Posts Tagged 'Semiramis'

Shot Through the Heart

Have you been caught in a bad romance? Had your heart broken? Then join us for Off the Wall on Thursday, February 9, to commiserate with all of us that have been Shot Through the Heart!

Forget finding your soul mate; instead find your perfect art match as you speed date through the Museum, completing fun activities at six different stops in our galleries. To give you a head start in finding your perfect art match, we can share that one of the stops will feature Two Truths and a Lie. For this activity, you will choose a work of art and receive three statements about the object. You will have to figure out which statement is the lie. Here is one example:

Engungun costume, Late 20th century, mixed media, Dallas Museum of Art, gift of Pace Primitive Gallery, New York, 2008.99.1

Engungun costume, Republic of Benin, Yoruba peoples, late 20th century, mixed media, Dallas Museum of Art, gift of Pace Primitive Gallery, New York, 2008.99.1

  1. The cowrie shell–embroidered face panel allows visibility, while “juju” elements attached beneath it provide supernatural protection during the performance.
  2. The chief priest of the Egungun masquerades invokes the spirit of the ancestors; when he does so, the rest of the worshippers’ dance movements and drums are possessed by the ancestral spirit.
  3. The Egungun festival is usually performed during the rainy months in Nigeria because it is believed that the rain helps the ancestors arrive more quickly.

Complete all six speed dating stops and you will receive a free beer or glass of wine in the DMA Cafe. While sipping your drink, learn that it could always be worse when you play a historical version of Marry, Date, Kill with portraits from our collection. Which one of these charmers would you want to keep forever?

Jean-Nicolas Billaud-Varenne was an instrumental figure in the Reign of Terror who hated foreigners, especially Marie Antoinette.

Jean-Baptiste Greuze, Portrait of Jean-Nicolas Billaud-Varenne, early 1790s, oil on panel, Dallas Museum of Art, anonymous gift, 1961.105

Jean-Baptiste Greuze, Portrait of Jean-Nicolas Billaud-Varenne, early 1790s, oil on panel, Dallas Museum of Art, anonymous gift, 1961.105

Edward Hyde was the worst governor of New Jersey and New York ever. EVER. He was also a cross-dresser, which had no impact on the quality of his governing.

Artist unknown, Portrait of a Lady, Possibly Edward Hyde, Lord Cornbury in a Dress, c. 1705-1750, oil on canvas, Dallas Museum of Art, gift of Alta Brenner in memory of her daughter Andrea Bernice Brenner-McMullen, 1992.47

Artist unknown, Portrait of a Lady, Possibly Edward Hyde, Lord Cornbury in a Dress, c. 1705-50, oil on canvas, Dallas Museum of Art, gift of Alta Brenner in memory of her daughter Andrea Bernice Brenner-McMullen, 1992.47

Semiramis wanted to rule Assyria so badly that she kinda-sorta killed both of her husbands. #WhoRunTheWorld

William Wetmore Story, Semirarmis, designed 1872, carved 1873, marble, Dallas Museum of Art, gift of Morynne and Robert E. Motley in memory of Robert Earl Motley, Jr., 1972-1998

William Wetmore Story, Semiramis, designed 1872, carved 1873, marble, Dallas Museum of Art, gift of Morynne and Robert E. Motley in memory of Robert Earl Motley, Jr., 1972-1998

End your night with unlucky in love music classics like You Give Love a Bad Name, Shot Through the Heart, Bad Medicine, and other Bon Jovi classics performed by Blaze of Glory: the Bon Jovi Experience.

And if you’ve already found your soul mate, or you’re just starting to date that special someone, please also join us this Thursday, February 9, to prove that love does conquer all!

Stacey Lizotte is the Head of Adult Programming and Multimedia Services at the DMA.
Katie Cooke is the Manager of Adult Programming at the DMA.
Madeleine Fitzgerald is the Audience Relations Coordinator for Programming at the DMA.

‘Do It Up

Who doesn’t love visiting the salon to relax, recharge, gossip, and get a fresh new ‘do? And all of that pampering couldn’t happen without your trusty hairstylist. Since today is Hairstylist Appreciation Day, let’s check out what hair-raising inspiration the DMA’s collection has to offer.

1935_7

Isaac Soyer, Art Beauty Shoppe, 1934, oil on canvas, Dallas Museum of Art, gift of the Public Works of Art Project

It’s no surprise that women back in the 1930s enjoyed being pampered at the salon too, though their pampering may have required a bit more work. Case in point: notice the guest in the green dress with the strange contraption on her head—she’s getting a perm with an early permanent wave machine. Oh the things we do in the name of beauty!

William Wetmore Story, Semiramis, designed 1872, carved 1873, marble, Dallas Museum of Art, gift of Morynne and Robert E. Motley in memory of Robert Earl Motley, Jr., 1942-1998

William Wetmore Story, Semiramis, designed 1872, carved 1873, marble, Dallas Museum of Art, gift of Morynne and Robert E. Motley in memory of Robert Earl Motley, Jr., 1942-1998

According to myth, Semiramis murdered her husband so that she could become the sole ruler of Assyria. A lady this fierce certainly requires the appropriately coiffed hair to match. Her tight curls are bound down her back and set off with a lovely crown, just to remind everyone exactly who’s in charge.

Charles Willson Peale, Rachel Leeds Kerr, 1790, oil on canvas, Dallas Museum of Art, gift of the Pauline Allen Gill Foundation

Charles Willson Peale, Rachel Leeds Kerr, 1790, oil on canvas, Dallas Museum of Art, gift of the Pauline Allen Gill Foundation

By the late 18th century, hair was teased to towering heights. Styles would be elaborately arranged by hairdressers and maintained for weeks by sleeping in less than comfortable positions with hair wrapped in handkerchiefs. Day dress required the proper covering of the head, but for evening the intricately crafted style was put proudly on display. If size does matter, we can only imagine what talents Mrs. Kerr’s hairdresser employed under her cap.

Stop by the DMA the next time you’re in need of a little hairstyle inspiration and see what your stylist can dream up!

Sarah Coffey is Assistant to the Chair of Learning Initiatives at the DMA.


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