Posts Tagged 'Marsden Hartley'

Pride in the DMA: Celebrating LGBTQ Artists in the Collection

In honor of LGBTQ (Lesbian, Gay, Bisexual, Transgender, Queer) History Month, I’ve researched some of the LGBTQ artists whose work can be found in the DMA’s collection to bring to light a piece of their lives that isn’t commonly referenced.

First, a quick side note: There is a lot of debate concerning how to historically categorize people who did not classify themselves as part of the LGBTQ community, either because they were living in a society that didn’t accept their identity or because the words simply did not exist. Below I’ll be including artists who had same-sex relationships, who identified as gay, bisexual, etc., or whose actions in today’s world would categorize them as LGBTQ.

Anne Whitney (1821–1915)

"Find A Grave - Anne Whitney." Find A Grave.  (accessed September 23, 2014).

“Find A Grave – Anne Whitney.” Find A Grave (accessed September 23, 2014).

Born in 1821, Whitney fought to become an artist in a society that did not readily accept female sculptors; it was considered masculine, as opposed to more “feminine” artistic mediums like watercolor or drawing. She was also an avid abolitionist and advocate of gender equality.

Whitney’s relationship with Abby Adeline Manning, which lasted for over forty years, is frequently termed a “Boston Marriage.” These were characterized by two women—often with their own careers—living together and supporting themselves financially. Manning and Whitney were so close that they were buried next to one another under the same headstone.

Anne Whitney, Lady Godiva, c. 1861-1864, marble, Dallas Museum of Art, gift of Dr. Alessandra Comini in memory of Dr. Eleanor Tufts, who discovered the Massachusetts-backyard whereabouts of this long-forgotten statue and brought it to Dallas

Anne Whitney, Lady Godiva, c. 1861-1864, marble, Dallas Museum of Art, gift of Dr. Alessandra Comini in memory of Dr. Eleanor Tufts, who discovered the Massachusetts-backyard whereabouts of this long-forgotten statue and brought it to Dallas

Whitney’s sculpture of Lady Godiva depicts the moment when she is about to remove her clothing before her famous ride through the streets. It was gifted to the DMA by Dr. Alessandra Comini in memory of Dr. Eleanor Tufts, who discovered the forgotten statue in a backyard in Massachusetts.

Marsden Hartley (1877–1943)

"SFMOMA | Marsden Hartley." San Francisco Museum of Modern Art. (accessed September 24, 2014).

“SFMOMA | Marsden Hartley.” San Francisco Museum of Modern Art (accessed September 24, 2014).

Hartley’s life was marred by periodic tragedies that informed much of his work. Losses included his siblings, mother, and numerous close family friends. Primarily a painter, Hartley spent much of his career wavering on the brink of financial insecurity.

During Hartley’s first trip to Europe in 1912, he was introduced to Karl von Freyburg, his cousin and rumored lover. After von Freyburg, a German soldier, was killed during battle in WWI, Hartley sank into a depression that would spur his work featuring German officers.

Marsden Hartley, Mountains, no. 19, 1930, oil on board, Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc.

Marsden Hartley, Mountains, no. 19, 1930, oil on board, Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc.

Mountains, no. 19 hangs in the DMA’s American Art Gallery. Its Cézanne-influenced shapes are coupled with the rich colors of an autumn day in New England.

Berenice Abbott (1898–1991)

“Berenice Abbott.” Time of the Moment. (accessed September 22, 2014).

Born in Springfield, Ohio, in 1898, Abbott traveled the world throughout her artistic career. She is most noted for her portraits of LGBTQ community members in 1920s Paris and photographs of 1930s-1960s New York. Abbott was very open about her lesbian love affairs in her early years, and was, at one time, involved with silverpoint artist Thelma Wood; however, given the increasingly conservative culture of America following the Great Depression, Abbott kept her love life a secret in her later years.

Berenice Abbott, City Arabesque, 1938, print 1983, gelatin silver print, Dallas Museum of Art, Foundation for the Arts Collection, gift of Morton and Marlene Meyerson

Berenice Abbott, City Arabesque, 1938, print 1983, gelatin silver print, Dallas Museum of Art, Foundation for the Arts Collection, gift of Morton and Marlene Meyerson, © date Estate of Berenice Abbott

The DMA is fortunate to have a large number of Abbott’s photographic prints, most of them detailing her work in urban architecture. This picture is notable for the curved lines juxtaposed against the rigid, harsh structures of the cityscape.

Other artists in the DMA’s collection who are also members of the LGBTQ community include:
Jasper Johns
Charles Demuth (who was a friend of Marsden Hartley)
David Hockney
Robert Mapplethorpe
Catherine Opie

While we know the month is nearing an end, you can celebrate these artists and more throughout the year in the DMA galleries.

Taylor Jeromos is the McDermott Education Intern for Adult Programming and Arts & Letters Live at the DMA.

The Color of Love

Love is in the air, and red is on the walls of the DMA. Since Valentine’s Day is tomorrow, we decided to explore the works in the collection that represent the color of love. Below are a few works you can visit in the DMA galleries without charge, now that we have free general admission, and you can check out other red works in the collection on the DMA’s Pinterest page. If you are looking for a fun date night to celebrate Valentine’s Day, stay out until midnight on Friday for our February Late Night; visit the DMA’s website for the Late Night schedule.

Crawford Riddell, Bed, c. 1844, brazilian rosewood, tulip poplar, and yellow pine, Dallas Museum of Art, gift of three anonymous donors, Friends of the Decorative Arts Fund, General Acquisitions Fund, Discretionary Decorative Arts Fund, and the Boshell Family Foundation

Crawford Riddell, Bed, c. 1844, brazilian rosewood, tulip poplar, and yellow pine, Dallas Museum of Art, gift of three anonymous donors, Friends of the Decorative Arts Fund, General Acquisitions Fund, Discretionary Decorative Arts Fund, and the Boshell Family Foundation

Mark Rothko, Orange, Red and Red, 1962, oil on canvas, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated

Mark Rothko, Orange, Red and Red, 1962, oil on canvas, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, (c) 2013 kate Rothko Prizel & Christopher Rothko/Artists Rights Society (ARS), New York

Marsden Hartley, Mountains, no. 19, 1930, oil on board, Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc.

Marsden Hartley, Mountains, no. 19, 1930, oil on board, Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc.

Paul Gauguin, Under the Pandanus (I Raro te Oviri), 1891, oil on canvas, Dallas Museum of Art, Foundation for the Arts Collection, gift of the Adele R. Levy Fund, Inc.

Paul Gauguin, Under the Pandanus, 1891, oil on canvas, Dallas Museum of Art, Foundation for the Arts Collection, gift of the Adele R. Levy Fund, Inc.

Rectangular box, mark and reign of Emperor Wanli (r. 1573-1619), dated in inscription to 1595, cinnabar lacquer over wood core, Dallas Museum of Art, gift of Mr. and Mrs. George A. Shutt

Rectangular box, China, mark and reign of Emperor Wanli (r. 1573-1619), dated in inscription to 1595, cinnabar lacquer over wood core, Dallas Museum of Art, gift of Mr. and Mrs. George A. Shutt

Tunic with checkerboard pattern and stepped yoke, Inca culture, Late Horizon, 1476-1534, camelid fiber, Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc. in honor of Carol Robbins

Tunic with checkerboard pattern and stepped yoke, Peru, Inca culture, Late Horizon, 1476-1534, camelid fiber, Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc. in honor of Carol Robbins


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