Posts Tagged 'Late Night'

Whiskered Deities

Cats are invading the DMA beginning this Sunday, October 9, when the Museum opens the nationally touring exhibition Divine Felines: Cats of Ancient Egypt. The exhibition features 80 objects from the world-renowned Egyptian collection of the Brooklyn Museum depicting cats and lions in ancient Egyptian mythology, kingship, and everyday life (and a few dogs too).

Below is an interview with DMA curator and avid cat-lover Dr. Anne Bromberg that was first published in the DMA Member magazine Artifacts. Mark your calendars for a cat-tastic night on Friday, October 21, during a special Late Night celebrating all things cat and Egypt. Listen to the purrrfect soundtrack to understand why cats are the Furry Conquerors of Culture, and follow the DMA on Spotify.

What are you most excited to present in this exhibition?
The ancient Egyptians were superb artists. Or perhaps one should say they were wealthy enough that they could afford to pay artists generously. The other interesting aspect is that for the Egyptians, cats were very important as divinities, as well as fun and delightful in ordinary life. I’ve said this to practically everybody, but cats have the closest brains to primates, or us, monkeys!

Sphinx of King Sheshenq, c. 945–718 B.C.E., bronze, Brooklyn Museum. Charles Edwin Wilbour Fund, 33.586

Sphinx of King Sheshenq, Egypt, Third Intermediate Period, c. 945–718 B.C.E., bronze, Brooklyn Museum, Charles Edwin Wilbour Fund, 33.586

Many people associate the ancient Egyptians with death or funerary rituals.
That’s partly because tombs were substantially built, so they survived. It’s clear from tomb paintings that the homes of the ancient Egyptians were equally glamorous, but almost none of that has survived.

What did this glamorous life look like?
They had beautiful clothes and were well fed. Furnishings of the everyday, as well as ritual objects, were exquisitely made. I’m sure they had trashy junk (because everyone does) but the impression you have is that the objects people lived with were really beautiful. The Egyptians believed that after death you could live forever in the land of eternal life. Part of the appeal of all Egyptian art, and certainly of this show, is that you see art made by people who believed you could take it with you.

Cat's Head, 30 B.C.E. to 3rd century C.E., bronze, gold, Brooklyn Museum. Charles Edwin Wilbour Fund, 36.114

Cat’s Head, Egypt, Roman Period, 30 B.C.E.-3rd century C.E., bronze and gold, Brooklyn Museum, Charles Edwin Wilbour Fund, 36.114

It’s impressive that the ancient Egyptian civilization lasted so long.
They were isolated to some degree, and they had a foolproof source of food with the Nile River. They were also extremely literate. People who conquered Egypt knew they were taking over one of the most sophisticated cultures in their world, so they allowed that culture to continue. This many-thousand-year continuity of culture did not disappear until the coming of the Christians, who were opposed to traditional Egyptian religious ideas.

Does any part of that culture persist today?
Something that has continued unabated from prehistoric times and up until today is the passion for cats. It is still a very pro-cat civilization.

Figure of a Cat, 305 B.C.E.–1st century C.E., wood (sycamore fig), gilded gesso, bronze, copper, pigment, rock crystal, glass, Brooklyn Museum. Charles Edwin Wilbour Fund , 37.1945E

Figure of a Cat, Egypt, Ptolemaic Period-Roman Period, 305 B.C.E.–1st century C.E., wood (sycamore fig), gilded gesso, bronze,rock crystal, and glass, Brooklyn Museum, Charles Edwin Wilbour Fund, 37.1945E

Kimberly Daniell is the Senior Manager of Communications, Public Affairs, and Social Media Strategy at the DMA.

Party in the DMA

Nicolas Party Pathway_artist Nicolas Party_August 2016_Courtesy of Dallas Museum of Art

On August 1, Nicolas Party hopped off the plane at DFW and ever since it has been a Party in the DMA. It only took the Swiss artist two weeks to transform the Museum’s Concourse into an enchantingly surreal landscape. Unconfined to a static sketch, each day the former graffiti artist added richly hued flora that simultaneously recalls forest floors and ocean depths. Visitors were entranced as he worked to bring his imaginative vision of a sanctuary for the people of Dallas to life. Check out the progression of the site-specific mural below.

And tomorrow, let the long weekend begin. Come experience the wonder of Nicolas Party: Pathway on Thursday evening and throw your hands up because we’ll be playing your song when DJ Wild in the Streets takes over the DMA patio. You’ll be nodding your head like yeah as we start the weekend early with 20% off crepes from Socca, fresh retro pop, funk, soul, and great company. See you there!


Julie Henley is the Communications and Marketing Coordinator at the DMA.





Late Night Knock Out

Ushio Shinohara

This past Friday, artist Ushio Shinohara entered the artistic ring to create one of his Boxing Paintings out on the Museum’s Ross Avenue Plaza as part of our Late Night celebrating the opening of International Pop. Late Night visitors were able to experience his interactive painting style in which he uses paint-soaked sponges attached to boxing gloves to create his unique brand of action painting. If you missed Friday’s artist performance, you still have a chance to view four works by Shinohara in the International Pop exhibition on view through January 17, 2016.

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Kimberly Daniell is the Manager of Communications and Public Affairs at the DMA.

Speakeasy Star

This Friday we’re traveling through the 20th century during Late Night with a different decade highlighted every hour. We asked one of our favorite costume gurus, Breanna Cooke (you may remember the amazing Greek Hero look she created inspired by The Body Beautiful), for tips on how to dress for a time traveling evening.

The evening kicks off with a tribute to the 1920s-30s, so here’s how you can make a flapper headband and then put together an outfit.


What you’ll need for the headband:

  • Long piece of sequined elastic, or stretch fabric, or other headband
  • Craft foam or a large button
  • Hot glue
  • Duct tape (optional)
  • Feathers
  • Bits of lace, ribbon, fringe
  • Rhinestones, buttons, brooches, or even pieces from broken earrings


  1. Make a headband
    Measure a piece of elastic or fabric to fit around your head. Then use hot glue, tape, or needle and thread to attach the ends together. If you’re taping or gluing it together, overlap the two ends. Don’t worry about the seam—you’ll glue your embellishment on top of it.


  1. Make an embellishment
    Using a small circle of craft foam (or a large button) as a base, start gluing rhinestones, sequins, and buttons on top. Get creative and use what you have lying around at home. Then glue some feathers or fringe to the back of your craft foam base.



  1. Put it together
    Using hot glue, attach your embellishment to your headband. Be sure to stick it on top of the seam to hide it.

Ideas to complete the outfit

  • Gloves
  • Feather boa
  • Long string of pearls (Hint: Mardi Gras beads work great! If you don’t have the right color, just paint them with spray paint or acrylic paints)
  • Sleeveless dress
  • Black fishnet stockings

For the gentlemen
It’s still hot in Texas, but a suit is a great accompaniment to your flapper friends. Find a bow tie, grab your fedora, shine your shoes, and we’ll see you at the DMA!

Once you have your costumes complete, come kick up your heels with the Matt Tolentino Band, who will be performing songs from the roaring 20s and 30s at 6:00 p.m. Check out the full night’s lineup online at

Breanna Cooke is a Graphic Designer, Costume Creator, and Body Painter living in Dallas. To see more of her work, visit Check out progress photos of her latest projects on Facebook.

An Unlucky Month

For the fourth year in a row, we have heard rumors that at our next Late Night on Friday, July 18, another mysterious murder will take place at the DMA! It seems like July is an unlucky month for works of art in our collection.

Last year, over two thousand visitors participated in our Museum Murder Mystery Game during Late Night! If you were one of those super sleuths, you found out that it was Emma in a Purple Dress who killed Queen Semiramis in the Chinese galleries with the Bird macaroni knife from the American galleries.

And while Emma in a Purple Dress was brought to justice, we will need your help to once again uncover the dastardly goings on at the DMA.

It will be up to our visitors to solve this fourth Museum Murder Mystery by figuring out who the murderer is, the weapon he or she used, and the room where the murder took place.

For one night only, the seven works suspected of the murder will come to life and answer your questions. Without revealing who the suspects are, as they are innocent until proven guilty, these photos will give you a clue to their identities.


In addition to the Museum Murder Mystery Game, there will be a lot more mysterious and fun things to do during the Late Night; be sure to check out the full schedule of events.


Stacey Lizotte is Head of Adult Programming and Multimedia Services at the DMA.

Experiments on Public Space

As part of my time as a McDermott Intern in Education at the DMA, I was given the opportunity to carry out an independent project. Experiments on Public Space (EPS)started with the aim of evaluating and measuring “publicness” through a research approach that is grounded in artistic practice. From the beginning, the project hoped to contribute to the Museum by initiating an active reclaiming of publicness of the institution through the creation of opportunities for thought, transformatory participation, and active discussion. By doing this, the project’s ambition for the DMA was, and is, to exemplify and animate what it means to be a public museum in the 21st century.


The decision to focus on the issue of publicness is responsive not only to the field of art and culture but also to a globalized context in which our notion of democracy and democratic space is constantly being tainted and distorted. The project is a result of my past research, and my belief that performance art and participatory projects have the ability to provide social, political, and/or personal experiences.

The project launched during the February Late Night with Gesture—Tribute to Tania Bruguera, an unannounced performance that placed Museum visitors in crowd control situations. The piece was the first attempt at creating a space in which to ask participants to explicitly consider the differences between public and private, control and freedom, access and limitations.

The second experiment, Alternative Signage, took place during the March Late Night. This program, which was the result of a collaboration with the DMA/Perot Museum of History and Science Teen Advisory Council (T.A.C.), was also a performance piece where I and a group from the T.A.C. intervened in Museum spaces by installing alternative signs that were conceptualized and designed over a period of three months. The signs reworked and reimagined the ways text, symbols, and signage can influence participation and experiences, and therefore overall publicness.

I Am a Monument… is the third of four experiments that constitute EPS. The program involves a series of workshops that were held during the Museum’s Studio Creations program with guest artist Giovanni Valderas; visitors worked collaboratively to build a temporary monument recognizing and celebrating the Latino community of Dallas. The workshop itself becomes a gesture of coming together to celebrate and participate in this building of relationships between communities. The unveiling of the monument, in the shape of an arch, will create a passageway that represents the desire for mutual understanding and the welcoming of the Latin American community. See it revealed on the Ross Avenue Plaza during this month’s Late Night on Friday, April 17!

Experiments on Public Space will come to a close with a fourth and final program, a panel discussion titled when “public” becomes a verb…, which will bring together four speakers to present a series of visual statements produced in collaboration with the DMA and the Perot Museum of Nature and Science Teen Advisory Council (T.A.C.). The panel discussion will take place during the May Late Night on Friday, May 15, starting at 6:30 p.m. in the Center for Creative Connections Theater.

Poster 1 of 4 - Example

For EPS, each program was conceived as a way of collecting “data on publicness” of the Museum. The results of these “experiments” will be on display at the Center for Creative Connections beginning on April 17. Visitors will become evaluators of this data, providing their thoughts and comments and an overall measurement of the individual issues of publicness explored in this project through a series of interactive activities in the space.

Eliel Jones, McDermott Education Intern for Visitor and Community Engagement at the DMA.

Austen Abounds

It all started last year when a colleague sent me a link to a portrait we have in our collection of Jane Austen, done by Austen’s sister Cassandra. This colleague knew I was an Austen fan and wanted to see if I was aware that we had this in our collection. I had no idea!

After Cassandra Austen, Jane Austen, n.d., engraving, Dallas Museum of Art, Foundation for the Arts, The Alfred and Juanita Bromberg Collection, bequest of Juanita K. Bromberg

After Cassandra Austen, Jane Austen, n.d., engraving, Dallas Museum of Art, Foundation for the Arts, The Alfred and Juanita Bromberg Collection, bequest of Juanita K. Bromberg

I shared this awesome news with other Austen fans on staff, which led us to think about how great it would be do a Jane Austen-themed Late Night. Around that time, we also heard that the Dallas Theater Center would be doing a spring production of Austen’s Sense and Sensibility. Voilà, an Austen Late Night was born.

DTC FY15 Sense 300w 150t 1

We brainstormed a lot of ideas, researched speakers who had talked at local and national meetings of The Jane Austen Society of North America, and met with staff from the Dallas Theater Center to talk about connections to their production.

After months of planning, we are excited to see the event take shape, and we invite you to join us for our Jane Austen Late Night on Friday, March 20, from 6:00 p.m. to midnight. You can hear music from the Romantic era, learn about the fashion world of Jane Austen, watch a Victorian fencing demonstration, listen to a dramatic reading by Dallas Theater Center actors, take quizzes to test your knowledge of all things Austen, watch films, including the 1940 version of Pride and Prejudice staring Laurence Olivier, and learn how Kate Rorick helped modernize Austen for the digital age.

Secret Diary LB Cover

For those of you who like to bring the world of Austen to life, we invite you to come dressed as your favorite Jane Austen character or in a costume inspired by England’s Regency era for a chance to win great Austen-themed prizes, including a pair of tickets to the Dallas Theater Center’s production of Sense and Sensibility. Baronda Bradley, a specialist in Regency fashion, will judge the contest, starting at 8:30 p.m.

sense-and-sensibility-original (1)

Our March Late Night is also our annual Spring Block Party in the Arts District. There will be a lot to do that evening with the Nasher Sculpture Center and Crow Collection of Asian Art also staying open until midnight.

And, for anyone needing an Austen appetizer, there are still tickets available to see Jo Baker, author of Longbourn, at tomorrow night’s DMA Arts & Letters Live event.

I hope to see all my fellow Austenites on Friday!

Stacey Lizotte is Head of Adult Programming and Multimedia Services at the DMA.

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