prestonwood National Bank, 1981.36.8

Geoff Winningham, publisher: The Cronin Gallery, Sunday, February 26, Birdhouse Vendor, Interstate 45, negative 1973, print 1976, gelatin silver print, Dallas Museum of Art, gift of Prestonwood National Bank, 1981.36.8

Tell us about the project you’re working on.
Inspired by Geoff Winningham’s photographs currently on view in the Center for Creative Connections (C3), I am developing a project that investigates and positions narratives that the viewer might not think of when looking at a work of art. For example, there is a photograph of birdhouses on a car. What can this tell us about housing or migration? How can either one of these topics then inform an investigation of another work of art in the DMA’s collection? And how can questions that I pose through a tour, or a set of postcards developed in response to these investigations, inspire the viewer to think more broadly about the world?

What did you enjoy most about this experience?
The process is enjoyable—moving from one idea to another, thinking about the material aspects of the project. Also, I literally looked at every work of art in the permanent collection that is currently on view. My knowledge expanded and my curiosity led me to research many different things. One time I was in the Museum’s library for an entire afternoon. That was a wonderful luxury, as I haven’t made time to be in a library for so many hours in several years. Growing up, I spent a lot of time in my school libraries and in our neighborhood library in Seattle. In college and in graduate school, I spent many hours in the various libraries on each campus. I love the quiet, vibrant energy of a library—all the wisdom and knowledge contained on those shelves. When I can, I will take that over researching on-line any day.

Learn about the upcoming programs that Janeil will be hosting in February and March:
Late Night Tour: More Than a PhotographFriday, February 17, 6:30 p.m.
C3 Visiting Artist Workshop: Mapping Your EnvironmentFriday, February 17, 8:00–10:00 p.m.
Teen Workshop: Telling Stories Through ArtSaturday, February 25, 1:00–3:00 p.m.
First Tuesday: StorytimeTuesday, March 7, 11:30 a.m.

Jessica Fuentes is the Manager of Gallery Interpretation and the Center for Creative Connections at the DMA.

In Collaboration

The Center for Creative Connections (C3) has a long history of partnering with artists and organizations to create meaningful experiences for our visitors. These partnerships have taken many forms, from interactive installations and performances to hands-on workshops and classes. In fall 2016, we did things a little differently—we invited artists to propose to us programs and projects for collaboration. The education team voted to work with Janeil Engelstad, Christopher Blay, Lisa Huffaker, and the collaborative pair xtine burrough and Sabrina Starnaman in 2017. We’re excited to introduce them to you here:

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Janeil Engelstad, January–March 2017

Collaboratively and independently, Janeil Engelstad has produced exhibitions and multiform projects throughout the world. Her creative practice and community advocacy work often dovetail into work that addresses political, social, and environmental concerns through writing and the visual arts. She is the Founding Director of MAP – Make Art with Purpose, an organization that produces projects at the intersection of art and other disciplines including science, technology, education, and social justice activism. Engelstad’s projects have been supported and produced with a variety of partner organizations, including 9e2 Seattle, Art Margins/MIT, California Museum of Photography, Central European Foundation, City of Chicago Department of Cultural Affairs, Dallas Museum of Art, International Center for Photography, Kunsthalle Stanica Žilina-Záriečie, Oboro/Montreál, San Francisco Camerawork, US Department of State, and others.

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Christopher Blay, April–June 2017

Christopher Blay is an artist, writer, and curator with a BFA from Texas Christian University. He runs the Art Corridor Gallery at Tarrant County College Southeast and reviews art for the Fort Worth Weekly Magazine. His work incorporates video, sculpture, and performance. His most recent work, KWTXR, is based on the fictional character Kara Walker – Texas Ranger and responds to historical violence against African Americans by law enforcement officers. Other recent projects include Cos N!&&@^$ Can’t Breathe at the Lakeview Gallery, The Seven Deadly Things at 500X Gallery, Satellites at CentralTrak Gallery, and two ongoing public art projects in Dallas’s Coombs Creek Park and East Rosedale Avenue, Fort Worth. In 2013, Blay received the SMU Meadows Museum’s Moss/Chumley Award.

Lisa Huffaker, July - September 2017

Lisa Huffaker, July–September 2017

Lisa Huffaker is an opera singer by training, but her creative practice has exploded into poetry, visual art, and bookmaking. She founded White Rock Zine Machine, offering tiny books by Dallas writers and artists, sold in whimsically repurposed vending machines. Her poetry has appeared in numerous journals, including Southwest Review, Measure, and Poet Lore. She sings with the Dallas Opera and teaches creative writing in museums, art studios, youth shelters, and libraries.

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Sabrina Starnaman and xtine burrough, October–December 2017

Dr. Sabrina Starnaman is a Clinical Assistant Professor of Literary Studies and the Acting Director of the Center for Values in Medicine, Science and Technology at the University of Texas at Dallas. Her research focuses on Progressive Era (1880–1930) American texts about social settlements and women’s activism, urbanism, and disability. Central to Starnaman’s research agenda is exploring how 19th-century activists remediated exploitative labor practices, racism, and poverty. She is interested in finding ways that their historical solutions, often implemented locally, can be brought to bear on similar problems in the 21st century.

xtine burrough is a new media artist, author, and educator. She has authored or edited several books including Foundations of Digital Art and Design (2013), Net Works: Case Studies in Web Art and Design (2011), and The Routledge Companion to Remix Studies (2015). She is the Editor of the Visual Communication Quarterly, and an Associate Professor in the School of Arts, Technology, and Emerging Communication at UT Dallas. Her awards include a Webby Honoree, a Terminal commission, and grants from the UK Big Lottery fund and California Humanities. Her recent projects recover feminist texts through mediation and reimagine virtual crowd workers as bodies with agency.

Upon meeting at UT Dallas in fall 2016, Starnaman and burrough discovered a shared passion for embodiment, literature, and the working class. The two became fast friends and quickly set forth to merge burrough’s interventions with crowdsourcing platforms with Starnaman’s expertise in literature, history, and labor. Together they are working on “The Laboring Self,” a project funded in part by Humanities Texas.

Check back next month for a highlight of Janeil Engelstad and the project she is undertaking during her time as a C3 Visiting Artist.

Applications for 2018 will be made available later this year.

Jessica Fuentes is the Manager of Gallery Interpretation and the Center for Creative Connections at the DMA.


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